Gory Gear: Dance Party Massacre

Bursting out on the horror scene like a heart ripped from a teenager’s chest, Dance Party Massacre unveiled their first line of freakishly and fabulously designed horror-inspired T-shirts. Designer Alex Dakoulas, a recent graduate of Massachusetts College of Art in Boston and a hardcore horror fanatic, broke his piggy bank to give stylish slasher fans high-quality T-shirts whose designs pay homage to Sleepaway Camp, Friday the 13th, Halloween and 80’s B-grade splatter flicks. He himself says:

“As you may know, the first line derives a lot from slasher movies. Slasher movies typically involve a group of young teenagers being stalked by a masker serial killer—like Halloween, or A Nightmare on Elm Street. It was the horror genre that fit the best as a starting point for the line, and it created a lot of inspiration for the original idea for Dance Party Massacre.

That idea being that what this graphic apparel line takes from horror is not just horror imagery, but horror metaphors and ideas. That there is something, or someone, out there trying put us down, kill our dreams, stop us from living our lives and just like the people in horror films we are struggling and fighting to stop those demons. However melodramatic that sounds, if you don’t take it too seriously (like throw in a little dancing and partying), that’s what is really behind the basis for this line.”

What a perfect mix for horror tees! The Dance Party Massacre tees are THE most unique and fun horror shirts I’ve seen!! You won’t find any of these exclusively creative prints at your local homogenized mall…these are truly different and inventive horror shirts that are guaranteed to thrill slasher fans who crave something sinisterly special!

Dakoulas has started with five different designs for his first line of Dance Party Massacre merchandise. Each one features a colorful, striking design that leaps off the shirt to strike any passerby down with awe. For once, horror fans are given shirts that pop with color and are fun!!

The pale yellow “Blood on the Dancefloor” shirt features a sneaker stuck through with a large, bloody butcher knife. Many horror fans will recognize this as an homage to the poster art for Sleepaway Camp. Or perhaps you’ll associate the image with the dancing, sneaker-wearing JJ from the TV show Good Times crossed with an unfortunately bloody encounter with a psycho killer. Either way, it’s a killer way to blend fun and danger!

“The Classic,” a black shirt with Dance Party Massacre written in bloody red letters, is a throwback to all those cheesy VHS horror films that lined the shelves of the local rental store. Didn’t they all seem to use that same blood-dripping font? This shirt is my personal favorite of the bunch. It combines the company’s great name (“Dance Party Massacre” – a mix of merriment and mayhem) with the nostalgic feeling of 80’s horror movies.

The vintage-looking “Start Living” shirt features white and blue text on a grey shirt that says, “Start living…before you start DYING!” If Dance Party Massacre was a movie, designer Dakoulas says this would be the tagline!

“Candy Apple Razorblade” is a deep purple shirt that features a candy apple spiked with razorblades. It hearkens back to the urban legend of people handing out apples at Halloween with razorblades stuck in them.

For the turquoise “Something’s After Us” shirt, Jason of Friday the 13th and Michael from Halloween were the inspirations. It features a psycho mask that’s equal parts Jason’s hockey mask and Michael’s William Shatner mask…plus, it glows in the dark, so no matter where you hide, you know the killer will find you.

All of the shirts are super-soft, high-quality cotton. The shirts come in a variety of both male and female sizes, so everyone can experience the Party! Through the month of December Dance Party Massacre is generously offering 25% off all their shirts! Hurry, though, when the designs are gone they are GONE! They won’t come back like Jason or Michael.

Dance Party Massacre has awesomely amazing shirts that any slasher fan would go ga-ga for (I know I have!!). Let’s face it, horror fans have limited choices when it comes to horror tees (how many Zombie shirts can you have?), but Dance Party Massacre offers us something wholly new with their exciting designs.
If you are looking to get your favorite slasher fan (or yourself) something to die for, Dance Party Massacre is your first stop!! Their eye-catching designs are soon to be on everyone’s wish list this holiday season, so get your’s first and stand out in the crowd!

Check out Dance Party Massacre online at www.dancepartymassacre.com.

Fatally Yours Featured in OC Weekly!

We are Yours Horrifically!!

Fatally Yours’s very own founder, owner and film critic Sarah Jahier was recently interviewed for a feature article in Orange County’s premiere cultural and hipper-than-thou newspaper, the OC Weekly.

In the article she discusses her love of horror, how Fatally-Yours got started, her commitment to the genre, where she sees horror going in 2008, and much, much more!

Apparently, it’s a copyright issue to repost the article here…so go to the OC Weekly’s website (with the picture in color…snazzy!) to view it.

We would like to thank the OC Weekly for spreading the red on Fatally-Yours and fantastic interviewer/writer Luke Thompson for crafting such a fine feature!

Last Man on Earth (1964)

With the impending I Am Legend film starring Will Smith looming close on the cinematic horizon, I felt it necessary to go back and watch other films that were based on Richard Matheson’s legendary book. My first pick was Last Man on Earth, starring Vincent Price.

Last Man on Earth is a bleak and desolate picture shot in black and white that George Romero himself has claimed to having inspired Night of the Living Dead. Its hopeless atmosphere coupled with Price’s strong performance has made it a cult favorite even though it was quickly dismissed at the time of its release in 1964.

Dr. Robert Morgan (Vincent Price) wakes up day after day to the same monotonous and lonely routine. Each day he wakes up is just “another day to live through,” according to him. He is all alone in a post-apocalyptic world. Everyday he drives through debris-filled, utterly lifeless streets, looking for supplies to sustain him and dumping corpses into The Pit. You see, three years ago a plague infected the entire human population, turning them all into vampires. Everyone, that is, except for Morgan (he is immune because of a run-in with a vampire bat). Now he spends his days fortifying his home, driving the empty streets for useful supplies and dumping dead bodies of vampires into a fire pit. The days may be Morgan’s, but the nights belong to the creatures of the night. When night descends, Morgan must be safe inside his house or risk being torn to bits by the shuffling and zombie-like vampires!

The film stays fairly true to the book, but it lacks the sense of dread that pervades Matheson’s story. Matheson initially adapted the script from his own book, but the producer handed it off to William Leicester to beef up. Matheson was furious at this development and very unhappy with the way Leicester adapted it. He insisted his name be pulled off the credits, replacing it with pseudonym Logan Swanson. If you’ve read Matheson’s book, it does feel like something is off and not quite right about the script. Though the script stays fairly true to the events in the book, there is a certain sense of isolation and horror that appears to be missing.

One thing that isn’t missing or lacking is Vincent Price’s performance. Price captures the heartbreak, hopelessness, longing and loneliness of the last man on earth in a very subdued, but no less affecting, manner. He tones down his usually hammy performance to give us one of his best performances ever.

From watching Last Man on Earth, it becomes pretty obvious that it was, in fact, one of Romero’s influences for Night of the Living Dead (as was Matheson’s book). Both were filmed in black and white (though color stock was widely available at the time) and feature an austere and grim look, both visually and philosophically. They share a very similar tone, but Last Man on Earth just lacked a certain something.

Also, the infected undead in Last Man on Earth, with their slow, shambling walk and hunger for the kill, act more like zombies than bloodsuckers. Still, they can’t stand garlic, sunlight or mirrors and only a stake through the heart will kill them. Every night they attack the house where Morgan lives, yelling at him to “Come out!” but they don’t have the brains to break in. While these nightly ghouls aren’t very scary in our day and age, they purposely aren’t the most horrifying thing in the film. The most terrifying thing is being the “last man on earth,” an outsider, a minority and all alone. There are so many different levels to that particular fear and so much social commentary that could be found in this film…

Yet, I just couldn’t bring myself to really like this film. My main complaint was with the pacing. Though you cared a great deal about what happened to Dr. Morgan, there was far too much time spent on flashbacks of his (and the world’s) past. The focus should have been on the terror at hand as opposed to what happened in the past or explaining how the plague occurred. These flashbacks bog down the film and make its already slow/subtle pace even more meandering. The ending, where we discover the fate of the last man on earth, almost makes up for pace. Almost, but not quite. I’ll be very interested to see how they end the new I Am Legend film…

Last Man on Earth is a close adaptation of Richard Matheson’s I Am Legend, but it fails to capture the complete spectrum of desperation, loneliness and hopelessness that the novel horrifies the viewer with. Still, it’s definitely worth a look for Vincent Price’s excellent performance, the desolate world it portrays and its deeper outlook on humanity.

Available on Amazon!

Fallen Angels (2007)

Fallen Angels falls under the category of the worst type of horror films – one that starts with a great premise but squanders its potential in the execution. Fallen Angels had plenty of promise, but it is riddled with bad story writing and poor pacing, which leads to a very dull movie.

An old and foreboding prison is slated for demolition to make way for a shopping mall, but construction is halted when a secret sub-chamber containing the remains of many long-dead children is discovered. A special forensic team from the FBI is called in to investigate the bodies and perhaps find their killer. Meanwhile, a local teen is found dead while another girl is missing. The investigative team finds that strange murders have plagued the small town for 150 years. They soon discover that seven demons, or fallen angels, each representing the 7 Deadly Sins, hold dominion over that particular town and are responsible for the town’s gruesome and grisly deaths. Can the FBI team, along with the mother of the missing girl, stop the killings?

Like mentioned before, the premise for Fallen Angels sounded very promising, but unfortunately its execution made for a very dull horror film. Not even the familiar faces of Michael Berryman (The Hills Have Eyes), Bill Moseley (The Devil’s Rejects), Kevin McCarthy (Invasion of the Body Snatchers), Kane Hodder, Reggie Bannister (Phantasm), Ruth Buzzi or David Hess (Last House on the Left) in lead to cameo roles could help this floundering flick.

The film starts off weakly by not laying some kind of groundwork for what we are about to witness. The characters and story are not introduced clearly enough, which starts the film off on the wrong foot. The narrative is disjointed, confusing and leaves the viewer bored instead of intrigued. Things go downhill from there with unnecessary characters, too many plot points and not enough time spent on the real mystery at hand.

I will say that it is refreshing to see something other than the usual hack ‘n’ slash flick, but the story (written by Jeff Thomas, who also directs) is just poorly crafted. I did enjoy how the religion aspect was presented and how it really gives viewers something to think about. The ending of the film will be a let down for most genre fans, though I enjoyed its exploration of faith and religion. Still, it seems an easy and far too tidy way of wrapping things up. The rest of the script just seemed convoluted and cluttered. There are a few glimmers of greatness, but unfortunately it is too dull to really sparkle.

The wonderfully creepy setting of the film also felt misused to me. The prison where the film was shot is the supposedly haunted Mansfield State Reformatory in Ohio, which is spooky without the benefit of set dressing. Its cobwebbed cells and long, dark hallways make the Reformatory a very foreboding place. Yet, in Fallen Angels the prison setting doesn’t come alive as much as I’d hoped. The atmosphere just doesn’t drip dread like in other haunted institution flicks such as the spooky Session 9.

The acting was not bad for a low budget film. I especially enjoyed seeing Bill Moseley in the role of a crime scene investigator. Genre fans out there will be disappointed if they expect to see much of anyone else of note, though. Hodder, Bannister and Hess are in blink-and-you’ll-miss-’em cameos, while Berryman, McCarthy and Buzzi are relegated to one scene each. The rest of the actors, including reality “star” Adrianne Curry, Star Trek: The Next Generation actor Michael Dorn, Daniel Zacapa and Farah White, do a decent job as well.

The special FX, done by Bob Keen (who has worked on makeup and special FX for Hellraiser, Candyman, Isolation and Dog Soldiers), are very well done. The demons do look a bit silly at times and don’t seem to really fit their 7 Deadly Sins alter egos. Besides that, the gore looks great! There is one terrifically terrifying teeth pulling scene and a few inventive kills, but those didn’t make up for the lackluster storyline. I was expecting to see more of the seven demons and learn more about them, but they were never properly introduced or given much screen time. The story behind the seven demons isn’t even explored that much. Instead we focus on far too many investigators tramping around the prison looking for answers. Besides these unnecessary characters, we also have the mother (played by Farah White) searching for her missing daughter. She doesn’t add anything except dead weight to an already precariously overburdened storyline.

Despite a few moments that seemingly shine in Fallen Angels, all that sparkles is not gold. If you are searching for a creepy horror flick of the demon persuasion, Fallen Angels is unfortunately not your best pick. It is a poorly written, lackluster and dull. Despite claims that it has an intelligent, solid story, the only intelligent thing about this film is that they cast a bunch of genre favorites so that eager horror fans like you and me would be tricked into dumping our money in this poorly executed film.

Available from Amazon!

Sweeney Todd: The Demon Barber of Fleet Street (1982)

The horror and film communities are all a-twitter over the eagerly awaited, Tim Burton-helmed Sweeney Todd movie. With director like Tim Burton and a cast that is lead by Johnny Depp, who wouldn’t be excited over this new Demon Barber of Fleet Street? I, too, have high hopes for this film, wishing it is something akin to a mix of music from Nightmare Before Christmas and visuals ala Sleepy Hollow.

Before watching Burton’s take on the famous tale, I decided to get a sneak peak by watching Stephen Sondheim’s televised Los Angeles production of the Broadway play. For the uninitiated, Sweeney Todd: The Demon Barber of Fleet Street is set in the grimy streets of 1846 London. Benjamin Barker (George Hearn) was shipped off to prison by Judge Turpin (Edmund Lyndeck) 15 years ago on a trumped up charge. You see, the Judge has nefarious plans for Barker’s beautiful wife and infant daughter. Now, Barker has returned to what he sings is: “…a hole in the world/Like a great black pit/And the vermin of the world/Inhabit it/And its morals aren’t worth/What a pig can spit/And it goes by the name of London.” He has changed his name to Sweeney Todd and plans on reuniting with his wife and child. All seems lost when he runs into the jovial Mrs. Lovett (Angela Lansbury), who runs a meat pie eatery below his long-abandoned barber shop. Mrs. Lovett tells him that his wife poisoned herself and that his daughter Johanna (Betsy Joslyn) is now under the guardianship of the nefarious judge. With this tragic news, Sweeney Todd snaps and vows revenge on all who have wronged him. He re-opens his barber shop, and when his enemies come knocking for “the closest shave” that’s what they get! To dispose of the bodies, Mrs. Lovett starts using them in her pies, which start selling like hot cakes! The Judge continues to elude Todd’s vengeful plans, but not for long…

Sondheim’s play is one of the most celebrated on Broadway and it’s not hard to see why it won eight Tony Awards. The powerful story, strong characterizations, the grimy and sinister mood, the themes of revenge and double-cross, not to mention the macabre material all make for a thoroughly entertaining musical. Sondheim avoids the gimmicky pop of certain musicals, instead choosing very dark lyrics and songs tailor-made for characters. The razor-sharp and lurid lyrics will most certainly be a treat for any horror fan! The musical is almost operatic, because there is sparse dialogue and it is mostly all sung. Those horror fans that do not appreciate a good stage musical are most certainly missing out, as Sweeney Todd delivers marvelous musical mayhem.

This is a stage play, so the set is one stage very sparsely decorated with a few movable set pieces. There are a few scaffolds that are wheeled about, along with Mrs. Lovett’s meat pie shop and, upstairs, Sweeney Todd’s barber shop. There are no grand, lavish sets in this play, but the sets are enough to convey the mood of a bleak, grimy, post-industrial London.

The acting is also wonderful. Those only familiar with Angela Lansbury through her television show Murder, She Wrote will be quite surprised and satisfied by her performance here. Her Mrs. Lovett is a perfect mix of caring, comedic and crazy! George Hearn (replacing Broadway’s Len Cariou) plays the tragic, bitter and determined Sweeney Todd. His vindictive resolve is made plain upon his first appearance on stage. He really makes the audience really feel and sympathize with his character, despite the heinous acts he is committing. The rest of the cast do a wondrous job as well, from Ken Jennings playing ragamuffin Tobias Ragg to the Judge’s henchman The Beadle, played by Calvin Remsberg. My only dissatisfaction came from Betsy Joslyn’s performance as Johanna, which made me cringe more than clap. Thank goodness we didn’t have to hear her sing more than she did, because her screechy vocals grated my nerves more than chalk on a blackboard!

Despite the one awkward performance, the stage version of Sweeney Todd holds up after all these years. It’s a timeless tale of rabid revenge and murderous mayhem that horror fans should love. If you can get past the “musical” aspect of it (we horror fans can be a pretty persnickety bunch!), Sondheim’s Sweeney Todd does have much to offer, especially a shocking and surprising ending, one I’m not sure they’ll keep for Burton’s version.

To see Sweeney Todd: The Demon Barber of Fleet Street come alive on stage was quite a treat. Until Burton’s version, make sure to “Attend the tale of Sweeney Todd. His skin was pale and his eye was odd. He shaved the faces of gentlemen who never thereafter were heard of again. He trod a path that few have trod, Did Sweeney Todd, the Demon Barber of Fleet Street.”

Available on Amazon!

The Mist (2007)

After a long history with the Stephen King novella The Mist, Frank Darabont has finally seen his dream of making it into a feature film realized. Darabont had planned on adapting it into a feature in the early 1980’s, just after it had been published, but other projects, like his adaptation of King’s Shawshank Redemption and The Green Mile, took precedent. After years of waiting for one of King’s fans’ favorite short stories to make it onto the big screen, has Darabont succeeded with The Mist?

After a particularly destructive storm, David Drayton (Thomas Jane) and his young son (Nathan Gamble) head into town to stock up on supplies. While in the local grocery store with a good number of other townsfolk, a thick mist quickly rolls into town, heralded by a bloody man that runs into the store and warns everyone that there are “things” in the mist…things that kill. After everyone is witness to the mist’s destructive nature when a lone man runs to get to his car just as it descends on the town, they lock down the grocery store until they can figure out the situation. When all attempts at escape or calling for help fail, the local “fire and brimstone” woman, Mrs. Carmody (Marcia Gay Harden), takes it upon herself to warn everyone that the end of times has come. Soon, the people in the store are not only threatened by monsters in the mist, but the human monsters in their midst.

Going into The Mist, I really wasn’t expecting much more than a CGI monsterfest. When I came out, I was pleasantly shocked. Darabont has created a tense and frightening film that will leave you stunned. Like his non-horror King adaptations of Shawshank and Green Mile, The Mist is a classy affair that boasts impressive acting and classic chills and thrills.

From the dramatic opening the film will have you hooked. Once the characters make it to the relative safety of the grocery store, the tension only mounts. After the mist hits the town, the chaos and confusion within the store feels extremely realistic and you can’t help but be as shocked as the townspeople are. To assist in the realistic feel, Darabont utilizes hand-held cameras to give a sense of immediacy to the dramatic proceedings. I found this to be a bit too “television crime drama” for my tastes, but it does give you the feeling you are right alongside the panicked patrons.

The characters trapped in the store are all strongly characterized. From the unlikely hero of Ollie (scene-stealer Toby Jones), a grocery store clerk, to the reluctant leader David and the zealous and hateful Mrs. Carmody, you can’t help but feel for all the characters. Each character is flawed and therefore made more human and easily relatable because of that. My only problem with the characterization was the portrayal of Mrs. Carmody, which quickly turned into an exaggerated caricature. She was a bit too over the top for me.

The acting was very well done from everyone involved. Thomas Jane proved himself as a very capable leading man. Marcia Gay Harden gave Mrs. Carmody some much needed humanity, though her character did come off as a bad caricature at times. All of the supporting actors, including Laurie Holden, Andre Braugher, Jim Grondin, Chris Owen and many more, did a fantastic job as well.

The special FX in The Mist are impressive as well. I don’t understand the naysayers who have said that the CGI work is shoddy; from where I was sitting, it looked great! The monsters in the mist are vicious, and include a creature with blood-sucking, barbed tentacles, pterodactyl-like monsters, huge spiders that shoot acidic webs and have large spines on their backs, crab-like creatures that are several stories tall and a truly behemoth creature straight out of Lovecraft’s stories. Besides great creature effects, the film also boasts several nasty gore scenes, my favorite being when a man, who’s become a spider snack, bursts forth hundreds upon thousands of baby spiders.

These scintillating special FX aren’t just thrown in there to keep the audience awake because the rest of the film is just as good! The pacing is excellent and kept my attention the entire time, even though the run-time is over two hours. Between the threat of the monsters lurking in the mist and the growing threat of the fascist Mrs. Carmody, the tension is certainly kept taut. The action just keeps coming up until the end as David and a few others try to find a way out of their desperate predicament. The ending, which Darabont changed from King’s ambiguous one, is one that people will be talking about for a long time to come. It is appropriately tragic and dramatic, and will knock the wind right out of you!

Despite such glowing words over the film, I did have one other problem besides the caricaturization of Mrs. Carmody. The fade-to-black transitions used between scenes make The Mist look like another made-for-TV Stephen King flick. The awkward transitions were horribly out of place with the film’s otherwise high production values. These annoying fade-to-black transitions (I expected a commercial to come on each time they were used) chopped up The Mist and diminished my enjoyment a tad.

Of the horror films that have been theatrically released recently (30 Days of Night, Saw IV, etc.) the one I would recommend seeing the most would have to be The Mist. Despite the few problems I had with it, The Mist is an excellent monster movie and one of the best horror releases of the year. Its tense atmosphere, great creature design, wonderful acting and classic monster movie feel make it a very frightening and enjoyable horror film. It doesn’t have to rely on gore for entertainment (though it has its nasty bits), but instead frightens us with what is hidden – the monsters in the mist as well as the monsters within ourselves.

Available from Amazon!

Gory Gear: Gold Label Goods

We take pride in bringing you the latest horror reviews, telling you what is worth your time and what needs to be avoided at all costs! That not only applies to film, but also to books, comics, and now, horror-related products!

We’ll be featuring a product spotlight here on Fatally-Yours.com, introducing you to quality companies that carry horror-related merchandise and letting you know what’s hot (and not) in horror products.

Our first product spotlight features Gold Label Goods, a new online shop featuring designs from the hottest new films, TV shows and more! What caught our eye at Gold Label is that YOU, the customer, chose the design and product you want it on. You can get licensed designs from Saw, 30 Days of Night, Dexter and more on a wide selection of shirt styles, mugs, pins, mouse pads, notepads and more! It’s totally customizable!

Another great thing about Gold Label is that it is totally geared towards the fans. Besides being able to choose from a wide variety of designs and products, customers are encouraged to suggest other designs that they believe Gold Label should carry. Gold Label is a movement away from the limitations of old Internet shopping, instead offering many choices and possibilities to the fans.

Gold Label not only offers customers the ability to choose specific designs, colors, size and shapes for each of their purchases, but they also offer only the highest quality of product. Their designs are printed on thick, 100% cotton Anvil shirts and the rest of their merchandise are also very high-quality. Their mouse pads are very thick and not at all flimsy, while their mugs are perfectly suited for my manic coffee drinking habit.

If you want a wide selection of totally customizable products geared towards horror fans, Gold Label offers and excellent shopping experience you’re unlikely to find anywhere else. Their site is very easy to use, with (again) a HUGE selection of high-quality products, colors, sizes, etc. to choose from! Also, their prices won’t break the bank and any of their products would make great Christmas and holiday gifts for your resident horroraholic!

Most of all, though, we love Gold Label because it stays committed to those that count – the fans! What store do you know that actually encourages its customers to speak up and speak out about designs they want to see?!

This hectic holiday season, we here at Fatally-Yours.com recommend taking a break from the overcrowded malls and hitting up Gold Label Goods online. Whether you’re looking for a Dexter wall clock, a Saw hoodie, or a 30 Days of Night mouse pad, you will definitely find some very unique products for yourself or fellow horror lovers!

Gold Label Goods also carries designs from cable show Weeds, Heavy Metal Magazine and Tarantino’s Reservoir Dogs.
Check ‘em out!