The Crazies (2010)

I’ve never been a big fan of George A. Romero’s 1973 film The Crazies. I’ve probably only seen it a few times and remember being very underwhelmed by the horror flick. I understand its message and significance, and while I appreciate a good socially conscious film, the original Romero film just didn’t grab me and was largely forgettable.

So, I wasn’t too excited for the 2010 remake, helmed by Breck Eisner (same dude who is in discussions to direct remakes of The Brood and Creature from the Black Lagoon…ugh, it never ends! He also directed an episode for Fear Itself). I saw The Crazies reboot when it was released on DVD last week, but it has taken me this long to write a review since the remake, like the original, left me feeling pretty “meh”.

A military plane crashes in a small Midwest town and releases a secret biological weapon into the town’s water supply. As people become exposed they become gravely ill, ultimately descending into homicidal madness. Soon, the military quarantines the town to contain the virus at all costs. Sheriff David Dutton (Timothy Olyphant), his pregnant wife Doctor Judy Dutton (Radha Mitchell) and a few other uninfected inhabitants attempt to escape, but who can they trust when anyone can be infected?

This remake doesn’t really try anything differently and is pretty much the same film as the original except it looks more slick and polished. It starts off pretty strongly (a man holding a gun stumbles across a baseball game, a mad look in his eyes, as Sheriff Dutton pleads with him to put the gun down – a scene you’ve undoubtedly seen in the trailer), but after the characters and plot are established the story begins to wear thin and the proceedings become pretty boring.

However, the film also has its positives. For one, the acting was pretty decent. Timothy Olyphant and Radha Mitchell do a good job as the married couple, though their chemistry felt a little off at times. And dang…Olyphant looks mighty fine in that police uniform! Joe Anderson who plays the deputy also gave a strong performance, especially towards the end. Everyone else in the cast did a good job, so not many complaints from me regarding the acting.

I also thought the special effects were quite good and the “infected”, with bloodshot eyes, sores erupting on their faces, their blank-eyed stares, looked great! There is a scene at a truck stop where a few groddy infected attack the Sheriff and his wife that is VERY effective and actually made me jump! The film isn’t gore-focused, but has its fair share of bloodshed. One memorable scene that comes to mind is the pitchfork scene where a “crazy” kabobs a victim with the implement.

Saying all that, I was still bored watching the film. A few good scenes do not a movie make, and while The Crazies isn’t a horrible, dumbed-down remake like most horror “reimagings” are, I was still managed to be let down. The story is just too familiar, not only because it’s a remake, but because we’ve seen virus/quarantine movies so many times before…and yet films like 28 Days/Weeks Later and [REC] actually managed to keep me from falling asleep while watching them, something I can’t say for The Crazies.

Saying The Crazies is one of the better horror remakes out there really isn’t saying much, and while The Crazies is better than most reboots coming out of Hollywood,  it still failed to entertain me.

Watch at your own risk!

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Book Review: George A. Romero Pocket Essential Guide

 

People usually associate George A. Romeo with zombie movies due to his reinvention of the zombie subgenre with his groundbreaking film, Night of the Living Dead and his masterful follow-ups, Dawn of the Dead and Day of the Dead. His zombie films are memorable not only because they are so spectacularly scary and gory productions, but also because they are socially conscious, delivering commentary on consumerism, racism, war, etc. that is still relevant today.

Romeo went on to make two more zombie films in his Dead series – Land of the Dead and Diary of the Dead – and has plans to make more, but people don’t realize just how varied his filmography really is. People tend to overlook his other horror films like Martin, The Crazies, Bruiser in favor of his zombie yarns, but these underrated flicks deserve to be seen too.

In Tom Fallows and Curtis Owen’s new book, the George A. Romero Pocket Essential Guide, the two authors explore many of George A. Romero’s films, horror or otherwise, with an in-depth analysis on each of his works. They chronologically cover Romero’s films, giving us a kind of timeline to chart Romero’s maverick career. Each film is broken down over several categories, including a synopsis, any trouble the production ran into, trivia, social commentary within the film, history, etc. Each entry offers an insightful look at the filmmaking process and Romero’s career.

Authors Fallows and Owen do a marvelous job of covering Romero’s filmography from his well-known Dead series to lesser-known works. The direct and strong writing style ensures that the authors cover a ton of information in a small amount of space. The amount of trivia, facts and other information they have compiled is pretty expansive and covers Romero’s films in-depth. Their enthusiasm is engaging and really makes you want to check out lesser-known Romero titles or re-watch ones you already have. The only complaint I had was what I saw as unfair treatment of Land of the Dead. They barely covered the film and gave it a pretty scathing review, though most of the other films were treated with reverence or at least respect (even the awful Diary of the Dead!).

Beside that, though, the book made me fall in love with Romero’s cinema all over again and actively seek out and re-watch many of his films. George A. Romero Pocket Essential Guide is a must-own for any George A. Romero fan, whether you own all his films or have just seen a few. Either way, you’ll learn a lot about the “Don of the Dead” and come to appreciate his films, both well-known and obscure, much more.

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Fan of the Dead (2008)

Fan of the Dead is a travel documentary about Nicolas Garreau, a French fan of George A. Romero’s Living Dead series, who travels to Pennsylvania to unearth the shooting locations used in Romero’s films, including the infamous Monroeville Mall from Dawn of the Dead, the original basement used in Night of the Living Dead, the farmhouse used in Night of the Living Dead 1990, the underground military facility used in Day of the Dead, the cemetery from the original Night of the Living Dead, and many more!

Garreau also filmed his visit to the Pittsburgh Comic Convention, which features interviews with various cast members from the films and fan reactions. Stars from the films even accompany fans to the shooting sites of the mall and the small airport from Dawn of the Dead.

Fan of the Dead is the ultimate fanboy (and girl) film for those that haven’t been able to visit such hallowed sites themselves (and even for those who have to “compare notes” with Garreau). It’s like Fodor’s come to life for horror fans! Fan of the Dead is like if you and your Living Dead fanatic friends filmed yourselves visiting Romero’s stomping grounds…everything is shot via handheld camera with a decidedly “home movie” feel. However, Garreau has so much passion and love for his subject that you quickly forget about the amateur production values and just enjoy the ride alongside the charming Nicolas, who manages to befriend just about everyone on his trip!

One of the best parts in the film is when various cast members from Dawn of the Dead (Ken Foree, David Emge, Machete Zombie – Lenny Lies, Nurse Zombie – Sharon Ceccatti, Helicopter Zombie – Jim Krut, and more!) accompany a small bus load of fans for a walk around Monroeville Mall, pointing out famous (or infamous) shooting locations. Some of the same cast also joined fans for a jaunt around the small airport where the group of survivors stopped to refuel. Hearing the actors talk about filming the movie was just as exciting as watching the joy of the fans! The enthusiasm of both the fans and cast is contagious!

Of course, there were also scenes of just Garreau driving to his next location and speaking heartfelt words about the films he so loves. We also got to hear about the hardships he faced in finding the exact locations and shared his joy when he finally arrived. His trip to the military bunker used in Day of the Dead (it is now used as a warehouse) was pretty neat, as the people that work there still remember when Romero shot there and many were used as extras in his film.

The documentary (though “vacation video” seems more appropriate) did drag in a few places, but with a short running time of 60 minutes it mostly moves at a quick pace. My only big complaint was the horrible voiceover work done. Garreau speaks French most of the time, so his voice was dubbed over with an “actor’s” voice…but this guy delivered his lines so flat and unconvincing that it really detracted from the film. I don’t know why subtitles weren’t used, but if they had it would have made for a much more pleasant viewing experience.

Besides that, Fan of the Dead is a fantastic little film that will delight horror fans! It’s so much fun to see locations used 25 (or more!) years ago and say, “Holy crap! I remember that!!” I wouldn’t be surprised if Fan of the Dead revives tourism in Pennsylvania, because as soon as you see this you’ll definitely want to plan your own terrifying trip to unearth Romero’s Living Dead locations!

Fan of the Dead – Official Site

Night of the Living Dead (1990)

I had never gotten around to seeing Tom Savini’s remake of George Romero’s Night of the Living Dead. Maybe I had better things to do (doubtful), maybe I was lazy (probable) or maybe I just thought a remake of THE great zombie film could never live up to its source material. Whichever the case, I’m glad my boyfriend turned me on to Savini’s fantastic remake of the original or I might never have seen it!

The remake follows almost the exact same storyline as the original Night of the Living Dead, with a very different ending. It all begins with Johnnie (Bill Moseley) and Barbara (Patricia Tallman) driving to a cemetery in the middle of nowhere to visit their mother’s grave. Before you can say, “Barbara, they’re coming to get you,” they are attacked by the newly risen dead. Barbara flees to a nearby farmhouse and is soon joined by survivors Ben (Tony Todd), Tom (William Butler), Judy Rose (Katie Finneran), and the Cooper family, Harry (Tom Towles), Helen (McKee Anderson) and little girl Sarah (Heather Mazur). Can the group survive the growing numbers of zombies that appear outside?

Tom Savini sure did a heck of a job remaking one of the most revered zombie films of all time. He stuck close enough to the original to keep the same terror-filled atmosphere of Romero’s movie, but added a new ending that seemed like a very appropriate update.

This version moves quickly and when the action begins with the first zombie attacking Johnnie and Barbara in the cemetery, it doesn’t relent. The action after that comes fast and furious. Chaos, bickering and bloodshed all take place once the survivors take refuge in the farmhouse and the zombies slowly surround the place. The suspense and terror really start to build, even though most of us have seen the original Night.

The film’s characters are all pretty similar to the original, with the exception of Barbara. This time around, Barbara is much stronger and tougher. I appreciated the make-over of Barbara’s character and really enjoyed seeing Patricia Tallman in her take-charge role. The rest of the cast do a fantastic job, though Tony Todd could never live up to Bill “Chilly Billy” Cardille’s performance as Ben. Tom Towles does a fantastic job playing the highly unlikable Harry Cooper and you’ll be clapping when he meets his surprising demise.The remake does a great job at recreating that claustrophobic atmosphere that is so prevalent in Romero’s version. The farmhouse is spectacularly spooky and very dark and depressing. Everything from the basement up to the attic is dank and you never know what might be waiting for you in the shadows or around a corner. The gore is limited (surprising with Savini behind the scenes), but is still effective for a Night of the Living Dead remake.

Now, the ending is completely different but it is still shocking, though perhaps not so much as in the original version. Of course, it attempts to go the politically correct route, though the rednecks still love their guns and their zombie huntin’. Even so, I thought it was a nice 90’s update and it definitely added to the film instead of spoiling it.

Tom Savini’s 1990 remake of Night of the Living Dead is definitely worth checking out, whether you are already a fan of Romero’s Night or if you’ve never even seen the original. This zombie movie doesn’t deserve many of the negative comments that it has received and really should be placed alongside another successful and entertaining remake of a Romero Dead film – the Dawn of the Dead remake.

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