Enter the Dark (2011)

Enter the Dark is a short, 17-minute film from writer/director Todd Miró. To be honest, I was thinking this was going to be another Paranormal Activity-inspired flick, and to some extent it does share a similar style, but surprisingly it isn’t a cheap knock-off, but rather a creepy and effective short film.

Charles (Charles Yoakum) has a problem. There’s something in his house scaring his family and it just won’t leave them alone. They’ve all heard voices, seen dark shapes moving in the shadows, felt that uneasy sensation of being watched. Finally Charles captures something on his audio recorder that proves they’re not all going crazy. He decides to make a stand, enlisting the help of his long-time buddy, Rob (Rob Sandusky), to delve into the mystery of his unwanted guest and hopefully send it on its way. If they can somehow figure out what the entity is and what it wants, maybe they can all finally have some peace.

Rob’s worried about his buddy. He’s been acting really strange lately … well, even stranger than usual. Rob knows that things have been rough for Charles – struggling to make ends meet in a down economy, dealing with the unexplained disappearance of his brother-in-law, Marcus, and now these claims of some ghost harassing his family. Rob is skeptical that there’s anything paranormal going on, but he agrees to help his friend out if only to find out the real nature of the problem.

With the lights out, two friends are led on an adventure of paranormal encounters: cold spots, an eerie children’s book, unexplained apparitions and a final mystery that leads to a disturbing conclusion.

For a low-budget short, Enter the Dark looks polished and professional. The film is shown from multiple perspectives – from the hand-held, night-vision camera the men carry to just a regular “third-person” camera view. I liked how the perspectives switched back and forth from these cameras, keeping the viewer interested and the action tense. I also enjoyed how the majority of the film was lit by either the night-vision on the hand-held camera or a single flashlight. This gave the film a more claustrophobic, and therefore suspenseful, feel. Indie filmmakers should take note, because a high-quality look can be achieved on a budget, and Enter the Dark is a prime example.

The quality of the film isn’t just in the visuals, though. The acting is also top-notch, with actors Charles Yoakum and Rob Sandusky putting on convincing performances. I completely believed them as the two friends and I also really enjoyed their character development in the short. Kudos to the actors and to writer/director Miró for giving us realistic characters that were also nicely fleshed out, all within a very short running time.

The film also has some awesome creepy moments. The whole story starts slow with focus the character development discussed above, but it quickly builds to eerie scenes that lead up to a startling ending. I liked the overall subtle creepiness of the film plus the psychological aspects that were explored.

Enter the Dark is an entertaining, scary and thought-provoking short film that makes me look forward to future projects from writer/director Todd Miró. It is currently scheduled to screen at several film festivals, and I urge you to check it out if you get a chance! You won’t be disappointed…

Visit the film’s official site!

Meadowoods (2010)

You all know that faux documentaries are nothing new in the horror genre. “Found footage” flicks have been popular from Cannibal Holocaust to Paranormal Activity and are now more common than ever thanks to the heightened scare factor, immediacy and realism of faux docs. Plus, they can be relatively cheap to make for filmmakers on a budget! However, they are so “dime-a-dozen” nowadays that sometimes they are more a chore to sit through than a pleasure.

So, I didn’t really have high hopes for Meadowoods, where three college students decide to film themselves planning and executing a murder.

The three disenfranchised college kids are Stephanie (Michelle Roe), a bitter young woman who has lost all faith in humanity, Travis (Connor Thorp), the seemingly happy-go-lucky leader of the group but who hides a sinister, sociopathic nature and the brooding cameraman Ryan (Michael Downey). The three are fed up with being neglected by their parents and living in a small podunk town, so to go down in history they decide to kidnap and kill a random person, filming everything. However, once their plan starts to become a reality, Ryan starts having second thoughts, especially after he gets close to their intended victim.

I wasn’t expecting too much out of Meadowoods and figured it would just be another throw-away serial killer flick with lots of violence and brutality. Lucky me, I actually got a rather chilling story about the ambivalence and indifference of seemingly ordinary people. The scare factor in Meadowlands isn’t in the final scenes where the kids’ quarry is trapped and tortured, but rather in the scenes where each of the kids are interviewed, stating their reasons for wanting to kill someone, their views on death and the afterlife and so on. Their coldness and flippancy towards killing another is absolutely chilling and portraying this is where this film succeeds!

Of course, none of this would have worked without competent and convincing actors and surprisingly for an indie film the acting here is top-notch across the board. Connor Thorp, Michelle Roe and Michael Downey all do a stunning job playing the trio of friends. They were all entirely convincing as bored college kids looking for a sick thrill. Very spooky performances! And Ila Schactler gave another believable performance as their intended victim. She was likable and perfect as the girl next door!

I also want to give kudos to writers Stuart Ball, Scott Phillips (who also directed) and Anna Siri for creating such realistic characters and such a chilling story. I appreciated that the characters weren’t your stereotypical stupid teens and that the script offered more than just violence.

My only problem with Meadowlands was the ending, which dragged a bit too much in my opinion. It was almost like they used most of it as padding since it got so repetitive. The taunting and torturing of the victim was fine, but did we really need to see her sit there and scream for what seemed like 20 minutes straight? I think the ending killed the unsettling feel of the rest of the film, which is unfortunate since I enjoyed the first part of the film so much.

However, I would still recommend you check out Meadowlands. It isn’t your typical “found footage” horror film and really takes the time to frighten us psychologically through its portrait of today’s bored youth.

Available from Amazon!

Death of a Ghost Hunter (2008)

Ever since The Blair Witch Project there have been a plethora of “found footage” faux documentaries. Some are good while others are just groan-worthy. Can you guess which category Death of a Ghost Hunter falls into?

Death of a Ghost Hunter is about paranormal investigator Carter Simms (Patti Tindall) investigating a supposedly haunted house. The history of the house is that an entire family was slaughtered there, including husband, young son and daughter. Supposedly, when the mother discovered them all dead she blew her brains out because she couldn’t deal with their deaths. There have been reports of a haunting ever since this tragedy. The owner of the house, who has never lived there himself, tells Carter she will be joined by a few other people to help her document anything that occurs.

I wasn’t expecting much out of this movie, but the first half hour or so was actually pretty promising. We found out the whole cursed history of the house and one of the investigators (a 20-something church girl who was there to ensure the dead were “honored”) becomes especially affected by the surroundings. There is also a very creepy moment where the investigators discover something in their footage (a little hand gripping a doorframe and a small head slowly peering around – ya, it’s on the DVD cover) that made the hairs on the back of my neck stand on end!

However, this was the ONLY scary part of the film and the rest just went downhill from there. The other “ghostly” appearances were too obvious and the special FX looked lame. The best films make you believe something is there but either don’t show it or only show a peek, but in most of Death of a Ghost Hunter they show too much and it ruins the tense mood of the first part of the film.

Also ruining the mood were the many plot holes and plot inconsistencies. When the investigators found a bunch of incriminating photos I practically threw up my hands and said, “Right. Like the police wouldn’t have found those!” Or how the police couldn’t have figured out the killer from all the forensic evidence.

When the mood is ruined for the rest of the film I pretty much stopped caring about the characters. I thought the actors all gave okay performances, but their characters were written just kinda blah. A huge backstory wasn’t necessarily needed, but something that would make the audience relate to them would have been nice and perhaps make us care for them more.

To top it all off, the “finale” dragged on for far too long and really should have ended with the death of a ghost hunter (I’m not giving anything away, it’s all there in the title!). Instead, it was drawn out for another 20 minutes or so (all I know is that it felt like FOR-evvvver!). At this point I just wanted the movie to end, but it just kept going and going and going…

I will say that the “Jesus box” (a huge box with crucifixes all over it that is worn over the head and has an eyehole to see out of) used throughout the film and prominently in the end was pretty creepy.  However, that and the previous scare I mentioned do not make a good movie all on their own. This film was just riddled with too many pacing, storyline, character and mood problems to call it a good (or even okay) film. I understand the limitations of plot, but if they had stayed away from the cheesy ghost visuals (with the exception of that first scare) and beefed up their story a little bit and shortened the ending I think it would have made a much better film. As it stands, though, Death of a Ghost Hunter is a weak entry into the faux documentary subgenre.

Available from Amazon!

Home Movie (2008)

Home video cameras offer families a chance to capture precious moments, whether it’s in the backyard, on vacations, during holidays or just everyday life. Home videos are usually meant to capture the best of times, but sometimes they can also capture the worst. Usually this footage ends up on America’s Funniest Home Videos or Break.com, but what if home videos showed something truly disturbing, like every parent’s worst nightmare that their kids are not the sweet and innocent children they thought they were raising but instead sick and twisted little bastards? What if a family’s home videos revealed the extent of their children’s sadistic nature?

This is the basic premise of Home Movie, which uses “found footage” to document one family’s desperation as they watch their creepy kids commit unspeakable horrors, all through the lens of the family camcorder. I hadn’t heard anything about Home Movie before watching it and wasn’t expecting much, but it delivers a truly sinister and disturbing story.

The film shows us the Poe family, comprised of dad David, mom Clare, and siblings Jack and Emily. They’ve just moved to an isolated house in the country and also bought a brand spankin’ new video camera to record their adventures (well, according to David…Clare originally bought the camera for her psychology practice). They seem like a normal loving family…except their kids, twins Emily and Jack, are pretty creepy. They don’t say much and just stare into the video camera with empty expressions. And then there’s an instance where David gets hit with a baseball…which could be construed as an accident, until Jack starts throwing rocks (“Turn the camera off…He’s throwing rocks at me”). The kids’ bratty behavior begins to escalate and goes from petulant (throwing rocks, behaving badly at dinner) to downright shocking (crucifying the family pet on Christmas). Clare recommends counseling/medication and tapes her sessions with the troublesome twosome. She also begins to suspect that David is abusing them and causing them to lash out. However, David, a Lutheran minister, thinks the kids are possessed by evil spirits and believes an exorcism is in order. Through all this, the twins’ progressively violent and shocking behavior only seems to be getting worse…are they being abused? Are they possessed? Or are they just burgeoning sociopaths?

I am really surprised that this film hasn’t been given more attention, because it’s a fine flick. Writer/director Christopher Denham creates a chilling story and shocking visuals. The children are just creepy to begin with (kudos to child actors Amber Joy Williams and Austin Williams for their convincing performances), but Denham creates so much tension by giving us a voyeuristic view of the Poe household. We feel as if we are a fly on the wall while watching the horrific events unfold.

Also, Denham uses the home video footage wisely, so it appears realistic and believable (which is much harder than it looks). For example, the parents are always saying “shut that camera off!” when something bad happens. The footage that is shown comes off as very natural and is never forced. Every disturbing detail is captured and there are plenty of shocks throughout the film as well as a twisted ending. The story builds subtly, but the intensity levels keep rising with each new “incident” the family experiences. It takes a little patience to get through the first part of the film, but the tension keeps mounting and mounting until you just can’t look away.  I also enjoyed how the story explored many different explanations for the children’s behavior. Are they being abused? Are they demon possessed? Is something evil in the house influencing them? Are they just pure evil? These different possibilities kept me on my toes and on the edge of my seat.

Considering there were only four characters in the film and the action was always focused on them, the actors all did a phenomenal job. As mentioned previously, real-life siblings Amber Joy and Austin Williams did a very convincing job of portraying evil children. The film could have easily gone campy if they gave over the top performances, but they played it very subtly, which ended up making their characters VERY unsettling. Props must also be given to director Denham for really getting these stellar performances out of child actors. Adrian Pasdar and Cady McClain were equally brilliant as the befuddled parents. Their performances came off as very natural and completely believable. You could really feel their frustration, confusion and fear through their performances and couldn’t help but sympathize with them.

This is a rare independent film whose atmosphere and psychological terror deliver unrelenting dread, tension and suspense. Home Movie is an underrated film that deserves more attention from horror fans and is one of the best “found footage” or “faux documentary” indies to rock my world. You should definitely check it out…

Buy it on Amazon!

Paranormal Activity (2009)

So, I finally got to see the movie everyone’s been talking about, Paranormal Activity. I saw it in a packed theater Wednesday night and tried to go in as unbiased as possible. I had just seen the previews and stayed away from reading many reviews. Now, I realize that the hype for the film is HUGE, but I tried to approach it with little or no expectations, which, by the way, is hard to do when it’s proclaimed one of the “scariest movies of all time”!

Now, I realize I might be beaten with sticks over this statement since everyone out there seems to be raving about Paranormal Activity, but at the end of the night I was disappointed. I enjoyed it, yes, but I didn’t love it and certainly didn’t think it was that scary. And I had so wanted to be scared…

The movie starts with no credits and no intro, just a title card thanking the families of Micah Sloat and Katie Featherston and the San Diego Police Department before jumping into the “found” home footage of the couple. It opens on Micah (Micah Sloat) playing around with his new video camera before his wife Katie (Katie Featherston) gets home. When she gets there, he tells her that they can finally document all the paranormal activity that has started occurring, like weird noises, lights flickering, whispering, scratching and thumping.

Katie seems hesitant to talk about the haunting, and confesses it has been happening since she was eight years old and that the entity follows her whenever she moves. Micah doesn’t take the situation too seriously, but is determined to capture some paranormal activity on their camera. He films everything and even sets the camera on a tripod when they sleep.

Sure enough, unexplainable things begin happening and soon this paranormal activity just gets worse.
Paranormal Activity is the kind of film I would recommend for the casual horror viewer. You know, the type who sees an occasional horror film or two in the theater but isn’t a hardcore fanatic like most of us. Not used to the usual horror tricks, the casual horror viewer will definitely be freaked out by this film. I heard one such viewer say behind us in the theater, “Why is this film so scary?” Well, that’s easy…it’s because it preys on your fear of the unknown and wisely keeps the entity unseen. I really enjoyed the subtle approach Paranormal Activity took in the scare department – it really is the unseen and unknown that’s freaky! And yet, I didn’t get adequately scared during the film’s duration. A bit unnerved and in awe during certain parts, but not that heart-pounding fear that I was hoping for.

Now, perhaps I didn’t get scared because of the repetitive narrative structure of the film. It always starts with the couple filming themselves during the day, then at night while they sleep and something freaky would happen (subtly at first, but escalating to become more intense), then discussing it in the morning and at night it starts all over again. The pacing is a little on the slow side, too, which left me checking the time while watching the movie. Any suspense that had been building would be lost during the slowly paced scenes. Plus, skeptical Micah would throw in lots of humorous lines (surprisingly, this movie is really funny!) that would dissipate any tension that had started to build. I really wish more “oh-shit” moments had been thrown in – like certain ones including an old picture in the attic and a Ouija board.

Despite the repetitive nature of the film, I did like the actual story and the direction it took (this isn’t your typical haunting!). I don’t want to give anything away, so I won’t way much more, but I will say that there were several instances (the footprints, the standing by the bed) that were effectively creepy. Plus, the whole explanation of what was going on and the ending was pretty damn near perfect. Again, I just wish there had been more of those eerie instances in the film.

As for the rest of the film – the acting, the direction, etc. – it was all fantastic. The two leads did an amazing job portraying a couple and their interactions with each other were completely natural. Also, the direction, by Oren Peli, was amazing. I’m not sure if he actually gave the camera to the actors and said “Go with it” or if they had more stringent blocking to follow, but whatever he did worked. The home video footage looked incredibly authentic and all the different angles looked like they had been shot by the one camera. Perfectly brilliant way to shoot a paranormal movie!

So, as you can probably tell, I’m torn on Paranormal Activity. There are some things I loved about it (the story, the acting, the direction and some of the creepy bits) but some things just didn’t work for me (the repetitive editing, not enough scares). I really wish the hype around the flick hadn’t been so huge, because honestly, even though I tried to go in with no expectations, the hype got to me and I expected to see something that was gonna scare my skirt off. Disappointingly, my skirt stayed firmly on.

However, if you do plan on seeing this movie, do it in a theater full of people! This is a surefire way to get the most bang out of your buck, because the reactions from some people in the crowd are priceless! And since I didn’t find it exactly scary on the big screen, there is no way in Hell that this will be scary on the small screen. This film is one that MUST be seen on the big screen to do it any justice.

Paranormal Activity is enjoyable, but you won’t soil your undies over it. It’s no Blair Witch but it still makes for a fun movie-watching experience. Just don’t believe the hype!

Buy it on Amazon!

My Little Eye (2002)

You really can’t seem to flip channels without coming across some reality show. Whether you are Keeping Up with the Kardashians, hanging with The Girls Next Door, taking in Deadliest Catch or another one of the hundreds of reality shows, there is a glut of reality programming that shows no signs of slowing down. Are we really that obsessed with watching other people’s lives instead of living our own?

Our reality show contestants in My Little Eye certainly hope that’s true, especially since they’ve entered in a contest where they must survive six months in an isolated, creepy old house with every second of their tenure there filmed for an eager, voyeuristic audience. At the end of the six months, they will all get a nice paycheck of $1 million…but there’s a catch. If any of them leave before the six months are up, then none of them get any of the dough.

The film picks up during the last week or so of their six month sentence, and everyone is particularly antsy. Snow is falling thick and heavy outside and supplies are dwindling. Not to mention that the myriad of cameras installed within the house follow their every move. With just mere days to go, strange things start happening. One of the guys gets a letter saying his grandpa has died and funeral services will be held before his time on the show is up. Another girl finds an eerie phrase from her childhood written on one of the windows and a bloody hammer in her bed. The group begins receiving strange “supplies” – like a box of bricks and a loaded gun. Then, a lost skier stumbles upon their house and claims he’s never heard or seen anything about their reality show. Is the reality show company responsible for these strange occurrences? Are they trying to trick them out of their hard-earned cash? Is it all being done to boost ratings? Or is something more sinister going on?

Horror films that feature a reality show usually don’t fare too well (see Halloween: Resurrection), but My Little Eye is different. It is full of tension, interesting characters and an intriguing storyline that will have you guessing until the end. Though it starts slow, with the group suffering from cabin fever from being cooped up in a house all this time, it does a good job in slowly building dread. Things just get creepier and creepier, until the satisfying ending that will just leave you saying, “wow…”

I also love how the film is shot and all the action is captured on the cameras that are wired throughout the house. Whether the action occurs in creepy green-tinged night vision or is seen through a grate in the bathroom, it really gives the film a voyeuristic edge, almost as if you were watching a snuff film. I’m not sure what the logistics were in the shooting of the film, but it truly does look like it was all shot on those security cameras! Fantastic job by director Marc Evans!

The story, written by David Hilton and James Watkins (Eden Lake and the upcoming The Descent 2), is a slow-burn but one that immediately sucks you in, especially when strange occurrences start happening and the pace picks up. There are also a few nice surprises toward the end that caught me off guard and grab your attention!

The characters are all pretty likable or at least interesting. There’s bad-boy Rex (Kris Lemche), sexy Charlie (Jennifer Sky), all-American Matt (Sean CW Johnson), sensitive Danny (Stephen O’Reilly) and skittish Emma (Laura Regan). Their interactions and relationships with each other ring true and it really does feel like they’ve been roommates for the last 5+ months. Each of them has their own dark secrets, which slowly come to light as they are tested in their last week or so of the show.

The acting was surprisingly great, with all the actors giving solid, believable performances. Laura Regan really gave a stand-out performance as the fragile Emma, but the rest of the cast was equally impressive. There is even an appearance by Bradley Cooper (The Hangover, Midnight Meat Train) where he plays the lost skier. It was quite a pleasant surprise to see him in this film!

Now, this film is more about building tension than showering the audience with blood, so there isn’t that much gore. Again, though, this doesn’t hurt the film at all! Instead, when the grue finally does show up at the end of the movie it makes much more of an impact than had it been shown throughout the entire film! There is one particularly nasty scene at the end involving someone’s head getting unexpectedly blown open that is really an “oh sh*t!” moment!

My Little Eye is a suspenseful film that relies on the mystery of the characters’ situation to keep your attention. Its slow-burn works extremely well in building up a tremendous amount of tension, and it also helps that we actually care about the characters and want to know as much as they do who is pulling the strings and behind the strange occurrences. Not too many people have seen this movie, and that’s quite a shame! It is a gem of a horror movie that deserves more fans!

What do I spy with My Little Eye? A fantastic horror movie, that’s what! Now go check it out!

Available from Amazon!

Evil Things (2009)

Let me take you back a few weeks to me standing in from of the mailbox, perplexed by a package stamped “official business” and with a return address of the FBI! My first thought was, “They’re onto me!”, but inside the package was an evidence baggie containing a DVD marked “confidential”. Along with the DVD was a very official-looking letter asking for my  help in a missing persons case. At this point I thought, “Whew! At least this doesn’t have to do with that unfortunate ‘incident’!” As I read the letter, I quickly clued into the fact that this was the marketing package for the indie film Evil Things. I remembered watching the trailer, which intrigued me but didn’t stand out all that much, but the clever marketing materials and packaging really made me eager to check out the film.

I popped in the “evidence” and sat back for what was to come. The film starts with five friends from New York City leaving the wintry confines of the city and heading upstate for a fun, relaxing weekend. It’s Mirian’s (Elyssa Mersdorf) birthday, and her aunt has let her use her isolated vacation house for a party with four of her friends – couple Cassy (Laurel Casillo) and Mark (Morgan Hooper), bratty Tanya (Torrey Weiss) and amateur film student Leo (Ryan Maslyn) who insists on filming everything with his hand-held camera. Before they even get there, though, they have to make it upstate through a treacherous snow-storm. Not only that, but some asshole in a van keeps messing with them and later it appears that he is following them. When they finally arrive at Miriam’s aunt’s house, everyone is relieved and they start to celebrate!

The next morning they all decide to trek out into the snow-covered woods to find some caves. When it becomes apparent that they are lost, they try to find their way back to the house…but they keep getting turned around. As night falls and they are still lost, they begin hearing strange noises just outside the beams of their flashlights. After being spooked, they finally find the house again…but what awaits them when they are inside is much more sinister than they could have ever imagined.

It seems as if the “found footage” technique is being used a lot in horror nowadays. From Cloverfield, [REC], The Blair Witch Project to Diary of the Dead, this technique really does work if done properly, especially since we are now a YouTube generation where anyone can have their 15 minutes of fame. While some might jump the gun and instantly compare Evil Things to the grandaddy of all hand-held camera films, The Blair Witch Project, I would ask that you hold off comparisons until AFTER you watch Evil Things. While it might share some similarities to Blair Witch, Evil Things is still a frightening, effective film that just begs to be seen! I thought the idea to shoot the film on handheld camcorder was pretty genius, especially considering the small budget filmmaker Dominic Perez had to work with. I also liked how the scary scenes came out of nowhere, and while you never really “see” anything, the sounds and reactions of the characters are enough to make you crap your pants!

Though the last 30 minutes or so of the film are incredibly tense, I felt that the first hour of the film dragged on and on. The scenes of them driving to the aunt’s house went on far too long and really should have been edited down. However, I did enjoy the mounting tension when they kept seeing the van that had been harassing them. The characters reactions to seeing the van repeatedly really felt genuine. One thing I will say about the first hour is that you really get a feel for the characters. They are just a group of normal-looking college kids and they have enough personality to make them all likable and stand out. I also liked several funny scenes that were in the film, including one where they all bust in on Leo taking a bubble bath, turning his camera on him and another scene where Cassy dons a wig that was lying around the house and pretends to be Leo’s mother. These kind of scenes really make the characters endearing and that much more sympathetic when the terror sets in…

As for the actors, they all did an amazing job. Usually in indie films the acting is the worst part of the film, but in Evil Things it was one of the best. Every single actor felt natural, like they really were just a bunch of people being filmed by their friend during a vacation. As mentioned above, all the actors were likable and you really didn’t want them to succumb to “evil things”.

When the terror does arrive it is unrelenting and very frightening. We get the first clues that something is amiss with the creepy van following the group and again with the eerie noises in the woods, but the sh*t really hits the fan when they get back to the house towards the end of the film. Here, they realize they are not alone and haven’t been for a while. Though nothing is explicitly seen, everything, from the terrified reactions of the characters to slamming doors to strange noises to creepy camera angles, keeps the atmosphere tense and you on the edge of your seat. The finale will leave your jaw hanging wide open and wondering exactly what just happened, while scenes that roll over the credits ensure that the terror continues.

Writer and director Dominic Perez has done a fantastic job with Evil Things. The story, the direction, the location and the scare tactics were near perfect and make this an exciting film to watch. I do think the title isn’t descriptive enough of the film and is too generic. Still, despite that Evil Things is definitely a must-see! What makes it even creepier is that Perez was inspired to make this film after an incident he experienced as a young child:

“The inspiration for this movie came from an incident in my own life when I was a 10 year old boy.  I was sleeping over a childhood friend’s house and his mom left us home alone for a few hours while she was out working late.  So we stayed up eating ice cream and watching TV.  Then a knock came at the door.  We were taught never to open the door to strangers so we politely asked, ‘who is it?’  There was no answer.  We looked through the peephole, but it was broken.  Another knock came at the door.  We said louder ‘yes, who is it?’  There was still no answer.  We could see under the crack of the door that someone wearing big black boots was standing still on the other side of the door, but they never answered.  There was just a soft terrifying knock knock that came every 30 seconds.  After about the fifth knock knock we were screaming at the top of our lungs ‘who the F**K is it?’  I have never been so incredibly scared in my entire life.  There was never an answer, just silence for 10 terrifying minutes.  That was more than 30 years ago, and I’m still scared to death wondering what would have happened had we opened that door.”

The creepiness of that incident translates extremely well to Evil Things and despite some of its flaws it is one of the most gripping and frightening indie films I’ve seen this year!

The film is currently seeking distribution and has been submitted to various film festivals, so jump at the chance if you get to see it!

Buy on Amazon!

For more info and lots of extra goodies, visit Evil Things’ Official Website!

Skeleton Crew (2009)

At first glance the Finnish horror film Skeleton Crew, being released through Lightening Media in July 2009, looks to be like just another “torture porn” flick. Upon watching it, though, you might be pleasantly surprised to discover that it has an entertaining story and some campy wit to elevate it above the typical brainless hack-and-slash films.

In the 1970′s in a backwoods mental institution, a doctor began filming himself and his staff torturing patients. They lit them on fire, cut off appendages, stabbed them, hit them with mallets, sawed them…pretty much anything you can think of. The doctor really got into making his snuff films and even started going by the name of “The Auteur”. He was eventually captured by the police, but to this day his complete collection of snuff films was never found.

Now, a film crew has returned to the same mental institution to shoot a horror film about the doctor’s exploits. One day, they discover The Auteur’s macabre screening room and his complete films. The director of the film becomes obsessed with The Auteur’s films and demands more and more realism from his actors. When they don’t give him the realism he wants, he decides that the only way to make a good film is to incite REAL reactions from his cast and crew…by torturing and killing them on-screen!

This really was a surprising film! It had me engaged from the opening scenes, which were actually a film-within-a-film, through to the campy but no less brutal “director’s cut” of the film! There are so many funny, witty lines (“I hate overacting”) that I was wholly entertained throughout the entire film. The characters were also well-developed and anyone who has had any experience in film can relate to the bitching and moaning the cast and crew do behind the scenes! There’s the stereotypical “experienced” actor who insists on giving an over-the-top performance despite the director’s insistence to tone it down, the actress who sleeps with the director for a shot at a bigger role, the constant battle between the boom operator and the lighting guy, etc. This film is just right on and funny about so many situations that occur when filming a movie!

The story was written by Tero Molin (who also co-directed) and Teemu Molin and not only do they deliver a witty, self-aware script, but they also manage to keep the pace moving swiftly along. There were no lulls or boring bits in the film, which is really a credit to the writers. Both the dialogue and the action kept the film going at a steady speed. They also had some pretty inventive ways to dispatch the victims, so kudos to them for making the death scenes feel inventive and fresh!

The film is low-budget, but the direction by Tommi Lepola and Tero Molin is fantastic and you soon forget you are watching an indie film. They used the dank, dark mental institution to their every advantage and created a very foreboding, labyrinth-like setting. The dark, crumbling walls are menacing from the first scene and the fortress-like building is imposing. They made the mental institution a character itself!

The actors, for the most part, do a wonderful job. I really loved how most of them played their “actors” in the film they were shooting and how differently they acted when they were out of character. I really thought David Yoken was fantastic as Bruce, the “experienced” actor of the group who still insisted on giving an over-the-top, Vincent Price-style performance! Steve Porter was also wonderful as the director. When he turned into The Auteur he delivered some great lines that, had it not been for his stellar performance, could have been overly corny. His deliver ensured they were just campy enough to wink at the audience!

As for the gore, well, the film definitely delivers. There are some definitely shocking moments in the film and some great death scenes. My personal favorite involved hot stage/film lights being used to burn someone to death! There were many other excellent death scenes that won’t soon be forgotten, like amputation, death-by-drill, bludgeoning with a baseball bat studded with nails, and on and on!

Skeleton Crew is a fun, entertaining and gory film that definitely caught me by surprise! This Finnish film is definitely worth a look when it is released in July!

Available from Amazon!

The Devil's Music (2008)

As a horror fan, you are probably well aware that the mainstream loves to point fingers at our genre whenever a tragic, violent act (like a school shooting, etc.) occurs in which the perpetrator happened to own some horror DVDs. The media is quick to assume that those films adversely affected the individual and caused them to act out violently, placing blame squarely on the filmmakers. I also find it pretty insulting when other people label a person as a deviant capable of committing heinous acts just because they happen to enjoy horror movies.

The same misconceptions are often held against people that listen to metal music. Recently, the House of Blues in Anaheim, California (which happens to sit right across from Disneyland) abruptly canceled all their metal shows and banned any future shows with metal bands. Sure, rap and punk bands can still play there, but they didn’t like the type of crowd that the metal shows were drawing, especially with the proximity of the “Happiest Place on Earth.”

The point is, fans of both horror films and metal music face some serious biases and mistaken assumptions from those outside the respective communities. The film The Devil’s Music manages to tackle this issue in regards to each medium, while doing so in an entirely creative, faux rockumentary way.

The film is about Erika Spawn (Victoria Hopkins), lead singer behind the shock-rock band named after her. The band was shooting to stardom with its explicit lyrics and gory stage shows, but it drew ire from many concerned parents and the “moral majority” in England. These people insist that the band is corrupting the youth. Still, despite the controversy surrounding the band, it continued gaining popularity.

Against the gory backdrop of Erika Spawn, we are introduced to sappy crooner Robin Harris (Scott Thomas), who is the complete opposite of Erika Spawn and vied with the band for the top of the charts. Yet, we find out later in the documentary that Harris is inexplicably linked to Erika by a groupie the band takes on tour with them.

One night after a show, this groupie, named Stef Regan (Lucy Dunn) found her way backstage. Erika took a liking to her and brought the young girl on tour. Everyone agreed the teen was a bit strange, but Erika really liked her so she stayed…and would later contribute to Erika’s mysterious disappearance.

The Devil’s Music is shot like a rockumentary and in interview segments we are introduced to Erika’s band mates, the brash Adele Black (Jess-Luisa Flynn) and the mellow ZC (Alan Ronald), as well as the band’s manager Eddie Meachum (Cy Henty) and others. We are shown television spots with Erika as well as concert and backstage footage. We are never told the whole story up front, but rather tension is created by not knowing exactly where the story is going.

I am familiar with Jinx Media and thoroughly enjoyed their last film, KillerKiller, but I believe that The Devil’s Music is even better and really showcases writer/director Pat Higgins’ talents! Everything, from the clever way the film was presented to the stellar acting from all of the actors, was top notch and really shows how far Pat Higgins has come as both a writer and a director.

First, the documentary style of the film is flawless. It’s hard to pull off an effective documentary, but Higgins does indeed succeed with The Devil’s Music! From the opening statements by the band’s manager to the mysterious “shadow footage” played at the end, I was hooked all the way through! The interviews and the concert/backstage footage flowed perfectly together and it really does look like a real rockumentary you might see on FUSE, MTV or VH1!

As for the story, it unfolds in a very effective, yet mysterious manner. When the film first begins, you don’t have the whole story of Erika Spawn and only have an ominous feeling that something is going to befall her. As the film progresses, we are given hints as to Erika’s fate, but it’s not until close to the end where everything is revealed and things take a turn for the violent and supernatural (this IS a horror movie!)! I’ll stop there, because this is a film that works better going in cold, so I don’t want to give too much away!

Another aspect that assists this film in its awesomeness is the acting. Every single one of the actors does a fantastic job and there isn’t a weak one in the bunch. I really enjoyed seeing Cy Henty as the manager as he’s been in other Pat Higgins’ films. Victoria Hopkins was marvelous as Erika Spawn and completely sold me on her character. She was a complete rock star and I don’t doubt for a minute that she could fill arenas with fans. I wish Erika Spawn was a real band that I could go see! Also, Jess-Luisa Flynn was amazing as the smack-talking, rude, “realist” Adele Black. I loved every second she was on-screen! Lucy Dunn was great as groupie Stef Regan. Her performance made you both revile and pity her character.

Like mentioned in the slight diatribe in the first few paragraphs, I enjoyed how the film made you question preconceived notions about certain people (namely people who enjoy a good, bloody show like you or me). Not everyone that wears black, listens to metal or watches horror movies is guaranteed to be dangerous or want to kill others. The film really turns the tables on this silly stereotype for a very satisfying conclusion.
Jinx Media will release The Devil’s Music in the UK on March 30, 2008, but you may also be able to find it making the rounds on the festival circuit. If you are able to catch this film, you’re in for a wickedly thrilling treat!

Available from Amazon!

Cloverfield (2008)

It’s hard not to be disappointed by super-hyped films. You’ve seen all the advertisements, all the features, all the teasers to get you pumped for a particular film, but when you finally see it, more often than not it’s a big let-down. Nowadays, most of us, myself included, only cautiously look forward to movies. If you think about it, it is kind of like going on a blind date. The friends that set you up can’t stop telling you what a great person this guy is and blah blah blah, but you aren’t convinced. It’s the same thing with me and films…no matter how cool the trailers look or all the good/bad things I hear, I still remain skeptical until I’ve seen it myself.

Well, after hearing the outburst of mixed opinions considering Cloverfield, I knew I had to check it out myself to set the record straight. And let me tell you, friends, this is one film that DOES live up to the hype! Cloverfield is every bit as effective, immediate, intense and scary as I could have hoped for!

Lily (Jessica Lucas) and Jason (Mike Vogel) are throwing a going-away party for Jason’s brother Rob (Michael Stahl-David) at their Manhattan apartment. Rob has just accepted a vice president position at a company in Japan. Lily wants the party documented, so Rob’s best friend Hud (T.J. Miller) is enlisted to film the party on a hand-held camcorder, gathering testimonials about Rob from all the party-goers. Suddenly, the party is rocked by a large earthquake and all the lights in they city flicker out…they come back on a few minutes later and a newswoman comes onto the TV to say that an oil tanker has overturned by the Statue of Liberty. Everyone heads up to the roof to see if they can see anything, and that’s when everything goes to hell as something attacks the city.

The quickly diminishing group of friends tries to flee the city, but quickly discover that a huge monster is responsible for the mass destruction. Buildings and whole blocks are leveled, skyscrapers explode and all the horrifying action is caught by Hud on the hand-held camera (when Rob asks if he is still filming, Hud even says, “Yeah, people are gonna want to know…how it all went down.”).

When they see there is no easy way out of the city, the remaining friends go back to rescue their friend Beth (Odette Yustman, who looks like she could be Jessica Alba’s sister) who is trapped in her apartment building in midtown Manhattan.

The group must try to avoid the gigantic monster, the military that is trying to evacuate people, falling debris, fire and a host of smaller monsters that came with the big guy. Does anyone survive?

Cloverfield is the perfect film to kick off 2008. From the opening credits, which state that the footage we are about to see is Property of the U.S. Military and was found in the “area formerly known as ‘Central Park,’” the film sets an ominous mood. Even the 30-minute calm-before-the-storm party footage does little to alleviate the fear that something BIG is about to happen. The party scene tries to lull the audience into a false sense of calm, but it actually increases the tension because we are just waiting for “The Big Bad” to happen. The party scene also serves as a wonderful introduction to the characters and makes us care about them. At first I thought Rob’s argument with Beth at the party seemed out of place, but it set up his motivations as to why he had to go rescue her later in the film. I really got a sense of who these people were, that they could be my friends, neighbors or even myself, and that made what happened next all the more terrifying.

In a post-9/11 world, Cloverfield is a scary reminder of just how chaotic and frantic a big disaster can be. Cloverfield is a reminder how devastating events like Hurricane Katrina, the “War on Terrorism,” the Oklahoma City bombing, L.A. Riots, 9/11 and so on, really are. The immediacy of the hand-held camera puts us at Ground Zero and shows us what it was really like to face buildings collapsing, debris falling, injured and bloody people trying to get help, military personnel shooting and bombing a huge enemy and so on. I really felt like I was there, a major part of what makes this film so successful. And to all the people that unjustly compare this to The Blair Witch Project mixed with the awful 1998 Godzilla remake are only taking a cosmetic and shallow look at the film. Comparing it to Godzilla…have they even seen that movie? And I didn’t feel like it was a Blair Witch rip-off at all, as the two films are very different in tone.

Writer Drew Goddard keeps the tone bleak from pretty much 30 minutes in, but wisely uses some jokes thrown around by the surviving friends to slightly ease the tension every once in a while. The dialogue is very natural, and it’s easy to imagine people to trying to make light of a very serious situation to survive. The script is expertly paced, and assisted by director Matt Reeves, Cloverfield keeps the scares coming and keeps you on the edge of your seat.

Speaking of scares, yes, you do see the enormous monster and it’s spider-like parasites on multiple occasions and they are all impressive. The super-fast creepy-crawlies are a sight to see, especially when they attack our intrepid camera man (and others) deep within the New York subway tunnels. The monster itself is equally frightening, due to its gigantic size and the wake of destruction it leaves in its path. And it doesn’t look a think like Godzilla, so don’t worry. There are several very close calls with the monster, each stunningly scary to behold! In other films, I might complain about the CGI, but not here. I was so wrapped up in the story that I didn’t even notice the CGI…that’s how good the film is, folks.

The scares within Cloverfield are helped along by the fantastic sound design in the film. The ominous vibrations and BOOM…BOOM…BOOM of the creature stomping through Manhattan create a sense of deep, foreboding dread throughout the film. When the action is at its most frenetic, guns are blazing, bombs are going off, buildings are crashing, people are screaming and the creature is roaring…and it’s a beautifully frightening scene every time. The cacophony of the chaos as seen through the hand-held camera places you there, and forces you to think about what it must have been like when the planes hit the Twin Towers on 9/11 or what it really must be like on the front lines of war.

And that’s probably why I liked Cloverfield so much and highly recommend you see it in theaters. Sure, if you take it at face value it’s just a giant-monster-run-amuck film (though a very well-done one at that), but if you choose to look deeper you will see that it offers a commentary on our post-9/11 world, the “YouTube Generation,” even our environment. Placing Cloverfield in that real-life context, my friends, is what elevates it from scary monster movie to a truly bone-chilling film.

This is a must-see!

Available from Amazon!