The archives of the articles, reviews, interviews and other ramblings written by Sarah E. Jahier (aka Fatally Yours).
Showing posts with label WIH 2010. Show all posts
Showing posts with label WIH 2010. Show all posts
Tuesday, March 2, 2010
Interview with Wicked Apple Jewelry Artist Lin Pyatt
Lin Pyatt has always loved horror. She grew up on spending long nights with Hammer films and reading horror books. However, she never thought she’d be able to incorporate her love of horror into her work until recently…
Lin started Wicked Apple jewelry studio to produce her unique mixed-media art. She only recently began using horror themes in her jewelry, and realized she could combine her two loves of horror and art!
Along with Wicked Apple, Lin runs the non-profit The Carpe Noctem Foundation, where she combines her degree in Museum Studies with her love of horror.
Fatally Yours: How and when did you fall in love with horror?
Lin Pyatt: As early as I can remember, honestly! I may be betraying my age, here, but I saw It’s Alive in the theater… of course I was very young. I religiously watched a program called Terror Theater which featured classic horror camp. I also watched Night Gallery, Outer Limits, The Night Stalker, Hammer Films, and read horror comics. Anything horror-related! Even horror coloring books! My heroes were always Dracula, and the like. Those poor hunted monsters!
Fatally Yours: What does horror mean to you?
Lin Pyatt: That is a good question… it means things that frighten you, or evoke fear, terror, make you wonder what is out there. Horror is supposed to frighten us, in both a primal and metaphysical sense, make us examine our fears, and ourselves. But I agree with John Carpenter, in the sense that horror may introduce elements that make us think the horror is ‘out there’ somewhere, but really it is within us. We are the monsters. We use horror, at times, I think, to put it ‘out there’ and make it something tangible, so we can try to exorcise it.
Fatally Yours: How do you incorporate “horror” into your designs?
Lin Pyatt: For my jewelry I use classic images of horror, or things that evoke the darker side, gothic, classic horror. I have been making horror-ish fused glass pendants and hair flowers, and my new collage pendants are a great creative outlet, too. I might add a dark touch or element to something normally bright and shiny.
Fatally Yours: What other things influence your designs?
Lin Pyatt: My first major was anthropology, so world culture and design elements are a large part of it. Steampunk, which has some dark elements, and even some classic designs, early Hollywood, dark fantasy is a big one, too! Even Disney, which has some pretty dark stuff in there!
Fatally Yours: What inspired you to start your own jewelry company and embrace such a dark aesthetic?
Lin Pyatt: I have always designed jewelry. I started when I was little, making presents for people, and I had so many requests that I eventually began selling pieces. I just incorporate what I love into the designs, Horror being a large part of that. Wicked Apple, the name, came out of the historical idea of the dark, forbidden fruit, the same ideas that Disney used with Snow White’s poisoned apple.
Fatally Yours: What challenges have you faced and overcome with running Wicked Apple?
Lin Pyatt: Well, I’ve changed the name three times, mainly due to changing my approach, the events I do, etc. It’s a lot of work. You’re always arranging for the next show. Working for yourself means you do everything – advertising, books, planning, designing – everything! I’m also in grad school, so I’m busy already… one major challenge. Also, the economy right now isn’t treating small businesses very well.
Fatally Yours: If you could choose anyone, living or dead, to model Wicked Apple jewelry who would it be and why?
Lin Pyatt: I think I’d make an amazing ring for Vincent Price to wear or a stunning necklace for Marlene Dietrich, Barbara Steele, or earrings for Simone Simon! But I’d love to see anyone today in these pieces, particularly people who have a wild, fun side, like Dee Wallace, Deborah Harry, Drew Barrymore, Juliette Lewis, Cassandra Peterson, Natalie Portman, Helena Bonham Carter, Kate Winslet, Cameron Diaz, Lucy Liu, Madonna, Thora Birch, Brinke Stevens… (Ooh, and the men: Johnny Depp or Robert England, Malcolm McDowell - whoever would be willing!)
Fatally Yours: What elements can female designers bring to horror-themed accessories that is different than males’ designs?
Lin Pyatt: Well, obviously ‘girl’ themed accessories: hair ribbons, hair flowers – that is something I love to focus on. It is a large part of my line and something that I love, although it is feminine (which, I’ve never really thought of myself as ‘girly’) those can definitely have both the humorous horror and creepy horror elements. Jewelry itself is in general, more feminine, anyway. I think we soften it, make it more concrete. Women are actually way more likely to accept the reality of horror (we see ‘blood’ and deal with horrific things more than men, I’d say).
Fatally Yours: Tell us a little about your horror non-profit, The Carpe Noctem Foundation. What are your goals with the non-profit and how will you accomplish them?
Lin Pyatt: It was formed as a nonprofit, public foundation to “promote the study of the significance and purpose of Horror in cultural mythology and folklore, both historical and modern”. We plan to open a gallery/museum to feature and promote horror artists of all types (film, painting, etc) and explore how horror is an expression of cultural and personal fears, and examine the purpose and importance of it as a genre. Once we receive our 501(c)(3) we plan to hold many events to help with fundraising in order to promote horror art forms of all kinds!
Fatally Yours: What women do you look up to and admire and why?
Lin Pyatt: I have always had trouble identifying with feminine images and females. Most of my friends were male, and I never thought of myself as feminine. It’s only been in the last few years that I’ve really explored that side…
Growing up, I guess it was Marlene Dietrich (who rode the line of femininity herself!), and scream queens like Simone Simon and Barbara Steele.
As for women in the horror business: I recently chatted with Dee Wallace, and she is just fabulous! Great personality and great attitude – I can see why she has been so successful for so long. I also met Meg Foster, who is such a sweetie, and a wonderful person. I admire anyone who can do things their own way and succeed.
Fatally Yours: What advice would you give women who want to start their own company?
Lin Pyatt: Do tons of research! Get as much market research info as you can: demographics, etc. But most importantly, do what you love, so your heart can be in it, because if you don’t you’ll be miserable. Don’t just start a business to ‘work for yourself’. Figure out what you want to do, or love to do, and incorporate that in.
Fatally Yours: What’s the last extremely disturbing horror movie/book you saw/read?
Lin Pyatt: Disturbing, in a good way? Well, a while back I saw the Japanese horror film Audition. Amazing, and very creepy, because it is so very realistic. One of these ‘this could happen!’ films! Pan’s Labyrinth, or The Ring for the same reasons. More about how terrible we all are to each other – again, WE are the monsters.
Fatally Yours: What’s one horror movie you think is HIGHLY underrated?
Lin Pyatt: Shadow of the Vampire immediately comes to mind – it is one of the most brilliant films ever made. Also, an older film called The Crawling Eye, which has a great story but a terrible name. Or even misunderstood films, like American Psycho or Ninth Gate.
Fatally Yours: What are your favorite horror films, books, etc.?
Lin Pyatt: Films: Shadow of the Vampire of course, the Hellraiser series (or almost any Clive Barker), Universal monster films and classic horror, anything with Vincent Price! I love almost all of them, really, even old, cheesy ones.
Books: I love short stories, so, almost all anthologies, Cthulhu mythos, etc.
Comics: The old House of Mystery series!
Art: Mark Ryden, Virginie Ropars, Lori Earley, Chris Mars, Travis Louie, Lisa Phoenix, I could go on and on…
Fatally Yours: Do you have any new designs you’d like to tell us about?
Lin Pyatt: I just began doing mini collage fused glass pendants! They are even more unique than my regular fused glass due to being a collage of mainly ‘found’ elements. I am making many new ones for the upcoming shows!
Fatally Yours: What can we expect from you, Wicked Apple and Carpe Noctem in the future?
Lin Pyatt: I intend to expand the jewelry line with more accessories, and more men’s stuff! I also intend for the Horror Museum and Gallery to help form a more cohesive ‘Horror community’, and promote horror as a genre.
Fatally Yours: Where can people find more info on you and your designs?
Lin Pyatt:
Wicked Apple’s Facebook page
Wicked Apple’s online store site
The Carpe Noctem Foundation Facebook page
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Monday, March 1, 2010
Interview with Journalist Jamie Jenkins
Jamie Jenkins, known by many as “Maven” or “Moviemaven” in the online world is a journalist with a passion for horror that stems from a combination of nostalgia and love for the good old fashioned spookies. She has always hungered for knowledge about the dark side of human nature and feels that no other genre of film or literature lends itself to capturing humanity as does horror.
Jamie was always attracted to literature but her love of wildlife and science won over after she graduated high school. She attended the University of Georgia as a Biology major and now spends her weekdays in the Infectious Diseases Laboratory at the College of Veterinary Medicine. The rest of her time is spent researching, viewing and discussing film and all of those hardworking folks behind the scenes. Always eager to learn and grow as a fan as well as a writer, Jamie is elated to be able to do everything she loves and hopes to encourage others to do the same.
Fatally Yours: How did you fall in love with the horror genre?
Jamie D Jenkins: It’s my mother’s fault. She was a big genre fan all my life. Whatever she saw at the movies, I saw as well starting from a very early age. Then it became a way for us to bond. We like to play the quote game. She’s good but I beat her now.
Fatally Yours: What does horror mean to you?
Jamie D Jenkins: To me horror is the genre that most reflects what’s going on in the world. You can trace elements of history based on what scares the community. Look at the big bug movies of the Nuclear Age for a perfect example. It’s also the genre that has no limits or rules and I love it for that. The only real limitation is the creator’s imagination. That can be very scary.
Fatally Yours: How and when did you start writing about the horror genre?
Jamie D Jenkins: For years I wrote fiction and then stumbled onto two websites called MoviesOnline.ca and Horror-Movies.ca in 2005. That’s when I started writing reviews and before long became a staff member writing editorials and doing interviews. HM fueled my love for the genre and gave me the license to spew out all the stuff that was stuck in my head as a fan. Not sure if that’s a good thing or not (laughs).
Fatally Yours: What is one thing you’ve done within the horror genre that you are most proud of?
Jamie D Jenkins: I was lucky enough to attend the Pittsburgh premier of Land of the Dead where I got to hobnob with some personal heroes. Romero is responsible for many of the films that cemented my love. I also met Tarantino and discovered him to be a warm and friendly guy. That made me very happy because you always want your heroes to be good guys. Writing about the genre also allowed me to meet my fiancĂ©, Patrick. I’m certainly proud of that.
Fatally Yours: How would you convince people who aren’t horror fans to give the genre a try?
Jamie D Jenkins: Whenever I encounter a “normie” as we like to call them at Last Blog, I attempt to find out why they aren’t fans. If I believe they just can’t take it I don’t force the issue. But if I find out they could be latent fans, I introduce them to some mild, quality films to begin or give them a watch list to get them going.
Fatally Yours: In your opinion, what constitutes a good horror review? What guidelines do you follow when reviewing something?
Jamie D Jenkins: A good horror review is one that will tell your readers, those that trust your opinion, whether or not they should waste their time. I don’t do spoilers so they are safe to read and I am always honest. That can be difficult if you are friends with the filmmaker but if my readers can’t trust me what is the point of doing it? And I try to incorporate humor (unless the film is very serious) to make them enjoyable to read, I hope. I find that if the writing is entertaining and full of personality then people will be able to better discern whether or not you are a reviewer they can depend on in the future.
Fatally Yours: Do you feel women in horror get the proper recognition when compared to their male counterparts?
Jamie D Jenkins: These days I feel like it’s getting better and better. I know that when you ask the general question “who are your favorite women of horror” you will likely get a string of actresses as an answer. But more and more people are beginning to recognize that women are all over the genre. I think sites like Fatally-Yours and The Chainsaw Mafia are helping a great deal to get the word out that “women are doin’ it for themselves.”
Fatally Yours: As a woman who writes about horror, have you found it harder to be taken seriously in a genre that seems to be dominated by males?
Jamie D Jenkins: Absolutely not. To be honest my gender has been very helpful. I have found that even though horror fans were mostly males for a long time (times they are a’changin’) they craved the opinion of female fans. I think the men love knowing there are chicks out there who like what they do and I believe the other chicks like knowing they aren’t alone in their depravities (laughs).
Fatally Yours: Since you’ve been involved with the horror genre, have you noticed a change in women’s roles within horror whether it be roles in horror films, women behind the camera or women writers?
Jamie D Jenkins: Yes, for sure. But I can’t really say if there has been a significant change or more a change of awareness. Since I have become involved on the other side of the screen, I have become more and more exposed to the women in the business. I find it empowering and inspiring.
Fatally Yours: And now for that question you just mentioned above, what women in horror do you admire?
Jamie D Jenkins: There are so many. I deeply admire those that do a little of everything. Shannon Lark is one of my greatest inspirations. She is out there doing everything she can for the genre. Stacie Ponder and I have so many things in common that I know I can trust her opinion. If she tells me I should see something, I know I’ll love it. As for those I don’t know personally, I have always loved what Katherine Bigelow did with Near Dark. I am rooting like hell for her The Hurt Locker nomination [for the Academy Award]. If you wanna go back a ways, Shannon brought Paula Maxa [Grand Guignol’s leading lady from 1917 - 1933] to my attention. That woman was incredible. I wish more people knew about her contributions to the industry.
Fatally Yours: What inspires, influences and motivates you to keep writing about horror?
Jamie D Jenkins: As long as there are horror film makers, there will be something for me to blab about. It may be good or it may be bad but I will always have something to say. I do, however, get deeply inspired by innovative ideas and fresh takes on old stories (I am not referring to remakes). And every time I start to think the genre is getting stale or repetitive, something comes along to light the fire again. This year it was Trick ‘r’ Treat. I can’t put into words what that film meant to me when I saw it. But it is an excellent example of a film that got my juices flowing.
Fatally Yours: What are your favorite horror films and books?
Jamie D Jenkins: My number one movie will always be Jaws. I mean c’mon, there are people who still won’t go into the ocean because of that flick 35 years later. That is power. I have also been a lifelong fan of Romero and his dead movies and I’ve had a crush on Jason Voorhees for years. I’m a big Friday the 13th fan. But there are far too many for me to venture naming any more. I love so many different films for just as many different reasons. For books, give me anything by Poe, Richard Matheson or Brian Keene to give examples across the board. I’m also enamored of Max Brooks for his contributions to the zombie subgenre.
Fatally Yours: Outside of horror what do you enjoy doing?
Jamie D Jenkins: There is life outside of horror? (Laughs) Seriously I’m also a big fan of comedies and dramas. I really enjoy all film genres. I love to watch game shows and Lifetime movies, especially the ones about stalkers or bad babysitters. I also crochet in my spare time and play loads of video games. And I try to never stop learning. Give me the History Channel any day. I’m really a big geek. But that’s okay with me. And I’m super devoted to my three cats (soon to be four when Patrick moves in). They keep me laughing on a daily basis.
Fatally Yours: What are your goals for yourself within the horror genre?
Jamie D Jenkins: I just hope to keep doing what I love to do any way I can. I don’t see it getting any better than that…unless someone is willing to pay me to run my mouth full time. That would allow me the opportunity to devote all of my time. I am working on a couple of books as well. I’d love to see those get finished before I’m too old to type or books are obsolete.
Fatally Yours: Where can people find your reviews/more info on you?
Jamie D Jenkins: You can currently find my work at TheLastBlogontheLeft.com as well as TheChainsawMafia.com. I am proud to be a part of the Mafia. I get to interview some really incredible women. My MySpace page has links to articles as does my Facebook. You can also find me hanging out frequently at Horror-Movies.ca. There are some great board members there. It’s like a family. At Last Blog we do podcasts as well as printed work so come on by and give us a listen. My partner, Bo Ransdell, is an avid, intelligent fan as well as an amazing screenwriter. We have a lot of fun.
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Interview with Filmmaker Lis Fies
Lis Effing Fies is the producer/writer/director/adequate actor/hippie wrangler/songwriter/nudist in the acclaimed, fucked up horror feature The Commune. Lis was the associate producer of Conventioneers (2006 Spirit Award – Cassavettes). She is known as the blogger Kid Sis in Hollywood, and is the inspiration for the comic character Kid Sis featured in the Eisner-winning Mom’s Cancer (as seen on CNN). Her unproduced feature screenplay Pistoleras won first place in the Action category of Creative Screenwriting Magazine’s Expo Contest and second place in Fade In’s Thriller category. But what will be on Lis’s tombstone is that she played the monster who stole the Green Power Ranger’s powers.
Fatally Yours: How did you fall in love with the horror genre?
Lis Fies: Man, I was a late bloomer. Backstory: My mom used to call me “Carol Anne” because as a kid I was tormented by bizarre nightmares. Weird stuff a six year old shouldn’t think of, like people on meat hooks suspended over rivers of blood. My mom’s only explanation was I must have been a Vietnam Vet reincarnated as her little girl.
Because of how sensitive and unhinged I already was as a kid, horror movies impinged too much on me to watch. I was the girl at the slumber party who would be in the other room during the horror movies. I did fall in love with Poe short stories when I was a kid, but I was actually frightened of horror movies to the point that when I got my first job (it was of course at a video store), I made the other employees put the horror titles away. I felt afraid looking at the covers. And then when I worked at Eclipse Comics I positively cringed whenever I had to package a Clive Barker order. I’ve spoken to several other women in horror who felt strongly afraid of horror movies when they were younger as well and also avoided the genre until their 20s. I think it’s a testament to women’s emotional fearlessness that we needed to explore what held the most dangerous energy for us.
Long story short, I didn’t fall in love with horror until my twenties when I went through a lonely depression spell and felt that horror actually pulled me out of it. The more I watched, the better I felt.
Fatally Yours: What does horror mean to you?
Lis Fies: To me it’s an incredible art form in which to explore taboos, emotions, and politics. I love that it’s an empty vessel that you can use as an allegory, yet still be entertaining to a broad spectrum of people. But at the deepest level, I’m a storyteller because I want to know what makes people tick. What better way to explore psychology and the subconscious than in the dark, walking on the dark side through the desires we lie to each other and ourselves about.
Fatally Yours: How and when did you get involved in the horror genre?
Lis Fies: In undergrad at UCLA I interned at Debra Hill Productions because, well, she was the woman. I mean come on, Assault on Precinct 13, The Thing, They Live. I had learned to read on my big brother’s Avengers comics (Eisner winner Brian Fies) and Star Wars was a ridiculous influence on me, so I already understood genre. I think because Debra and John [Carpenter] had done so many brilliant movies I could understand, I was able to see Halloween and really get it, and realize it is one of the best movies ever made. An incredibly special film, by filmmakers who knew what they were doing and were purposeful. So that was a moment that opened my eyes. It was fortuitous for my movie taste growth that that pair was cagey and ballsy enough to be genre jumpers instead of staying pigeonholed throughout their careers.
I don’t get the snobby bias against genre. Industry folks talk about Scorcese and Coppola like they were the only ones doing edgy work in the ‘70s/early ‘80s and like only the dramas from that time period are valid, which is total crap. I still think Carpenter and DePalma are the most underrated living directors and expect to see at least one more genius work from each. Okay, and Larry Cohen. If you don’t love Q: The Winged Serpent, you’re dead to me.
Fatally Yours: What is one thing you’ve done within the horror genre that you are most proud of?
Lis Fies: I was able to portray the graphic rape of a character we loved and have the energy generated from the scene be empathy instead of unintended or prurient eroticism. That was one of the biggest goals of my filmmaking career, ever since studying the mistakes of The Accused and pretty much every other rape scene in mainstream films in my undergrad days at UCLA. I wanted to be informed enough to make filmic choices that would elicit the emotion in an audience I chose them to feel, in the absolute trickiest event to capture. And I decided to go for it on my first film. So if I get hit by a bus tomorrow, at least I’ve made a few men feel the betrayal and horror of rape both as the protagonist themselves, and as an avatar they empathized with. That’s huge. It’s been done successfully less than a handful of times in cinema.
Fatally Yours: How would you convince people who aren’t horror fans to give the genre a try?
Lis Fies: I think Scream is a good gateway drug. And Rosemary’s Baby. My path in was through the holy trinity of Twin Peaks, Silence of the Lambs and The X-Files. Yet another reason I advocate genre-mixing: you open up the door to new fans who enjoy your action, comedy, or psychology and THEN they learn they like horror, too.
Fatally Yours: Do you feel women in horror get the proper recognition when compared to their male counterparts?
Lis Fies: No, I feel female filmmakers and the subject matter they’re interested in are completely discounted by both the horror audience and the majority of its press spokespeople. The cold reality is no one makes it in this business until someone higher up than them gives them their stamp of approval and a hand up. Look at the Masters of Horror’s epic exclusion of females. That series evolved out of those directors wanting to hang out and have dinner with each other once a month, and apparently there weren’t any women they wanted there. It doesn’t mean there aren’t any horror women period, it means women are still being excluded from the networking that leads to lifetime friendships that leads to favors and working together on film projects. The Big Problem is most men in Hollywood have no interest in a woman unless she’s their Significant Other, relative, or bros’ girl. Otherwise, they don’t know what to do with a woman and totally discard her instead of becoming friends and mentoring her. It’s the same way in the comic world, PS, and I imagine could be extrapolated to politics and the corporate world as well.
The real elephant in the room is can men and women be just friends? Does this pattern keep occurring because we’re not capable of platonic friendships? And/or is it because even as “cool” women emerge who could be brought into the boy’s club and crack it open for more women, men can’t risk it because of the lawsuit and gossip potential. I mean look, in our gossipy society and the nauseatingly sexist world of Hollywood, can an obviously feminist and well-intentioned man like a Wes Craven take a hot younger female director like me (wink, wink) under his wings without speculation that he’s sexually interested in her? Because no one is going to risk their own career to help an unattached woman. Or at least, no one has yet. The precipice female filmmakers balance on is very Edith Wharton The House of Mirth, and most of us are dying alone out in the cold.
So where we women horror filmmakers need help from our male compatriots, fans, and journalists is we need you to take an interest in us as humans; to take a stand and be our friends. We need you to be our heroes if we’re going to be able to ever truly progress and be heard. We need fellow female filmmakers to continue watching how men network, and emulate their teammate strategies that come from a sense of abundance as they create projects that include men and women. And we need both genders to have the humanity to allow male/female friendships to exist without projecting sordid intentions onto them. These are strategies that will provide a fertile ground for women to actually become visible and potent members of the horror community.
Fatally Yours: As a woman in horror, have you found it harder to be taken seriously in a genre that seems to be dominated by males?
Lis Fies: It’s not even about being taken seriously, it’s about being discounted to the point that you’re invisible. To me the real holocaust in horror is that there’s a close-minded righteous clique attitude being promoted that only allows a few subgenres to be defined as horror. I was at a famous LA genre festival and I was late to see a good friend and female director’s slow burn psychological horror. On the way in I stopped to talk to some journalists who were eating and asked if they were coming in with me. They basically sniffed and looked away. No interest. Several were women. So what is a female filmmaker to do to get into a festival to get press to find an audience and a distributor when the very material we pick and our approach to it generates shrugs from the gatekeepers? Yeah, I’d call that pretty fucking hard.
And really all that subgenre pre-judgment is bullshit because horror journalists couldn’t write enough praise for Paranormal Activity once a big studio and flavor of the month ad campaign was behind it. But maybe if they’d championed Amanda Gusack and the far superior In Memorium that film would have been seen and adopted by Uncle Spielberg instead. See how complicated the problem is?
Fatally Yours: As a female filmmaker, do you feel horror directed by women is different than that which is filmed by men? If so, how is it different and why?
Lis Fies: I think that there’s a higher, more visible percentage of men who get into the horror genre with their first film because they think it’s lottery ticket money and an easy way to work their way up the ladder. That cocky twenty-something USC film school type who copies Saw again, or makes another unimaginative slasher rip-off but has nothing original to say and clearly thinks horror is beneath him. Nothing is more insulting to me than these filmmakers who come in and take a big steaming dump on the genre thinking it’s some chess career move. The women’s accomplishments I’ve seen seem much more premeditated and aware and auteur-esque. They’re raw and honest. You don’t really find women working in this genre who don’t love it and want to use it to explore personal demons, fears, the human psyche…all the great mind fuck adventures that really only horror safely offers.
Fatally Yours: Since you’ve been involved with the horror genre, have you noticed a change in women’s roles within horror whether it be roles in horror films, women behind the camera, women writers, etc.?
Lis Fies: Yes. There are more and more deserving female filmmakers not being given the same opportunities of funding, press, representation, distribution, and studio deals as their male counterparts. I’m just hoping the internet distribution revolution hurries the fuck up. I’m out of dead relatives jewelry to sell, and giving platelets knocks me out the whole day.
Fatally Yours: What women in horror do you admire?
Lis Fies: My friend Katt Shea, who has been an incredible mentor to me. Debra Hill. Maya Deren. Mary Harron. Heidi Martinuzzi. Angela Bettis. Stephanie Rothman.
Fatally Yours: If you could direct one woman from the horror genre, living or dead, in one of your films who would it be and why?
Lis Fies: Oh definitely Jessica Harper. She’s still stunning, and seems like a down-to-earth, super interesting person. And I’d make her sing. I really wanted to work with Zelda Rubenstein. But you know what the Jesus answer to this question is? Mary Shelley. Hahaha I win!
Fatally Yours: What inspires, influences and motivates you?
Lis Fies: A floating paper bag. Sooo beautiful. Just kidding. I always start with a question or idea I’m personally struggling with and want to solve for myself. I’m motivated by emotions, psychology, and a quest to understand human behavior. I’m inspired by other artists’ work. As much as I consume movies and TV, I can be just as inspired by the alchemy of music, live performance, and novels. I need to see a certain amount of brilliance a week to feel sane.
Fatally Yours: What are your favorite horror films, books, etc.?
Lis Fies: I always fall for the intellectual, boundary-pushing films about rebels, underdogs, and outsiders. The Wicker Man, Don’t Look Now, The Shining, Carrie, Repulsion, The Serpent and the Rainbow, Angel Heart, Jacob’s Ladder, Evil Dead II, Tremors, Peeping Tom, Psycho, The Howling, The Thing, The Lost Boys, Blue Velvet, The Watcher in the Woods, Ginger Snaps, May, Bug, Surveillance, Poltergeist, The Craft, Django Kill!, The Frighteners, Videodrome, Misery, Alien, Silence of the Lambs. I’ve just started studying giallo, but I’m not educated enough to speak to favorites there yet. Basically if it’s got authentic emotions, intelligence, an original voice, and brass balls; I feel love.
Fatally Yours: Outside of horror what do you enjoy doing?
Lis Fies: I’m a comic book reader. I used to do stunts and have just started getting back into martial arts and working out. I’ve been blogging for five years. I love to talk with interesting people in small groups or one on one situations. Cuddle, have sex, swim, read, write, play with my dogs. Dance, poledance classes, listen to music. Fritter away hours on the computer chatting with friends on Twitter and Facebook. Being a rabble-rouser. I spend a lot of time laughing. My second favorite thing in the world to do is to drive around LA streets late at night, alone, with the wind in my hair and the radio cranked up to a punk song.
But my favorite thing to do is watch and/or make movies. Without that, I die.
Fatally Yours: What are your goals for yourself within the horror genre?
Lis Fies: There are so many movies I want to make. Pistoleras is up next, which is technically a teen chick Spaghetti Western. Though a true SW has incredibly horrific moments and Pistoleras will not disappoint. After that, if I can earn a middle class wage making a solid horror feature every year and a half, I’ll feel happy. Ultimately my goal is to explore more ideas and emotions I’m confused by to find answers, and to continue to expand the concept of horror to include women’s minds and the mixing of genres for fresh, frightening stories. I’m also starting THRILLEDFEST, the world’s first thriller film festival later this year. I don’t think it’s a coincidence that women are drawn to that subgenre, or that it is the most ignored by the current horror community. Time to do something about that.
And Heidi Martinuzzi and I are working on two female centric film festivals together. Heidi’s done an immeasurable amount of good for women and the men who love them, and gets no worldly thanks, by the by. Zeus knows The Commune would be nowhere if Heidi hadn’t found it, and I would have killed myself thinking I’d failed at the one thing I’ve been working at every waking moment since I was six. It’s different for a woman. I’d given up having children and a husband to make movies, and here I was broke and my movie was ignored. So I was tying up loose ends, donating my stuff away, planning on offing myself at a screening of Paul Blart: Mall Cop when Heidi emailed me out of the blue and said she loved my movie. The Commune hadn’t gotten into one festival or had one article written about it until Heidi saw it, got it, and took a stand. Everything good that’s happened to it has come from a sixth degree of her review. That’s how much change one person can make to a female filmmaker. So thank you so much Sarah, for being one of those people. And thank you to Hannah Neurotica for putting out the call for recognition and teamwork. And huge appreciation to Andrew Shearer of Women in Horror (Georgia) and Andrew Rose of Pretty Scary Bloodbath (Texas) for providing the film festivals we need to appreciate women horror makers in February.
Fatally Yours: It’s been an absolute pleasure! Where can people find more info on you?
Lis Fies: They can see my feature at www.TheCommuneMovie.com and keep up with me at www.LisFies.com
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Interview with Fatally-Yours Founder Sarah Jahier
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| Sarah "Fatally Yours" Jahier |
Written by Michael Varrati
Hands down, women are cooler than men. This isn’t so much a divisive statement in the battle of the sexes, nor is it me betraying my gender, it’s just a sheer empirical fact.
I know no men who could deal with pregnancy with the grace a woman could, in fact, most men I know complain at the slightest ache. The fact remains that men can’t get pregnant because they couldn’t handle it…but women can.
When soldiers are dying on a battlefield or a child is scared in the dark, wherever there is a dire situation, it is our mother’s we call for and whom we wish were there to protect us. Dads may be tough, but moms are the fighters when it comes to their babies, and we all know not to cross a mother.
Hell, even gay men, who should have no real reason to pay attention to women at all make them their idols…and why not? Comparing Liberace and Cher is no contest: Girl’s got more personality and attitude than a whole room full of dudes combined.
So, with this in mind, when we here at Fatally-Yours set out to celebrate Women in Horror month, I was more than okay with the festivities. Some of my favorite performers in the genre (Jamie Lee Curtis and Mary Woronov, to name a few) are women, and the female sex has contributed to fright films far more than any other genre that I can possibly think of, even if I strain my brain to the max.
Most of the event’s highlights come this month in the form of interviews with prominent women in horror, a project that was spearheaded and primarily conducted by our editor, Sarah Jahier. But for all her attention to other women within the genre, I thought it would be nice to turn the lens around and give our lovely ringmaster her due. Without Sarah, and in fact many other female editors within the field, a lot of horror publications wouldn’t even exist, and it is through her careful juggling of all the writers, her love of horror, and her ability to put up with each and every one of our psycho needs that Fatally-Yours is the success that it is and looks as great as it does.
So for women in horror month, I took a moment to sit down with a woman who I greatly enjoy working with and think very highly of, Fatally-Yours’ own editor, Miss Sarah Jahier.
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| Sarah "Fatally Yours" Jahier |
Michael Varrati: Let’s start with one of your favorite questions for some of the ladies you’ve interviewed: What are your first memories of the horror genre and how did you fall in love with it?
Sarah Jahier: I grew up on an isolated ranch in Northern California, where we had no electricity except for a generator we ran only a couple of hours a night. So, instead of growing up on TV and movies, I grew up on books. There was a small library in town, and I ransacked its shelves for anything by Stephen King while in elementary school. When I was in junior high and high school I loved Anne Rice’s books and just couldn’t get enough of anything spooky! So my fondness for the genre originated from horror books, but when we moved to a bigger town and a house with electricity I remember renting the schlockiest horror movies I could find with a high school friend! Horror back then was just for laughs, but then I saw The Texas Chain Saw Massacre for the first time and everything changed! That film scared me like no other and I’m still seeking a film that can chill me to the bone to the extent that TCM did. After TCM, I just couldn’t get enough horror films. A film class in college led me to broaden my horizons in horror and introduced me to Italian gialli, Asian ghost stories, and German Expressionist films and so on. From there, they say, the rest is history.
Michael Varrati: Naturally, this love had to have continued, otherwise I imagine there would be no Fatally-Yours. What does horror mean to you, and what about it continues to keep you in its thrall?
Sarah Jahier: Like I mentioned, I’m still searching for that illusive visceral thrill that I first experienced with TCM. A horror film that rattles me to the bone and yet has me begging for more! I just love the adrenaline rush of being scared, but I like horror movies that mess with your head and burrow into your brain to perturb you hours, days, weeks, months and hopefully years down the road!
As for what horror means to me, it means a multitude of things. Horror provides that pleasurable rush of adrenaline, it is a cathartic experience where fears can be explored in a safe environment, it is fun and silly entertainment, it is an examination of the darker side of life, which I’ve always been fascinated with, and I think its dark view on mankind is more realistic than all other film genres out there. Believe it or not, I also use horror movies as a way to relax – they are like a security blanket to me!
Michael Varrati: Bela Lugosi once said, “It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.” Do you suppose this to be true? If so, what is it about the horror genre, which has notoriously objectified women and has a fandom that is generally thought of to be male, that you feel appeals to the female gender?
Sarah Jahier: Even though some films objectify women and treat them as little more than pieces of meat, more horror films are embracing strong female characters. And strong female characters or not, women still enjoyed being scared just as much as men do. Plus, as Bela was referencing, women grow up with their own horrifying experiences. We have to deal with blood once a month not to mention the body-horrors that go along with being pregnant or dealing with women-centric diseases, infections, disorders, etc. like post-partum depression, breast cancer, STD’s and so on. To quote Bela Lugosi again, “It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.”
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| Sarah "Fatally Yours" Jahier in a Dance Party Massacre tee |
Michael Varrati: Often, horror films (especially slashers) have a female protagonist, popularly referred to in the genre fandom as “the last girl”. Do you think, in this case, female leads are empowering or are further reinforcement of sexual victimization?
Sarah Jahier: I think it really depends on the context of the movie. Some films feature a smart Final Girl who is resourceful and doesn’t rely on someone else to save her. Other films, though (past and present) feature a woman who survives, but only because the men around her saved her. Those films irk me, because they show that a woman can’t survive without a male’s help. And really, shouldn’t we be past the whole “damsel in distress” thing anyway? Luckily, most horror films feature kick ass “final girls” who stop at nothing to survive or get revenge on someone who has wronged them. We are also seeing more strong female villains, which, in my book, can be just as important as how heroines are portrayed.
Michael Varrati: What women in horror do you admire, look up to, or are inspired by? Who would you say are your favorites?
Sarah Jahier: When I started Fatally-Yours, I was greatly inspired by the few women writers that I found on the web, including Heidi Martinuzzi of Pretty/Scary, Stacie Ponder of Final Girl and Staci Layne Wilson of Horror.com. I am still inspired by these three hardworking ladies, who wear their passion for the genre on their sleeves!
I also admire all women who are involved in the horror genre, from bloggers to actors to artists to directors to authors and so on! It’s been so exciting to see so many new female horror writers in the last couple of years, especially on many horror sites.
Michael Varrati: How did Fatally-Yours get its start? Clearly you were a horror fan, but what lead you to go from casual fan to creating this site and establishing yourself as a genre goddess?
Sarah Jahier: Hahaha, “genre goddess”! You are too kind, sir! Well, I’m not sure if I’m there yet, but thank you! Fatally-Yours started after I graduated college. Believe it or not, I loved school and I really missed my horror film class I had taken my last semester. As mentioned earlier, it really exposed me to many different horror sub-genres that I was in the process of exploring. I really wanted to continue writing about film, so *ta-da* Fatally-Yours was birthed! I started it mainly to get ideas out of my head and put to paper how horror films affected me and which new ones I discovered, but soon it kept growing and growing and growing…
Michael Varrati: Do you feel Fatally-Yours has achieved the goals you have set for it? Is there anything you’d like to see done with the site that you have not yet had a chance to do?
Sarah Jahier: Well, at first it was sort of my own space to express my thoughts, but then it kept growing and evolved to a place where horror fans could discover new films/book/etc. I’ve always wanted it to be about expressing my love of horror and sharing it with others (hence our motto, “For the Love of Horror”) and I feel that we’ve achieved this (in no small part thanks to my wonderful staff of writers…I definitely couldn’t do it alone!), but there is always more to be done! I say there is always room for improvement, and I hope to keep expanding Fatally-Yours in one way or another.
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| Sarah "Fatally Yours" Jahier |
Michael Varrati: What advice would you give to young women looking to go into the horror genre, whether it be as a horror journalist, such as yourself, or the writing, directing, or performance aspects of the field?
Sarah Jahier: Believe in yourself and follow your heart. If you want to do it, then do it and don’t let anything stop you. Anything is possible, so aim high! Be fearless, but respect those that come before you. Never close yourself off to an opportunity because who knows where it may lead! With that said, don’t compromise your beliefs and stay true to who you are. Don’t let people just use you for your pretty face or body, show them how talented you really are!
Michael Varrati: Okay, now that we have some of the more serious stuff out of the way…how about a few fun ones. Here’s a scenario question: You’re the “last girl” and you get to lock horns with any of the great horror movie villains. Who’d it be and why? Also, would you fight to just survive…or are you out to draw blood?
Sarah Jahier: Oh, so many monsters and so little time! I would love to go up against the sisters in Ginger Snaps, though “against” is probably the wrong word…I would probably join them! I think they are some of the best female characters in a recent horror flick and just so dang cool! Thanks to writer Karen Walton for dreaming them up and giving us some REAL female characters! I also have a big thing for Maleficent in Sleeping Beauty, which I know isn’t a horror flick, but she is definitely one cool villain! I’m really hoping Tim Burton does something cool with his upcoming re-imaging of the story where he is planning on telling the tale from Maleficent’s point of view. I would also love to pit myself against any of the black gloved killers in giallo films, just to see if I could outsmart them! And I would definitely be out for blood!
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| Sarah "Fatally Yours" Jahier in a custom SEIBEI zombie hunter tee |
Michael Varrati: You’ve made it pretty well known that The Texas Chainsaw Massacre (’74) is your favorite horror film of all time…but what is your least favorite? I often consider this answer as telling as what we like the most.
Sarah Jahier: Oh geez, ok, least favorite…hmmmm…one recent flick that comes to mind is Return to Sleepaway Camp. The memory of watching that is still painful to this day. I also don’t enjoy realistic, snuff-type horror films, like the August Underground or Guinea Pig series or equivalent. They aren’t bad films by any means, but I just don’t particularly enjoy these types of horror films. I like my horror to be an escape and entertain me while still staying smart, but those realistic films just seem to be in it for the shock value. Besides the cool special FX, I don’t understand their appeal.
Michael Varrati: …okay, now that you’ve revealed your least favorite horror flick, here’s the real challenge: Say something nice about the film.
Sarah Jahier: Ok, I’ll say something nice about Return to Sleepaway Camp – it has Felissa Rose in it! As for the realistic gore-type films, I will say their special FX are amazing…but a bit too realistic for me, if that makes sense.
Michael Varrati: According to your F-Y profile, you enjoy throwing horror movie nights. What would you say is the perfect double feature for a girl’s night in?
Sarah Jahier: Mmmmm the possibilities!! Ginger Snaps and The Descent are some great female-centric horror films that I would love to share with all my girlfriends. Recently, I also absolutely loved Jennifer’s Body (I don’t understand why people didn’t like that movie!) and at the end of the month I am showing that to some friends alongside the campy and hilarious Zombie Strippers. How’s that for a double-feature!?
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| Sarah "Fatally Yours" Jahier |
Michael Varrati: Alright, the next few questions are also culled from your FY profile. You’ve listed your favorite directors, I’m going to name each of them and I want you to select just one of that director’s films to represent what you think is best about their body of work, and if possible, why. Let’s start with George Romero.
Sarah Jahier: Sheesh, I really need to update my profile, don’t I?! I’ll tell you what, I’ll select my favorite film from each director and tell you why it is so relevant to the horror genre as well as explaining why I love it so. I can’t guarantee I’ll pick the film that best represents his oeuvre.
George Romero – Night of the Living Dead. It contributed so much to the horror genre, and has that gritty immediacy that most horror films nowadays lack.
Lucio Fulci – Don’t Torture a Duckling. Sure, there is Zombi 2, which I also love, but my absolute favorite is Don’t Torture a Duckling. Not only did it deal with taboo issues (killing children, among others), but it did so in a beautifully photographed way!
Dario Argento – Suspiria will always be my favorite Argento film and one I believe shows his filmmaking at its best. The narrative might not always make sense, but the sheer beauty of the colors he uses and skillful use of sound throughout the eerie movie just kills me every time!
Takashii Miike – All of Miike’s films (well, at least the thriller/horror ones, probably not so much his children’s movies) are exhilarating rides of violence and breaking taboos. I think Audition is probably his most straight-forward work, though, and while the tension simmers until it reaches its boiling point at the end of the film, it still manages to creep under my skin and leave me unsettled. It’s not just the violence, but the overall mystery and tension throughout the film! Runner-up would be Ichi the Killer.
Roman Polanski – I love Polanski’s POV techniques, especially in The Tenant, that make you feel like you are in the protagonist’s shoes and as they slip into madness so do you. I think The Tenant is an underrated film in the horror community and doesn’t get nearly enough props. People usually talk about Polanski’s Repulsion, which I also like, but The Tenant is just a near-perfect exercise in skewed perspectives and expectations.
Tim Burton – Edward Scissorhands. All of Burton’s films are about the gothic visuals, and I think Scissorhands is one of his most wonderfully vivid and fairy tale-like creations. This film is just a magical experience.
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| Sarah "Fatally Yours" Jahier in a Headstone City tee |
Michael Varrati: Now that we’ve just worked through all your favorite horror directors, I’d like to take a moment to point out…they’re all men. This leads me back to the theme of the interview and our celebration of the month, who, if any, do you consider to be a great female director within the genre?
Sarah Jahier: See, what did I say about updating my profile?! This is an excellent point, though, and I would like to point out that while men may become known for their horror movie work, women directors usually don’t. I also think women directors move on to other genres and tend to be more varied in their careers. Is that because as a woman director it is hard to make a name for yourself in the horror genre or is it because they tend to move on to other genres? Well, I’m not sure, but I do hope we see more women directors in the horror genre in the years to come.
As for right now, I really can’t wait to see more of Devi Snively’s work as well as that by Michelle Fatale. I also hope that Heidi Martinuzzi does more films, because I absolutely loved her short film Wretched. As for “bigger” names, I really admire Kathryn Bigelow for giving us Near Dark, Mary Harron for American Psycho, Mary Lambert for Pet Sematary and Antonia Bird for Ravenous. Still, these directors have branched out to other genres and haven’t really given us any other horror films (or at least ones that were as good as these films). I see many more female filmmakers making horror films, though, so hopefully we will be seeing a lot more female-helmed horror in the future!
Michael Varrati: You’ve really spear-headed the celebration of Women in Horror month with an intensive series of interviews with a vast array of ladies within the genre. Is there anyone out there who you didn’t get to interview that would be a dream come true for this event? I suppose living or dead could apply, this being horror, after all.
Sarah Jahier: I would love to interview Cassandra Peterson for her role as Elvira. I just love the sassiness and brassiness she brought to that role! I also would have loved to interview producer Debra Hill for all the contributions she made to the horror industry, contributions I think she doesn’t get enough credit for. Most people don’t realize she, alongside John Carpenter, brought Halloween to life! It would be a dream come true to interview Frankenstein author Mary Shelley, screen siren Barbara Steele and scream queen Linnea Quigley!
Many thanks to you Sarah, for taking time out of your schedule to answer these questions, and on behalf of all us here at Fatally-Yours, thanks for being OUR woman in horror!
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Friday, February 26, 2010
Interview with Actress Michelle Tomlinson
Donned Scream Queen of the Month (Nov. 2009) and the recipient of the 2007 Shriekfest Film Festival’s “Pretty/Scary One to Watch” award, Michelle Tomlinson is receiving rave reviews in four separate feature films currently captivating audiences throughout the film festival circuit.
Tomlinson earned the Pretty/Scary Award for her work in The Cellar Door, a horror and psychological thriller that is earning its own recognition for improving upon the girl-trapped-by-a-serial killer storyline. The award is sponsored by the online magazine Pretty/Scary: For and By Women in Horror which called Tomlinson’s performance, “groundbreaking.” Scream TV said, “Ms. Tomlinson is fascinating to watch in this role … (her) strong performance as (the heroine) Rudy is one of the most exciting in recent memory.” A sequel to The Cellar Door is slated for production in 2010.
Tomlinson also stars in the Kevin Tenney (Witchboard) directed, humorous, high-concept horror film Brain Dead. Brain Dead was honored with the “Best B-Movie” award at the ShockerFest Film Festival, and has picked up nominations and awards for visual effects, makeup, screenplay, and best horror feature at over a dozen film festivals. The film just finished a theatrical release and is being released on DVD. George’s Intervention, a tongue-in-cheek horror comedy feature directed by JT Seaton is also making the Festival Rounds with 11+ Film Festivals.
Tomlinson’s acting abilities span far beyond just the horror genre. She also currently stars in the indie drama Indelible, which has received several awards on the festival circuit and just wrapped shooting two features back to back (Second Class Citizens playing a white supremacist and …Xtra Man playing a fluffy and vapid ex-stripper!)
In her approach to her craft, Tomlinson exhibits the kind of discipline and creativity one might expect from the child of a Marine and an artist. While festivals feature the work of scores of actors, rarely does a performer enjoy four feature films (playing diverse characters) circulating the festivals at the same time.
Fatally Yours: What are your first memories of the horror genre and what drew you to it?
Michelle Tomlinson: Watching Freddie scare the hell outta teenagers with my Dad. I love gory special effects, even since childhood. I always wanted to play the girl who gets to kick the villains ass.
Fatally Yours: What does horror mean to you?
Michelle Tomlinson: Taking ordinary circumstances, adding a twist of lime and making even the most mundane moment explode with suspense and fear. Also something that can get deep in your psyche and disturb you at the sheer possibility of ‘that’s something that could actually happen.’
Fatally Yours: When did you discover you wanted to pursue acting as a career and how did you set about fulfilling this dream?
Michelle Tomlinson: Ever since I was about six. I did a few plays when I was a kid then switched gears in high school and focused on Video Productions instead. I got to learn the other side of the camera. I picked acting up again when I was in college at ENMU and got my Bachelor’s in Theatre. Shortly after graduation, I scooted to L.A. It seemed like the logical next step.
Fatally Yours: Was there one specific role you played in a horror film that made you want to pursue more opportunities in the horror genre or have you always wanted to act in horror?
Michelle Tomlinson: Hands down, it was working with Kevin Tenney in the Feature Film Brain Dead. Not only did I have a blast with my character, work with the greatness that is Kevin, I also got to see some really cool special effects happen behind the scenes. I fell in love.
Fatally Yours: Many of your performances have been very well received. Do you have a favorite character you’ve played or performance you’ve given?
Michelle Tomlinson: It might sound nuts, but I love them all. No matter what character it is, I still see room for growth and improvement in every film I’ve been in. I love the process and the experience of getting to put on different “skin suits” and consider myself blessed I’ve been able to do that and that some people dig it.
Fatally Yours: What upcoming horror films are you working on?
Michelle Tomlinson: There’s a sequel to The Cellar Door in development that I’m particularly excited about. I have a few other projects in the fire, but that’s the one that’s horror.
Fatally Yours: When can fans expect to see more webisodes of The Mis-Adventures of McT & A, your web-series with Kimberly Amato?
Michelle Tomlinson: As soon as humanly possible. Amato and I are working on our scheduling for that as we speak and talking about different avenues and ideas of shooting things simultaneously across the coasts. The short answer: SOON.
Fatally Yours: How did The Mis-Adventures of McT & A come about?
Michelle Tomlinson: A Skype meeting in the middle of the night. We were up late and brainstorming. Keep in mind I live in LA and Amato lives in NY…So when I say middle of the night it was around 11:30pm here and 2:30am there. We got a little slap happy and started tossing out ideas and came out with that one. It was Amato’s original concept and we both tinkered with it from there.
Fatally Yours: What is one thing you’ve done within the horror genre that you are most proud of?
Michelle Tomlinson: Simply being a part of it is something I am extremely proud of. I have met life-altering people in this genre. I’ve accomplished one of my lifelong goals: To be in horror flicks.
Fatally Yours: Are there certain roles you haven’t taken or will refuse to take because they are too exploitative or make you uncomfortable?
Michelle Tomlinson: It takes quite a bit to make me feel uncomfortable in a role. That doesn’t mean I haven’t turned down a role here and there, but ultimately if it’s a good project I’m in. I’ve done the nudity thing, but it was something that added to the storyline of the film. Not to mention it was in a blink and you’ll miss it section. I suppose if I were asked to run around naked for the majority of a film just for sales, I’d respectfully decline.
Fatally Yours: Dario Argento once said, “I like women, especially beautiful ones. If they have a good face and figure, I would much prefer to watch them being murdered than an ugly girl or man.” Alfred Hitchcock elaborated by saying, “I always believe in following the advice of the playwright Sardou. He said, ‘Torture the women!’ The trouble today is that we don’t torture enough.” What is your reaction when reading those quotes?
Michelle Tomlinson: It really sucks that women have always been a target for violent and torturous acts in film. I know it’s twisted, but it’s understandable to a certain degree. We’re supposedly softer, weaker, nicer and more vulnerable than the fellas. The juxtaposition is that we’re actually quite the opposite in every way so we’re all playing against the type of who we really are! I also feel like most guys like the idea of being the hero to a damsel in distress. It’s a male dominated genre and industry. It only makes sense. This is where I quote Ani DiFranco though: “What if there are no damsels in distress… And I called your bluff… Don’t you think every kitten figures out how to get down whether or not you ever show up?”
Fatally Yours: Do you ever get annoyed by the stereotypical “bimbo in distress” who always seems to end up naked for no apparent reason that many horror movies feature?
Michelle Tomlinson: Yes. I do. I know T & A increase sales, I get it. Thankfully, it seems like we are heading into an arena where that’s not always the case and those aren’t always the roles. In watching The Strangers, Liv Tyler did not once bare all. And she was most certainly a girl in distress. The lack of showing her rack did not lend to a lesser film. It scared the hell out of me plenty without it.
Fatally Yours: What horror movie would you say is equally fair in terms of men being objectified or at least, losing the same amount of clothes?
Michelle Tomlinson: Hostel.
Fatally Yours: What are your overall thoughts on how women are portrayed in horror films?
Michelle Tomlinson: My thoughts are conflicted. Sometimes women are shown to be these weak and feeble creatures with zero redeeming strong qualities. Other times, there’s some meat and strength to them. Like in Wolf Creek. Albeit the ending made me go nuts, there was some seriously strong and weak female character work going on simultaneously throughout the whole film. The roles are balancing themselves out. It’s not just high school bimbos getting axed whilst pleasuring the male lead anymore!
Fatally Yours: What has been the most challenging character you’ve had to portray?
Michelle Tomlinson: Definitely Rudy from The Cellar Door. She had extreme moments of vulnerability that made me cringe. I don’t care to share my vulnerability with people just being me! But between the kick ass script that Chris Nelson wrote and an amazing Director in Matt Zettell mixed with me allowing myself to just GET OVER IT, I did get there. Rudy was such a cool ride.
Fatally Yours: If you could play or play against any fictional horror villain in a film, who would it be and why?
Michelle Tomlinson: I would kick Freddie’s ass for scaring the living hell out of me as a child. As for being the Villain, I’d love to play a wicked twisted serial killer…Just to see if I could.
Fatally Yours: Since you’ve been involved with the horror genre, have you noticed more women becoming involved behind the camera as directors, producers, writers, etc.?
Michelle Tomlinson: Absolutely. Look at Heidi Martinuzzi! The girl is her own mutli-hyphenate in the Horror Industry. One of my best friends is Brooke Lewis, for those few who don’t know her, she’s been Producing and Acting in Horror Films. Her latest project is the critically acclaimed iMurders. Amato was a co-Producer on Under the Raven’s Wing and my girl Alexis Adkins is writing a series called Be Nice that’s more twisted than anything out there. So yes, I definitely see a rise with women on that side of the camera!
Fatally Yours: What women in horror do you look up to?
Michelle Tomlinson: Definitely the aforementioned females from the last question. I’m lucky because I actually know them and adore them. And of course there’s Jamie Lee Curtis and Lynn Lowry. Lynn was a joy to work with on George’s Intervention and Jamie Lee just seems like a bad ass who all but originated the term Scream Queen.
Fatally Yours: What would be your dream role/project?
Michelle Tomlinson: As far as non-horror, Amato and I have two feature film projects in development that are dream projects, Touch and Dreaming Reality. Touch is a really gritty Sundance indie drama and the character is a private investigator with a pretty serious past who has to kick a lot of ass in the present. Dreaming Reality is more a dramedy and the character is sassy as all hell. Both will be a lot of fun.
In the horror realm, I really would love to play some kind of supremely mental-case twisted chick who’s a serial killer. I don’t know why that appeals to me so much, but it’s just so beyond dark that I’m fascinated to see if I could pull it off and still keep the character likable in some respects.
Fatally Yours: What advice would you give aspiring women actors?
Michelle Tomlinson: Always side with integrity and you’ll be ok. We get put in some pretty hairy situations sometimes and are forced to make some pretty serious decisions. When we start to make a dent in our careers, you’ll be amazed at the slime that will ooze up from the gutters in the form of a flashy smile and sports car.
Keep your head at all times and live in integrity.
Fatally Yours: In your opinion, what makes the perfect scream queen and who is the ultimate scream queen?
Michelle Tomlinson: To me, a Scream Queen is a strong female character in a horror film played by an actor strong enough to pull her off. The ultimate? Jamie Lee Curtis. Hands down. The more modern Scream Queens that I love and adore for their skill? Kimberly Amato and Brooke Lewis. Perhaps I’m biased, but I am attracted to focused and skilled human beings – so I think that my opinion is a strongly supported one!
Fatally Yours: What inspires, influences and motivates you?
Michelle Tomlinson: Never knowing when the end game is. I’m so in love with life and I’m excited to still be a part of it. My Mom, nature, animals and my friends all inspire me to constantly reach higher.
Fatally Yours: What are your goals for yourself within the horror genre?
Michelle Tomlinson: To create even stronger and more interesting female characters set within extraordinary circumstances that creep people out and maybe even make them think a little bit. I just want to keep going, ya know? This is what I love.
Fatally Yours: Where can people find more info on you?
Michelle Tomlinson:
http://www.michelletomlinson.net
http://www.facebook.com/mightymct
http://www.myspace.com/mojochicken
http://www.twitter.com/mojochicken
Labels:
actor,
interview,
WIH 2010,
women in horror
Interview with Filmmaker and Actress Kimberly Amato
Kimberly Amato has appeared in a variety of independent films, including Fistful of Sand, Deception, Perfect Criminals, Weekend Rental, Amity and Billy’s Choice. Most notably, she portrayed the title character in Susan Adriensen’s Under the Raven’s Wing. The role garnered Amato with critical acclaim with coverage from wide variety of places including Pretty-Scary.net, AfterEllen.com and Curve Magazine. The film was awarded the best film of 2007 by BumsCorner.com.
Amato has a knack for getting into a characters mind having in her arsenal a BA in Psychology from Hofstra University and a MA in Forensic Psychology from John Jay College of Criminal Justice. She’s been called a “Jack of All Trades” working behind the camera as well as in front as often as possible.
Along with the award winning television pilot Party Girl Amato has co-produced Under the Raven’s Wing and two other short films. Most recently she and Michelle Tomlinson created The Mis-Adventures of McT & A as sketch comedy series which will be screened at the Pretty Scary Blood Bath Film Festival in 2010.
As if that wasn’t enough, Kimberly Amato is also working with Bridge and Tunnel Media on a Spanish Novella trilogy and is in the final stages of editing her first novel.
Fatally Yours: How and when did you fall in love with horror?
Kimberly Amato: I don’t know exactly when, but I remember Nightmare on Elm Street being the first horror film I saw. There was something fascinating about it. I’ve always been interested in the macabre and this is just an extension of it.
Fatally Yours: What does horror mean to you?
Kimberly Amato: It’s the ability to take the simplest and most inane thing and make it terrifying.
Fatally Yours: What are others’ reactions when you tell them you are involved in the horror genre?
Kimberly Amato: Some people scoff at it asking how often have I taken my clothes off. Others ask to become part of my next project if I’m producing it. I’ve met very good mix of people and I truthfully enjoy hearing everyone’s opinions. It gives me more to work with on the next project.
Fatally Yours: Why do you think the horror genre has primarily been a man’s domain?
Kimberly Amato: I think it’s because there has always been the idea of women not being strong enough to combat evil. Fortunately, with the advent of the women’s movement, strong female characters have gained momentum.
Fatally Yours: As a woman, do you think you are viewed differently than your male counterparts in the horror genre? If so, how and why?
Kimberly Amato: I do think I’m viewed differently, partially because of my gender but also because of my background. The viewers are used to seeing women in certain roles, so it’s hard to bring a strong female character to life and still give the fans what they want. You have to bring sex appeal across even if you are fully clothed, buried in mud or just sitting at the kitchen table.
Fatally Yours: Even though women seem to be getting more and more involved behind the scenes in horror, why do you think there are less female horror directors, writers, producers, etc. in the genre than males?
Kimberly Amato: I think it’s because it’s difficult to be taken seriously in other genres after you have directed horror. For men it can be a stepping stone, but it feels like for women it makes you a one trick pony. I co-produced a feature horror film and didn’t get credit for the hard work I did from people outside of the horror industry. However, once I co-produced, starred, co-wrote and directed a comedy television pilot – I earned more respect. The work load was the same, but the recognition and respect was not, unfortunately.
Fatally Yours: What elements can female filmmakers/authors/journalists/etc. bring to the horror genre that are lacking in males’ perspectives?
Kimberly Amato: I don’t think it’s that we bring something specifically different to the table. I think it’s the opposite. Women in general can make a movie just as well, complete with gore, nudity, and all the elements that make a great horror flick – but are not being given as many opportunities to do so.
Fatally Yours: Do you think it’s harder for women to be taken seriously in a genre that seems to be dominated by males?
Kimberly Amato: In some ways, yes. If you notoriously have women being used as nothing more than skin, why would you take them seriously? Film has some basis in the real word – does a woman who sells her body for show get respect? Not really. Why would filmmaking be any different? Unfortunately, women in general are utilized for our bodies more than our talent or our minds. Slowly, we are dispelling these generalizations but in order to succeed we have to play the same game as men. We have to sell DVD’s or tickets and skin sells.
Fatally Yours: Since you’ve been involved with the horror genre, have you noticed a change in women’s roles in the industry?
Kimberly Amato: I have seen more women taking strides behind the camera to make quality productions as directors, producers and writers. Having been in a horror film directed by a woman it’s wonderful to see the trend continue with more fervor than ever.
Fatally Yours: Do you ever get annoyed at how women in horror movies always end naked or with their clothes ripped off?
Kimberly Amato: Very much so. I understand the main audience demographic is male, so that’s the driving force behind it. I wish it was different, but at this point in time it isn’t. Personally, if the female character is going through something where nudity will enhance the story line – I’m all for it. However, seeing a woman nude for the sake of nudity just seems wrong and such a step in the wrong direction for women in the entertainment industry.
Fatally Yours: What horror movie would you say is equally fair in terms of men being objectified or at least, losing the same amount of clothes?
Kimberly Amato: I wish I could name a few, but honestly none come to mind.
Fatally Yours: Do you feel you’ve become desensitized to stereotypical scenes in horror like the half-naked girl screaming and running for her life in slow motion? Or are these types of familiar horror tropes still effective and necessary?
Kimberly Amato: I have become extremely desensitized at this point. I love horror and enjoy watching it regardless, but sometimes I wish the tired old adages would change. Heck, at least shoot them in a different way. To be blunt, my friends are not huge horror fans, but for them to tell me a film is very predictable with specific clichĂ© scenes – things need a new point of view or a different presentation.
Fatally Yours: Do you feel that other people view women as being “soft” and not able to endure horror as well as men? How do you fight this stereotypical view?
Kimberly Amato: I don’t know if people view women as “soft” since we are expected to be easy going. So, I wonder if “soft” is the right term. However, some people would view women as incapable of making a good, solid horror film. The only way to combat this view is to keep our integrity, never quit and put the most amazing project we can out there. Once more people see what women are capable of, the more doors open.
Fatally Yours: What women in horror do you admire and why?
Kimberly Amato: I admire Jamie Lee Curtis as a mainstream Scream Queen. She took her following and made it into a massively successful career. Then there is the obvious choice of Brooke Lewis, she can create a feature, a web series and anything else she puts her mind to – all the while bringing the best possible performance to the screen to accompany the project.
As far as up and coming actresses, I admire Michelle Tomlinson. I saw her film, The Cellar Door, and found she did more stuck in a box (literally, she was trapped in a wooden cage) than someone with a script full of dialogue and a huge set. Since I started working with her, I find her ability stretches much further than the average Scream Queen.
Fatally Yours: What advice would you give women who want to become involved in the horror genre?
Kimberly Amato: You better have a thick skin. This industry is hard and there are women and men willing to knock you down a few pegs to get what they want. Be true to who you are, fight for what you believe in and don’t be afraid to say no. Sometimes passing on a project you feel ill at ease being a part of is a good decision. Don’t be afraid to say no.
Fatally Yours: What’s the last disturbing horror movie you saw?
Kimberly Amato: The Descent – I hate small spaces and seeing the women trying to climb through these little caverns, with no air, the roof collapsing. Yeah, it freaked me out a bit.
Fatally Yours: What’s one horror movie you think is HIGHLY overrated?
Kimberly Amato: Paranormal Activity – the new Blair Witch… all hype and very little return on my money. What makes it worse, they ordered a sequel.
Fatally Yours: What are your favorite horror films, books, etc.?
Kimberly Amato: I read mostly non-fiction books about various criminals so that in itself is frightening. I have always been very partial to the Nightmare on Elm Street series, The Descent, the first Saw film (the subsequent sequels lost the essence of the original) and Silence of the Lambs.
Fatally Yours: What is your ultimate goal while working in the horror genre?
Kimberly Amato: To create films that showcase the worst of humanity in the most realistic manner possible. They don’t have to make a fortune, but they have to be good quality films.
Fatally Yours: What upcoming projects are you working on?
Kimberly Amato: I’m working on a bunch of projects this year. First, there is the web series, The Mis-Adventures of McT & A, Michelle Tomlinson and I have begun working on. The first episode is located on my YouTube page and we have a Facebook group where fans can send us suggestions, emails and images. Michelle and I are also working on two feature films this year. One called Touch – the teaser trailer is also available on my YouTube page. Then there is Dreaming Reality – both are in the pre-production phase. We’re also doing a benefit for abused women in Los Angeles.
I’ve also been brought on board to work with Bridge & Tunnel Media on a Spanish novella trilogy. We’ll be shooting the first episode of the first novella in the next few months. And last but not least, I’ve just completed my first novel. It’s a murder mystery and the lead is a female psychotherapist.
Fatally Yours: Where can people find more info on you?
Kimberly Amato:
http://www.imdb.com/name/nm1742671/
http://www.KimberlyAmato.com
http://www.myspace.com/KimberlyAmato
http://www.twitter.com/KimberlyAmato
http://www.LittleCrownProductions.com
http://www.youtube.com/user/kkat76
“The Mis-Adventures of McT & A” Facebook Group
Labels:
actor,
author,
director,
female filmmaker,
interview,
producer,
WIH 2010,
woman directed,
women in horror,
writer
Interview with Producer Debbie Brubaker
Debbie is a seasoned producer in the world of indie feature films and considered “the godmother” of the San Francisco Bay Area independent movie arena. One of her recent production successes was co-producing Peter Bratt’s film La Mission, an audience pleaser at Sundance 2009 that is set to be released in the spring of 2010. Debbie also produced the soon to be unleashed comedy/horror pic, All About Evil, directed by Joshua Grannell. She has also worked on many other films, including Karen Goodman Hawk’s One Way to Valhalla, Finn Taylor’s The Darwin Awards and Cherish, Mark Decena’s Dopamine and Unflinching Triumph: The Phillip Rockhammer Story, Martin Guigui’s Swing, Lynn Hershman Leesom’s Teknolust, and Bartleby and The Californians by Jonathan Parker. Debbie is currently working on a documentary with Jennifer Seibel Newsom called Miss Representation as well as executive producing and editing the feature film Wheels directed by Jennifer Juelich. She also just finished writing a horror script called The Ghosts of Alcatraz.
Fatally Yours: How and when did you fall in love with horror?
Debbie Brubaker: Watching the movie Dracula hiding behind my dad’s knees as he slept on the couch. He was supposed to stay up and watch it with me. I was 6.
Fatally Yours: What does horror mean to you?
Debbie Brubaker: Something scary that stays with you, sure it’s fun to get the devil scared out of you in the theatre, but good horror makes it hard to get into the car and drive home without being terrified.
Fatally Yours: What are others’ reactions when you tell them you are involved in the horror genre?
Debbie Brubaker: Nervous laughter.
Fatally Yours: Why do you think the horror genre has primarily been a man’s domain?
Debbie Brubaker: Because historically the perps and evil doer’s are male. Maybe they relate better than we do (women).
Fatally Yours: As a woman, do you think you are viewed differently than your male counterparts in the horror genre? If so, how and why?
Debbie Brubaker: People always seem a little surprised. Sometimes they comment about it being a guy’s kinda thing. Good scary stuff is for everybody! But I think they get stuck in the grove of thinking it’s a guys thing. There haven’t been any famous horror directors that are women. But then women directors are in short supply as it is.
Fatally Yours: Even though women seem to be getting more and more involved behind the scenes in horror, why do you think there are fewer female horror directors, writers, producers, etc. in the genre than males?
Debbie Brubaker: I think it’s still a male dominated genre. Like war pictures and thrillers. Hell, it’s a male dominated business. Still. Hard to say if that’s ever likely to change. The horror scripts are given to men first. I guess the writers must think women are too wussy to make good horror. How wrong they are!
Fatally Yours: What elements can female filmmakers/authors/journalists/etc. bring to the horror genre that are lacking in males’ perspectives?
Debbie Brubaker: Stuff that can really make the audience scared in a less classic way. I think we can twist it up with scary female protagonists. Done in thrillers, less in horror.
Fatally Yours: Do you think it’s harder for women to be taken seriously in a genre that seems to be dominated by males?
Debbie Brubaker: Absolutely. I have gotten the double take from guys when I said I was involved with a horror film. They think it’s outside of my box. (ha ha)
Fatally Yours: Since you’ve been involved with the horror genre, have you noticed a change in women’s roles in the industry?
Debbie Brubaker: Unfortunately not really. Heck, this business is hard no matter what. But classically women are taken less seriously than the men.
Fatally Yours: Do you ever get annoyed at how women in horror movies always end naked or with their clothes ripped off? Do monsters not like men’s abs?!
Debbie Brubaker: Not all GOOD horror has that element. I loved Session 9 and there isn’t anything like that in there. One of my fav’s is The Haunting. Neither one has that stuff. So if they resort to that, it’s a cheap shot and cheesy in my opinion. It can take me out of the picture – I think it shows no imagination.
Fatally Yours: What horror movie would you say is equally fair in terms of men being objectified or at least, losing the same amount of clothes?
Debbie Brubaker: In horror? Doesn’t exist.
Fatally Yours: Do you feel you’ve become desensitized to stereotypical scenes in horror like the half-naked girl screaming and running for her life in slow motion? Or are these types of familiar horror tropes still effective and necessary?
Debbie Brubaker: Depends. I find it a kind of a parody of horror now days. The movies, even the cheapies, have gotten a lot more sophisticated. Sometimes the women are the heroes. Imagine that!
Fatally Yours: Do you feel that other people view women as being “soft” and not able to endure horror as well as men? How do you fight this stereotypical view?
Debbie Brubaker: Ever since Sigourney Weaver busted the ovaries on the Alien she was doing battle with, maybe even before that with Terminator, we have had strong women heroines. That “oooh ooooh somebody save me crap” (meaning a man) is really old hat. Old dead smelly needs to be tossed out hat. Not to say that a woman character can’t be a dumb shit. But now it doesn’t have to be a woman, it can be a man too. And a few filmmakers have smelt the chapeau and have womaned up. (so to speak)
Fatally Yours: What women in horror do you admire and why?
Debbie Brubaker: I love Natasha Leone. I think she doesn’t even know her own strength as an amazing actress. I will always love Cassandra Peterson and Mink Stole. Sigourney Weaver is permanently in that Hall of Fame. Linda Hamilton was a great Sara Connor. I also liked Naomi Watts in the Ring movies.
Fatally Yours: What advice would you give women who want to become involved in the horror genre?
Debbie Brubaker: Trust your guts don’t spill ‘em (just a little horror humor). Work with what scares you. Don’t be afraid to be afraid!
Fatally Yours: What has been your best experience while working in the horror community? What’s the worst?
Debbie Brubaker: The best experiences have been with people using amazing creativity in place of no money. I’m always in awe of what the art/efx folks can come up with even when you don’t have anything but dimes. They make fine wine out of sour mash!
The worst has been when executive producers try to take over what’s being done. They don’t understand the biz necessarily and can really muck up your day.
Fatally Yours: What’s the last horror movie that made you think “this is some effed up shiznit!”?
Debbie Brubaker: I recently watched Exorcist: The Beginning. BORING. What’s up with that? They had mega bucks to make that thing and it sucked scum off the Nile.
Fatally Yours: What’s one horror movie you think is HIGHLY overrated?
Debbie Brubaker: SAW, pick one.
Fatally Yours: What are your favorite horror films, books, etc.?
Debbie Brubaker: I think that Hitchcock’s The Birds is still my favorite. I will never forget seeing it for the first time at 6 years old hiding behind the front seat at the drive in. My parents thought I was asleep. Ha! I saw most of it. Scared the, what was that word you used, shiznit outta me. And every time I saw it again (for many years), thought it was just, well, scary wrong. (I am truly surprised that no one has tried to remake it – thank the Goddess!). I loved The Lovely Bones. That one was really a good horror/thriller.
I have hopes for Legion, we’ll see.
Fatally Yours: What is your ultimate goal while working in the horror genre?
Debbie Brubaker: I work in a whole plethora of genres. But for horror it’s never my goal to gross anybody out. For me that’s taking the cheap shots. To really do horror well, I like for the characters to have great fear. To successfully do that you have to create something unknown that is really scary, and film it in such a way that makes your audience feel what the characters feel. Remember that movie The Hand? The one where the astronaut comes back to Earth and the guy finds the hand on the beach and puts it into his trunk and it crawls into the back seat and then gets him? I love that kind of horror. When things happen that shouldn’t. Birds, Astronaut hands, Ghosts, Psychopaths – they’re all part of the scary fun. I would aspire to having a horror movie I’d done being described as “peculiar” and “disturbing”.
Fatally Yours: What upcoming projects are you working on?
Debbie Brubaker: I’m working right now writing a screenplay – it’s a work for hire but I’m having a blast. It’s called The Ghosts of Alcatraz. I’ve been given cart blanche to create it. I know how it ends and I’m on page 57. So I have to get from where I am to when I need to be. It’s a really good scary movie.
Fatally Yours: Where can people find more info on you and your projects?
Debbie Brubaker: I’ve been threatening to put up a web site for some time now. So in the present the IMDB is my only outside link movie-wise. I am planning on creating a Facebook page for another movie that I’m in production on that I am really excited about.
It’s called Wheels. It’s not a horror movie, it’s a drama.
Labels:
female filmmaker,
interview,
producer,
WIH 2010,
women in horror,
writer
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