Showing posts with label Fatally Yours. Show all posts
Showing posts with label Fatally Yours. Show all posts

Friday, May 7, 2010

Editor's Column: Honeymooning with Horror

Founder Sarah E. Jahier

Hey, check it out…this is new! For your entertainment and my sanity, I’ll be spewing sharing my opinions in a weekly/monthly/whenever-I-get-to-it column. Topics will vary widely and I’ll talk about whatever I please in the realm of horror! Onwards, Fatal Fiends! 

Horror and I have been going steady for many years now. Our relationship fluctuates a lot – from volatile to comfortable to passionate. Horror can be a fickle lover, turning its back and being unavailable at times, but I still stick with it. Even when the bad boy of movie genres gives me bad remakes or PG-13 bubblegum horror, I tend to stand by its side.

Lately, though, I feel like I’ve been in a slump with the genre. I know that it can be capricious, but lately I hadn’t been feeling the love as much as I used to. While people praised Shutter Island, I felt like an old grouch grousing about it. The same can be said of numerous new horror movies I’ve seen in the theater or on DVD, which is why my reviews around here have been pretty sparse. Something is just missing and I’m not sure if it is me or the genre itself that’s grown stale.

Is this just another bump in the road in my relationship with horror or is the honeymoon finally over…for good?

I remember the days when horror and I were first becoming acquainted, horror aggressively pursuing while I played coy and peeked out from behind my fingers. I quickly became acclimated to the genre and it itself showed me its many different sides. From giallo to J-Horror to exploitation to ghosts to vampires to zombies to slashers and everything in between it seemed that horror proffered endless possibilities. From then on we were inseparable. We would spend our evenings and weekends together, me bathed in horror’s warm, red glow and my love and affection of the genre seemingly endless. As the years wore on though, we started to change. We started bickering about the smallest things – I felt horror was starting to get sloppy and becoming repetitive and derivative. With the market inundated by dumbed-down remakes, reimagings, reboots or whatever catchy phrase they were branding these cinematic abortions as, I struggled to find horror worth watching. Spending time with my go-to genre now seemed more of a chore rather than a pleasure. The thrill was gone. Horror turned its back for a while, calling me cynical and critical, insinuating that I was no fun anymore.

Finally, I decided to take a break from horror. My horror movies sat collecting dust on shelves and my Netflix queue was filled up with comedies, TV shows, dramas, quirky indies, even some Disney movies (but no romcoms…I wouldn’t go that far!). I enjoyed my time away from horror, but after a few days/weeks a sense of separation anxiety set in and I truly began to miss horror. I missed the shock value, the blood and guts, the predictable (and not-so-predictable) storylines, the spooky atmosphere, the scares and the sense of community. It was a short break, but I realized I just couldn’t ignore horror’s alluring siren call and wished to be held in its monstrous gaze once more.

Horror and I are now back together and going steady, but I still yearn for the days when the genre made my stomach turn flip flops and released a nervous fluttering of butterflies in my stomach. I’ve explored many areas of my favorite genre and wouldn’t trade it in for the world, but horror’s down-times are still hard to bear. However, I’ve learned that during these lean times in the horror genre make for a great opportunity to step back, take a break and in the end fall in love with horror all over again.

I’ll admit that horror doesn’t give me the butterflies like it once did and is completely unreliable, giving us turds like Return to Sleepaway Camp along with wonderful gems like Zombieland, but our love is fate. I can’t deny that the genre makes me cranky sometimes, and while I may lament its demise on occasion, I all know that horror is what I love and despite its flaws I’ll continue to love it year after year.

Yours truly,
Fatally Yours

Monday, March 1, 2010

Interview with Fatally-Yours Founder Sarah Jahier

Sarah "Fatally Yours" Jahier

Written by Michael Varrati

Hands down, women are cooler than men. This isn’t so much a divisive statement in the battle of the sexes, nor is it me betraying my gender, it’s just a sheer empirical fact.

I know no men who could deal with pregnancy with the grace a woman could, in fact, most men I know complain at the slightest ache. The fact remains that men can’t get pregnant because they couldn’t handle it…but women can.

When soldiers are dying on a battlefield or a child is scared in the dark, wherever there is a dire situation, it is our mother’s we call for and whom we wish were there to protect us. Dads may be tough, but moms are the fighters when it comes to their babies, and we all know not to cross a mother.

Hell, even gay men, who should have no real reason to pay attention to women at all make them their idols…and why not? Comparing Liberace and Cher is no contest: Girl’s got more personality and attitude than a whole room full of dudes combined.

So, with this in mind, when we here at Fatally-Yours set out to celebrate Women in Horror month, I was more than okay with the festivities. Some of my favorite performers in the genre (Jamie Lee Curtis and Mary Woronov, to name a few) are women, and the female sex has contributed to fright films far more than any other genre that I can possibly think of, even if I strain my brain to the max.

Most of the event’s highlights come this month in the form of interviews with prominent women in horror, a project that was spearheaded and primarily conducted by our editor, Sarah Jahier. But for all her attention to other women within the genre, I thought it would be nice to turn the lens around and give our lovely ringmaster her due. Without Sarah, and in fact many other female editors within the field, a lot of horror publications wouldn’t even exist, and it is through her careful juggling of all the writers, her love of horror, and her ability to put up with each and every one of our psycho needs that Fatally-Yours is the success that it is and looks as great as it does.

So for women in horror month, I took a moment to sit down with a woman who I greatly enjoy working with and think very highly of, Fatally-Yours’ own editor, Miss Sarah Jahier.

Sarah "Fatally Yours" Jahier

Michael Varrati: Let’s start with one of your favorite questions for some of the ladies you’ve interviewed: What are your first memories of the horror genre and how did you fall in love with it? 

Sarah Jahier: I grew up on an isolated ranch in Northern California, where we had no electricity except for a generator we ran only a couple of hours a night. So, instead of growing up on TV and movies, I grew up on books. There was a small library in town, and I ransacked its shelves for anything by Stephen King while in elementary school. When I was in junior high and high school I loved Anne Rice’s books and just couldn’t get enough of anything spooky! So my fondness for the genre originated from horror books, but when we moved to a bigger town and a house with electricity I remember renting the schlockiest horror movies I could find with a high school friend! Horror back then was just for laughs, but then I saw The Texas Chain Saw Massacre for the first time and everything changed! That film scared me like no other and I’m still seeking a film that can chill me to the bone to the extent that TCM did. After TCM, I just couldn’t get enough horror films. A film class in college led me to broaden my horizons in horror and introduced me to Italian gialli, Asian ghost stories, and German Expressionist films and so on. From there, they say, the rest is history.

Michael Varrati: Naturally, this love had to have continued, otherwise I imagine there would be no Fatally-Yours. What does horror mean to you, and what about it continues to keep you in its thrall? 

Sarah Jahier: Like I mentioned, I’m still searching for that illusive visceral thrill that I first experienced with TCM. A horror film that rattles me to the bone and yet has me begging for more! I just love the adrenaline rush of being scared, but I like horror movies that mess with your head and burrow into your brain to perturb you hours, days, weeks, months and hopefully years down the road!

As for what horror means to me, it means a multitude of things. Horror provides that pleasurable rush of adrenaline, it is a cathartic experience where fears can be explored in a safe environment, it is fun and silly entertainment, it is an examination of the darker side of life, which I’ve always been fascinated with, and I think its dark view on mankind is more realistic than all other film genres out there. Believe it or not, I also use horror movies as a way to relax – they are like a security blanket to me!

Michael Varrati: Bela Lugosi once said, “It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.” Do you suppose this to be true? If so, what is it about the horror genre, which has notoriously objectified women and has a fandom that is generally thought of to be male, that you feel appeals to the female gender? 

Sarah Jahier: Even though some films objectify women and treat them as little more than pieces of meat, more horror films are embracing strong female characters. And strong female characters or not, women still enjoyed being scared just as much as men do. Plus, as Bela was referencing, women grow up with their own horrifying experiences. We have to deal with blood once a month not to mention the body-horrors that go along with being pregnant or dealing with women-centric diseases, infections, disorders, etc. like post-partum depression, breast cancer, STD’s and so on. To quote Bela Lugosi again, “It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.”

Sarah "Fatally Yours" Jahier in a Dance Party Massacre tee


Michael Varrati: Often, horror films (especially slashers) have a female protagonist, popularly referred to in the genre fandom as “the last girl”. Do you think, in this case, female leads are empowering or are further reinforcement of sexual victimization?

Sarah Jahier: I think it really depends on the context of the movie. Some films feature a smart Final Girl who is resourceful and doesn’t rely on someone else to save her. Other films, though (past and present) feature a woman who survives, but only because the men around her saved her. Those films irk me, because they show that a woman can’t survive without a male’s help. And really, shouldn’t we be past the whole “damsel in distress” thing anyway? Luckily, most horror films feature kick ass “final girls” who stop at nothing to survive or get revenge on someone who has wronged them. We are also seeing more strong female villains, which, in my book, can be just as important as how heroines are portrayed.

Michael Varrati: What women in horror do you admire, look up to, or are inspired by? Who would you say are your favorites? 

Sarah Jahier: When I started Fatally-Yours, I was greatly inspired by the few women writers that I found on the web, including Heidi Martinuzzi of Pretty/Scary, Stacie Ponder of Final Girl and Staci Layne Wilson of Horror.com. I am still inspired by these three hardworking ladies, who wear their passion for the genre on their sleeves!

I also admire all women who are involved in the horror genre, from bloggers to actors to artists to directors to authors and so on! It’s been so exciting to see so many new female horror writers in the last couple of years, especially on many horror sites.

Michael Varrati: How did Fatally-Yours get its start? Clearly you were a horror fan, but what lead you to go from casual fan to creating this site and establishing yourself as a genre goddess? 

Sarah Jahier: Hahaha, “genre goddess”! You are too kind, sir! Well, I’m not sure if I’m there yet, but thank you! Fatally-Yours started after I graduated college. Believe it or not, I loved school and I really missed my horror film class I had taken my last semester. As mentioned earlier, it really exposed me to many different horror sub-genres that I was in the process of exploring. I really wanted to continue writing about film, so *ta-da* Fatally-Yours was birthed! I started it mainly to get ideas out of my head and put to paper how horror films affected me and which new ones I discovered, but soon it kept growing and growing and growing…

Michael Varrati: Do you feel Fatally-Yours has achieved the goals you have set for it? Is there anything you’d like to see done with the site that you have not yet had a chance to do? 

Sarah Jahier: Well, at first it was sort of my own space to express my thoughts, but then it kept growing and evolved to a place where horror fans could discover new films/book/etc. I’ve always wanted it to be about expressing my love of horror and sharing it with others (hence our motto, “For the Love of Horror”) and I feel that we’ve achieved this (in no small part thanks to my wonderful staff of writers…I definitely couldn’t do it alone!), but there is always more to be done! I say there is always room for improvement, and I hope to keep expanding Fatally-Yours in one way or another.

Sarah "Fatally Yours" Jahier

Michael Varrati: What advice would you give to young women looking to go into the horror genre, whether it be as a horror journalist, such as yourself, or the writing, directing, or performance aspects of the field?

Sarah Jahier: Believe in yourself and follow your heart. If you want to do it, then do it and don’t let anything stop you. Anything is possible, so aim high! Be fearless, but respect those that come before you. Never close yourself off to an opportunity because who knows where it may lead! With that said, don’t compromise your beliefs and stay true to who you are. Don’t let people just use you for your pretty face or body, show them how talented you really are!

Michael Varrati: Okay, now that we have some of the more serious stuff out of the way…how about a few fun ones. Here’s a scenario question: You’re the “last girl” and you get to lock horns with any of the great horror movie villains. Who’d it be and why? Also, would you fight to just survive…or are you out to draw blood? 

Sarah Jahier: Oh, so many monsters and so little time! I would love to go up against the sisters in Ginger Snaps, though “against” is probably the wrong word…I would probably join them! I think they are some of the best female characters in a recent horror flick and just so dang cool! Thanks to writer Karen Walton for dreaming them up and giving us some REAL female characters! I also have a big thing for Maleficent in Sleeping Beauty, which I know isn’t a horror flick, but she is definitely one cool villain! I’m really hoping Tim Burton does something cool with his upcoming re-imaging of the story where he is planning on telling the tale from Maleficent’s point of view. I would also love to pit myself against any of the black gloved killers in giallo films, just to see if I could outsmart them! And I would definitely be out for blood!

Sarah "Fatally Yours" Jahier in a custom SEIBEI zombie hunter tee

Michael Varrati: You’ve made it pretty well known that The Texas Chainsaw Massacre (’74) is your favorite horror film of all time…but what is your least favorite? I often consider this answer as telling as what we like the most. 

Sarah Jahier: Oh geez, ok, least favorite…hmmmm…one recent flick that comes to mind is Return to Sleepaway Camp. The memory of watching that is still painful to this day. I also don’t enjoy realistic, snuff-type horror films, like the August Underground or Guinea Pig series or equivalent. They aren’t bad films by any means, but I just don’t particularly enjoy these types of horror films. I like my horror to be an escape and entertain me while still staying smart, but those realistic films just seem to be in it for the shock value. Besides the cool special FX, I don’t understand their appeal.

Michael Varrati: …okay, now that you’ve revealed your least favorite horror flick, here’s the real challenge: Say something nice about the film. 

Sarah Jahier: Ok, I’ll say something nice about Return to Sleepaway Camp – it has Felissa Rose in it! As for the realistic gore-type films, I will say their special FX are amazing…but a bit too realistic for me, if that makes sense.

Michael Varrati: According to your F-Y profile, you enjoy throwing horror movie nights. What would you say is the perfect double feature for a girl’s night in? 

Sarah Jahier: Mmmmm the possibilities!! Ginger Snaps and The Descent are some great female-centric horror films that I would love to share with all my girlfriends. Recently, I also absolutely loved Jennifer’s Body (I don’t understand why people didn’t like that movie!) and at the end of the month I am showing that to some friends alongside the campy and hilarious Zombie Strippers. How’s that for a double-feature!?

Sarah "Fatally Yours" Jahier

Michael Varrati: Alright, the next few questions are also culled from your FY profile. You’ve listed your favorite directors, I’m going to name each of them and I want you to select just one of that director’s films to represent what you think is best about their body of work, and if possible, why. Let’s start with George Romero.

Sarah Jahier: Sheesh, I really need to update my profile, don’t I?! I’ll tell you what, I’ll select my favorite film from each director and tell you why it is so relevant to the horror genre as well as explaining why I love it so. I can’t guarantee I’ll pick the film that best represents his oeuvre.

George Romero – Night of the Living Dead. It contributed so much to the horror genre, and has that gritty immediacy that most horror films nowadays lack.

Lucio Fulci – Don’t Torture a Duckling. Sure, there is Zombi 2, which I also love, but my absolute favorite is Don’t Torture a Duckling. Not only did it deal with taboo issues (killing children, among others), but it did so in a beautifully photographed way!

Dario Argento – Suspiria will always be my favorite Argento film and one I believe shows his filmmaking at its best. The narrative might not always make sense, but the sheer beauty of the colors he uses and skillful use of sound throughout the eerie movie just kills me every time!

Takashii Miike – All of Miike’s films (well, at least the thriller/horror ones, probably not so much his children’s movies) are exhilarating rides of violence and breaking taboos. I think Audition is probably his most straight-forward work, though, and while the tension simmers until it reaches its boiling point at the end of the film, it still manages to creep under my skin and leave me unsettled. It’s not just the violence, but the overall mystery and tension throughout the film! Runner-up would be Ichi the Killer.

Roman Polanski – I love Polanski’s POV techniques, especially in The Tenant, that make you feel like you are in the protagonist’s shoes and as they slip into madness so do you. I think The Tenant is an underrated film in the horror community and doesn’t get nearly enough props. People usually talk about Polanski’s Repulsion, which I also like, but The Tenant is just a near-perfect exercise in skewed perspectives and expectations.

Tim Burton – Edward Scissorhands. All of Burton’s films are about the gothic visuals, and I think Scissorhands is one of his most wonderfully vivid and fairy tale-like creations. This film is just a magical experience.

Sarah "Fatally Yours" Jahier in a Headstone City tee

Michael Varrati: Now that we’ve just worked through all your favorite horror directors, I’d like to take a moment to point out…they’re all men. This leads me back to the theme of the interview and our celebration of the month, who, if any, do you consider to be a great female director within the genre? 

Sarah Jahier: See, what did I say about updating my profile?! This is an excellent point, though, and I would like to point out that while men may become known for their horror movie work, women directors usually don’t. I also think women directors move on to other genres and tend to be more varied in their careers. Is that because as a woman director it is hard to make a name for yourself in the horror genre or is it because they tend to move on to other genres? Well, I’m not sure, but I do hope we see more women directors in the horror genre in the years to come.

As for right now, I really can’t wait to see more of Devi Snively’s work as well as that by Michelle Fatale. I also hope that Heidi Martinuzzi does more films, because I absolutely loved her short film Wretched. As for “bigger” names, I really admire Kathryn Bigelow for giving us Near Dark, Mary Harron for American Psycho, Mary Lambert for Pet Sematary and Antonia Bird for Ravenous. Still, these directors have branched out to other genres and haven’t really given us any other horror films (or at least ones that were as good as these films). I see many more female filmmakers making horror films, though, so hopefully we will be seeing a lot more female-helmed horror in the future!

Michael Varrati: You’ve really spear-headed the celebration of Women in Horror month with an intensive series of interviews with a vast array of ladies within the genre. Is there anyone out there who you didn’t get to interview that would be a dream come true for this event? I suppose living or dead could apply, this being horror, after all. 

Sarah Jahier: I would love to interview Cassandra Peterson for her role as Elvira. I just love the sassiness and brassiness she brought to that role! I also would have loved to interview producer Debra Hill for all the contributions she made to the horror industry, contributions I think she doesn’t get enough credit for. Most people don’t realize she, alongside John Carpenter, brought Halloween to life! It would be a dream come true to interview Frankenstein author Mary Shelley, screen siren Barbara Steele and scream queen Linnea Quigley!

Many thanks to you Sarah, for taking time out of your schedule to answer these questions, and on behalf of all us here at Fatally-Yours, thanks for being OUR woman in horror!

Follow Sarah on Twitter!

Saturday, February 27, 2010

Gore Gore Dancer Interviews Fatally Yours


The lovely Aleata Illusion of Gore Gore Dancer Review was gracious enough to interview me for Women in Horror Month!

In the interview you can check out such tantalizing tidbits as what got me interested in the horror genre, how Fatally-Yours.com came to be, my favorite female horror personalities and insight into my favorite horror film of all time!

Check out the interview HERE!

Many thanks to Aleata and Gore Gore Dancer Review for the fun opportunity!

Friday, November 27, 2009

Dr. Gore's Funhouse Interviews Fatally Yours

Sarah "Fatally Yours":Jahier

Hiya fiends! Yours fatally was featured in another interview! This time, I discuss my start in horror and what keeps me so passionate about the genre over at Dr. Gore’s Funhouse!

Horror critic and journalist Christian Sellers (GoreZone Magazine, Midnight-Theatre.com) wanted to pick my brain on being one of the first women horror bloggers back when I started in 2005 and what makes me tick, especially in a male-dominated genre.

Check out my interview over at Dr. Gore’s Funhouse!

Friday, June 27, 2008

Gorezone Magazine Interviews Fatally Yours


Recently, the excellent Gorezone Magazine interviewed me for an article on the state of horror today. While we wait for that article to be published, I thought it would be fun to include the entire interview for your pleasure and for your chance to pick my brain!

Many thanks to Christian Sellers at Gorezone for making this happen and for giving us permission to repost the interview. If you haven’t yet checked out Gorezone Magazine, which is published in the UK, you can find it at many bookstores here in the states, including Barnes and Nobel and Borders! Pick one up today…it’ll definitely be worth your while!

And keep reading to find out more about our own Fatally Yours!

Gorezone: How old were you when you first developed an interest in horror and which film in particular sparked that interest?

Fatally Yours: I was always drawn to the darker side when I was growing up, but I stuck more to reading horror novels like Stephen King’s books instead of watching horror movies. I didn’t really get into horror films until high school, when I watched The Texas Chain Saw Massacre for the very first time…and was blown away by its brutality. After recovering from shell-shock, I was completely hooked on horror! I even went on to write my thesis in college on TCM!

Gorezone: What is it about horror that appeals to you so much? Do you feel that these kinds of movies serve any other purpose than to entertain, such as helping the viewer to confront their own fears or learn about morality? Some writers have made comparisons between modern horror and both nursery rhymes and urban legends, as they contain messages to help guide their young readers.

Fatally Yours: For me, horror acts as a catharsis. After a bad day, there’s nothing better than sprawling on the couch and watching a particularly spooky, or even cheesy, horror movie. Compared with the troubles the on-screen characters face, your problems just don’t seem so terrible. I think horror movies have this affect on many people. They also allow us to confront our fears in a very controlled environment. Even if we get scared, we know that it’s “just a movie.” Yet, that adrenaline rush and release of emotions (our bodies’ fight or flight response) are real. Horror movies are a great way to experience this rush while not actually being put in any real danger (unless you have a heart condition!).

There are plenty of horror movies that convey deeper messages than the blood and grue they splash across the screen, but I think many viewers just wish to be entertained. Really, it’s all about what the viewer personally takes away from their viewing experience, whether they are watching purely for entertainment or if they are willing to look a little deeper into the film and take something more meaningful away from it.

Gorezone: Horror, more than any other genre, has had such a mixed reception over the years. Whilst conventions the world over are packed with hardcore fans, many people still look upon this type of movie as one step up from pornography; either sleazy and corruptive or simply juvenile. Why do you think horror provokes such strong emotions, both positive and negative?

Fatally Yours: Horror fans “get it.” They understand fear and love the emotions horror movies evoke in them. Others outside the genre just don’t see the value of such catharsis. While horror fans are drawn to the darker aspects in life and can acknowledge them, while most other people just want to ignore death. Horror embraces the ugly side of human (or inhuman) nature, fear and death while other genres tend to shy away from these things. Instead, other genres tend to focus on unrealistic ideals, like romantic comedies representing skewed views on love. I think horror fans prefer the nitty-gritty truth over unattainable ideals!

I also think horror’s popularity has a lot to do with the many different subgenres of horror we have to choose from. Some fans might like cheesy, funny horror while others prefer the gory exploitation flicks. Horror fans have a wide spectrum of films to choose from, and I think that’s a big part of what makes horror such an appealing genre to many and why there is such a rock solid fan base for it.

Gorezone: So many horror films have been blamed for real life violence, why do you think it makes such as easy scapegoat? The censors have been stricter with horror over the years than any other genre, despite most action movies featuring more graphic deaths than your average horror, and many critics are hesitant to discuss the positive aspects of horror, showing that these kinds of films are still a kind of taboo.

Fatally Yours: Horror films are visual representations of our deepest fears, and when violence (which itself is feared) is perpetrated in real life it is easy to look at them as a mirror for the horrifying crimes. People believe the old saying “Monkey see, monkey do,” especially when it pertains to individuals who commit violence, but they tend to ignore other factors that would be more likely for causing violence. Saying horror films are solely to blame for someone committing violence is like blaming comedy movies when someone makes a bad joke. It’s completely silly!

Gorezone: How would you say gender and sexuality are portrayed in horror? Do you think the ‘sex equals death’ morality is an important theme and are women portrayed and treated as fairly as their male counterparts? Some have discussed that films such as slashers are misogynistic, while others say the image of the heroine celebrates feminism. How do you feel on this subject?

Fatally Yours: I think most of the time women in horror are portrayed far worse than the men. They usually suffer the most prolonged and visible deaths, they are usually most likely to be humiliated before they die, usually treated solely as sexual objects instead of real people and their characters are usually the least developed. Of course, things are always improving, and I think people in the genre have come very far from how women were portrayed in horror in the past.

The “Final Girl” in most slashers is the only person to survive and some think that signals some kind of celebration of feminism, but I prefer to look at how her character was treated throughout the entire film before jumping to any conclusions. It is true that many films celebrate the strength of females, but many others are still stuck putting women into stereotypical roles…even when their film is hailed as a great feminist achievement. Case in point is the recent film Teeth, which I absolutely loathed. I felt that it was completely anti-woman and that people got the fleece pulled over their eyes just because it was “different.” It was one of the most misogynistic movies I’ve seen!

Gorezone: How often would you say that nudity and sex scenes are actually relevant to the story or are they usually just to keep the young audience interested or help revive a film that is running its course?

Fatally Yours: For me, a lot of nudity and sex scenes tend to slow down the story. It’s like, come on, get on with it, I wanna see some REAL action! Sometimes it’s justifiable for the film, but most of the time it’s just gratuitous.

Gorezone: Another aspect of modern horror which is often discussed is voyeurism and the use of point-of-view camerawork, which often forces the viewer to watch the murders through the killer’s eyes, placing them in the role of the antagonist, instead of allowing them to sympathize with the victim. What is your opinion on this?

Fatally Yours: Much has been made about this technique, with critics of the genre complaining that the audience will start to relate with the killer as opposed to the victims, but I think that is mostly BS! The POV from the killer fully allows the audience to realize the horror of what is really happening, and be able to fully see the terrified reaction from the victim. If anything, seeing the terror of the victim from the killer’s point-of-view should allow the audience to sympathize more with the victim, because they are seeing exactly how scared they are!

Gorezone: Do you think that the advancements in special effects over recent years (both prosthetics and CGI) has allowed filmmakers the chance to help create tension and excitement or has it taken too much attention away from the story; as many older films relied on the cast and script while many recent films have been saturated in effects and the expense of a coherent plot?

Fatally Yours: Special effects have gotten pretty nifty over the years, but it’s the story that really matters in a film. Filmmakers should learn to work within their means before staging elaborate scenes that require many special effects, because sometimes they just can’t pull their vision off. I think we as an audience have focused too much on how stuff looks rather than focusing on how well a story is told. Some of the best films were made without any of the special effects we have available today, and they still stand the test of time…all because of the substance of their story, not their special effects.

Gorezone: What is your opinion the current horror climate? How do you feel about the countless remakes, as it seems that Hollywood is updating both the timeless classics and the more obscure cult favourites?

Fatally Yours: I think horror fans have to look beyond Hollywood for quality horror flicks. The indie and foreign markets is just teeming with excellent horror films that not very many people have had the pleasure to check out. Hollywood will just keep remaking and making films that are horrible representations of the horror genre. This “bubblegum horror” is not geared toward horror fans, but at the younger set of moviegoers and the more mainstream audience in mind. Now, with quality horror films that horror fans actually want to see, like Midnight Meat Train and Repo! The Genetic Opera, in jeopardy of being yanked from theatrical release (with the possibility they’ll just be dropped straight to DVD), the horror community shouldn’t be relying on the big studios for quality horror anymore.

Gorezone: Horror seems more acceptable now than ever, with many of them designed as ‘safe movies’ aimed at the PG-13 MTV crowd. Many of these films are generic and refuse to take any real risks to shock their audience. At the same time, there have been the so-called ‘torture porn’ movies that specialize in elaborate deaths and graphic violence. Both styles have been extremely successful over the last few years. How do you feel about modern horror and the industry in general?

Fatally Yours: I avoid PG-13 films that are geared for teeny-boppers, what I call “bubblegum horror.” Films like the Prom Night remake just don’t do it for me, so I refuse to shell out cash just to be disappointed. The so-called “torture porn” sub-genre worked for a while, but has long worn out its welcome. And you know what both of these types of films lack? A solid, scary story to keep me glued to my seat. If you just throw CW actors and buckets of gore at me without an interesting story, I’m just not going to care about the film at all. So, like I mentioned earlier, I think we as a community should be turning to independent or foreign horror films, ones that feature new surprises!

Gorezone: Do you feel that independent filmmakers are given enough support, by both the studios and critics, and how do you feel the likes of MySpace and YouTube have changed the way in which these films are publicized?

Fatally Yours: I believe that MySpace and YouTube have been amazing for independent filmmakers. It has really leveled the playing field for them and has allowed them more exposure. It’s been excellent for the horror fans as well, because it is easier to find fantastic, independent horror films now. Still, many moviegoers are turned off by the low-budget look of some films…to those I say, get over it and give these talented filmmakers a chance! They are the future of the horror genre!

Gorezone: In your opinion do the producers in Hollywood really understand what makes a good horror film or are they only interested in profit, sometimes at the expense of artistic freedom. Which filmmakers working today do you respect the most and why?

Fatally Yours: I respect indie filmmakers who really are doing it “for the love of horror.” They are usually fans of the genre and know how to scare an audience, unlike the big studios who are pushing out the tame horror remakes just to make a quick buck. It’s sad to say, but major studios are in a business and are out to make money. Of course they want to entertain audiences, but what they really want to do is get the maximum number of butts in seats to watch their new movie. So, to do so they must cater to wider, more mainstream tastes, which are much tamer than the horror crowd’s robust palate. The result is watered-down horror movies…so, again, we can’t solely rely on Hollywood for our horror fix. We must look elsewhere. There are some studio films that have their hearts in the right place, though these are usually far and in-between. Whatever horror films we seek out, we must make sure they are being made “for the love of horror!”

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Friday, December 7, 2007

Fatally Yours Featured in OC Weekly!

We are Yours Horrifically!!

Fatally Yours’s very own founder, owner and film critic Sarah Jahier was recently interviewed for a feature article in Orange County’s premiere cultural and hipper-than-thou newspaper, the OC Weekly.

In the article she discusses her love of horror, how Fatally-Yours got started, her commitment to the genre, where she sees horror going in 2008, and much, much more!

Apparently, it’s a copyright issue to repost the article here…so go to the OC Weekly’s website (with the picture in color…snazzy!) to view it.

We would like to thank the OC Weekly for spreading the red on Fatally-Yours and fantastic interviewer/writer Luke Thompson for crafting such a fine feature!
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