Book Review: Vampires Don't Sleep Alone by Elizabeth Barrial and D.H. Altair

How would you like to snag your very own Eric, your very own Bill, or maybe your very own Edward (though BARF on that last choice!)? The cleverly cute Vampires Don’t Sleep Alone: Your Guide to Meeting, Dating and Seducing a Vampire can be your guide to unlocking the secrets to being lucky in love with your very own immortal.

From the back cover:

Passionate and dangerous, the vampire is the ultimate lover. Stalking his prey in the dark of night, he is not easily tamed. But armed with the right skills for seducing a sexy immortal, you can meet, date and ultimately sleep with the vampire of your dreams. Vampires Don’t Sleep Alone provides the vital information you need to take a walk on the dark side and delve into the pulse-pounding world of vampire love and lust!

Let me tell you, if I could have an opportunity to seduce Eric from True Blood…::swoon::…I’d do it in a second! And with the helpful hints from Vampires Don’t Sleep Alone at least now I’d be prepared!

Written like a self-help dating book that assumes vampires are real, it is a very enjoyable, funny and sexy book that covers many different aspects. You can definitely tell the authors have done their homework! First, it gives you an introduction to vampires and basic info on different types (“Nosferatu, Lord Ruthven, or Carmilla: What Sort of Vamp are You Looking For”), their complicated relationships with their makers and addresses the large age difference between most vamps and their human companions (“VILFs: He’s 700 Years Old, and So Are His Hang-ups”). It then moves onto a section on the etiquette of dating a vampire, including chapters on what to wear for your vamp, “The Lucy Westernra Predicament: What to Do if He’s Turning Your Friends”, “The Van Helsing Issue: What to Do When Your Friends Dissaprove” and how to address the issue of his past. The third and final section of the book delves into the romancing and bedding a vampire. It covers subjects like “Shapeshifting: A Form of Roleplay” and “Is Feeding Cheating?”, among other things.

Authors Elizabeth Barrial (co-owner of Black Alchemy Lab) and D.H. Altair (the nom de plume of author and Dark Delicacies proprietor Del Howison) have crafted an amusing and enjoyable read. I especially appreciated the fact that it avoided lovey-dovey Twatlight-like romance. Instead of glittery, emo vampires, Vampires Don’t Sleep Alone emphasized the danger and unpredictability of vampire lovers. Which, hello, is what makes vampires so attractive in the first place!

Darkly witty and seriously sensual, Vampires Don’t Sleep Alone is the perfect book for all vampire fans!

Buy it on Amazon!

The Hound of the Baskervilles (1959)

This 1959 film is Hammer Studios’ treatment of Sir Arthur Conan Doyle’s Sherlock Holmes story. With a wonderful cast, including Peter Cushing and Christopher Lee, and an atmospheric setting of a castle on the foggy English moors, this is a classic that pairs well with a dimmed room and plenty of popcorn.

The story begins with a cruel aristocrat, Sir Hugo Baskerville, tormenting and exploiting his servants. After offering up a maid to his slovenly guests during a party, Sir Hugo discovers she has escaped and he gives chase. He catches up to the girl near some crumbling ruins on the moor and stabs her to death. However, immediately after he is killed by a “hound of hell”. Many years later the curse of the “hound of the Baskervilles” persists. Sherlock Holmes (Peter Cushing) and Watson (Andre Morell) are hired to investigate the most recent death of a Baskerville and to make sure the last remaining heir, Sir Henry (Christopher Lee) doesn’t succumb to the “curse”. Can Holmes solve the case before it’s too late?

I love old mystery movies like this! However, The Hound of the Baskervilles is really the cream of the crop! Its well-constructed plot, creepy setting and enjoyable characters all kept my attention for its entire running time. I was even trying to figure out “whodunit” half-way through, but I must admit Sherlock Holmes had me beat on this mystery!

First off, the setting is just gothically gorgeous…crumbling ruins in the moonlight, misty moors, old creaky castles, howling hounds, flickering candlelight…I could gush on and on, but you probably get the idea! I absolutely love the gothic aesthetic, especially when it’s pulled off in film correctly. I really wasn’t expecting a Sherlock Holmes tale to have such a creepy and romantic atmosphere, but Hound certainly did and pulled it off as well! Director Terence Fisher, no stranger to gothic horror, certainly shows off his skill in this film!

Secondly, the story was just fantastic. It is based on Sir Arthur Conan Doyle’s tale, so I really shouldn’t be surprised! The film sticks pretty close to the original story as well, though a few liberties and changes were made. I’ve heard people b*tch and moan that they changed too much, but I don’t think that’s the case. The film’s ending feels a bit more realistic instead of the romantic ending Doyle imagined in his book and the other liberties are small enough to not really affect the whole of the story. Kudos to screenwriter Peter Bryan for sticking close to the original story while making it his own as well!

Lastly, the characters and the acting were excellent! I especially liked the cocksure and arrogant Sherlock Holmes that Peter Cushing played! Andre Morell was equally good as the competent Watson, whom we spend most of the first part of the film with. And who can forget Christopher Lee? Ladies and gentlemen, he is absolutely scrumptious here!! I mean, can I please just swoon in his arms? Anywho, Lee is great as the befuddled Sir Henry, who is not sure whether to believe his family’s curse or not. All of the other players in the film did a fine job, too.

The film didn’t need that many special effects, so there’s not much to talk about in that respect. A bloody knife and a mine that caves in on Holmes offer the most shocks in the film, besides the exciting ending, but that doesn’t mean the rest of the film is boring! Far from it, it’s amazing what director Fisher does with atmosphere and great actors! The cave-in and a nighttime chase through the moors were the most exciting scenes for me to watch, but the ending is also quite good and comes as a bit of a shock!

If you haven’t had the pleasure of watching Hammer’s Hound of the Baskervilles, do yourself a favor and get it now! It’s simply elementary, my dear readers!

Available on Amazon!

Maniacts (2001)

What an odd little film! I’d never really heard of Maniacts before, but happened upon it while browsing Netflix. Starring genre regular Jeff Fahey and recognizable actress Kellie Waymire, Maniacts is a weird mix of drama, romance, comedy and horror. It certainly doesn’t always work because of its slow pace and lackluster atmosphere, but it is undeniably original.

It tells the tale of “Blueblood” serial killer Joseph (Jeff Fahey) who is sent to a mental hospital after he is caught and convicted of murdering six people. There he meets the quirky Beth (Kellie Waymire) and the two fall in love. Joe escapes, but returns to the institution to rescue Beth. The two try to leave their murderous pasts behind them and lead a normal life on a farm, but find “normal” life can be just as crazy.

The strongest part of the film is the acting from both Fahey and Waymire. Though their characters are psychotic murderers, you still come to like them both. Despite the film’s slow pacing, they are the ones that keep you watching.

Speaking of, the film’s pacing if probably its biggest flaw. It starts off very slow and the action never really takes off. There are a few scenes of bloodshed (including a nice impalement and a memorable death by water hose), but I wouldn’t really call the film “horror”. It feels like more of a mix of Natural Born Killers and One Flew Over the Cuckoos Nest. The tone is also uneven and vacillates between B-movie comedy and melodramatic romance.

The atmosphere also feels off and lacking, making the whole film fall flat. While the film is unique, I wish it had a bit more bite and edge. It is pretty dialogue heavy, but I wish it had spent more time developing the characters instead of the lame dialogue (except for the AWESOME line, “Welcome. I will now demonstrate the payback-is-a-bitch procedure”) it featured.

Maniacts is no doubt like nothing you’ve seen, but its slow pace and lack of atmosphere really hamper its original storyline. Check it out if you are a fan of Jeff Fahey or weird, little-seen flicks, but personally this film didn’t really do it for me.

Available from Amazon!

Horror of Our Love: A Short Film (2010)

What if Michael, Jason or Freddy tried to get a date with one of their intended victims? What kind of hijinks and shenanigans would they get themselves into while trying to woo a girl? Not to mention, how would the girl react?

Well, director Dave Reda (director of the fantastic Bit Parts) asked these same questions and filmed a hilarious short to try to provide important answers to viewers who are just dying to know!

In the six and a half minute short, a killer (a mix of hockey-mask wearing Jason, bag head Jason and Leatherface’s flowing locks – played by Reda) falls in love with a girl (the cute Kate Melia) after killing all her friends in the forest and tries his darnedest to get her to fall in love with him. He brings her severed body parts, real hearts and decapitated heads, but they just don’t seem to be doing the trick as all she ever does is scream and run. Will he ever get his girl?

I don’t want to give too much away, but I had a great time watching this enjoyable and funny short. I’ve promised not to give away too many of the gags, but think of this short as the kind of love token two horror-loving adults would share with each other on V-Day!

Though the humor throughout the short is horror-centric, there are a few nods to some classic ‘80s flicks as well. And whether horror or pop culture references, every gag in the short is hilarious! It’s one of those videos you just can’t wait to share with people because you know it will have them rolling on the floor!

Reda says that the song “Horror of Our Love” by Ludo inspired the short (and that song plays the entire running length of the short – there is no other dialogue), and it pretty much matches the mood and atmosphere of the short perfectly (or should I say the short matches the song…?). Either way, they go together like a machete in a killer’s hand, so it’s all good!

Congrats to Reda and team for crafting a totally terrific homage to undying love and I hope it is released soon so more folks can take a look at this silly, sweet and satisfying love story custom-made for horror fans!

For more info, check out Reda’s film company, Elftwin Films!

Book Review: And Falling, Fly by Skyler White

And Falling, Fly is a beautifully poetic work by author Skyler White. I first became acquainted with Skyler through Women in Horror Month and her intriguing interview made me want to check out her novel.

And let me say, as much as I was impressed by her interview I was doubly impressed by And Falling, Fly!

The description from the back cover:

In a dark and seedy underground of burned-out rock stars and angels-turned-vampires, a revolutionary neuroscientist and a fallen angel must pit medicine against mythology in an attempt to erase their tortured pasts…but at what price?

Olivia, vampire and fallen angel of desire, is hopeless…and damned. Since the fall from Eden, she has hungered for love, but fed only on desire. Dominic O’Shaughnessy is a neuroscientist plagued by impossible visions. When his research and her despair collide at L’Otel Matillide – a subterranean hell of beauty, demons and dreams – rationalist and angel unite in a clash of desire and damnation that threatens to destroy them both.

In this fractured Hotel of the Damned, Olivia and Dominic discover the only force consistent in their opposing realities is the deep, erotic gravity between them. Bound to each other finally in a knot of interwoven freedoms, Dominic and Olivia – the vision-touched scientist and the earthbound angel, reborn and undead – encounter the mystery of love and find it is both fall…and flight.

And Falling, Fly is captivating and masterfully written by author Skyler White. In fact, writing is so fluid, graceful and imaginative that I just couldn’t put the novel down! I am usually one that loathes too much romance in books I read, but I actually enjoyed the love story between the two leads and it fit quite well into the over-arching story. With elegant prose, amazingly complex characters, intriguing forays into neuroscience, magical surroundings and even some nice philosophical and religious ponderings, and Falling, Fly is a wondrous book to have the pleasure to read!

Of course, this is a dark fantasy novel so besides the love story it features its fair share of bloody action – usually revolving around a clan of vampire sisters (whom Olivia belongs to). Their beauty is sharply contrasted against their ferocity as they feed on others’ desire and fear. In actuality, these vamps are actually fallen angels, but plenty of other demons haunt the pages (and other characters) of the book. The novel also takes place in a hotel otherwise known as Hell run by a kindly old man named Gaehod. Here he tries to help those that have fallen, but most don’t want the assistance and are content to do nothing but to waste away their eternity there.

I loved White’s description of the otherworldly L’Otel Matillide – it’s unlike any other Hell I’ve ever read about. Instead of a gigantic pit of fire, the Hell in and Falling, Fly is quite well-appointed and set up like a hotel. Though deep underground, it has a garden (complete with an apple tree and a serpent) with a river running through it, a night club where “guests” can indulge their every desire and endless rooms to explore. Sure, it might sound more like heaven, but it is a self-imposed prison for the lost and forsaken. There are also achingly beautiful descriptions of the Irish countryside, and White’s writing style and voice brings anything she describes to vivid life!

Like the setting, the story is just as complex. The backstory of Dominic being a “Reborn” (or one that is reincarnated but is cursed to remember his past lives) and trying to block his memories with neuroscience was extremely interesting. I also like how this tied into the ending of the book and how his desire to lose his memories threatened to defeat him in the end. The backstory of Olivia is just as thought-provoking – she desired to be loved and accepted just as she is so that she might re-gain her angel wings.

From its sophisticated, intelligent writing style to its compelling characters to its reinvention of vampire lore, And Falling, Fly had me hooked from page one. It’s a book that’s hard to put down once you start reading and extremely rewarding once you reach its end.

And Falling, Fly is a gorgeously penned dark fantasy novel that has piqued my thirst for more novels in this vein from Skyler White. It’s the perfect novel for hopeless romantics, sinners, saints and those in the mood for a completely different vampire novel.

Highly recommended!

Order it on Amazon!

Book Review: Queen Victoria - Demon Hunter by A.E. Moorat

I started reading Queen Victoria: Demon Hunter right after seeing Young Victoria (what can I say, I’m a sucker for period dramas!) and was delighted to find that this book parallel the film in many ways. Well, at least in historical accuracy regarding the Queen’s ascension to the throne, members of Parliament as well as those of Royal Family and other historical figures, her falling in love with Prince Albert and their subsequent marriage! Of course, the book also featured many fictitious twists and turns involving the undead, demons, werewolves, succubi and the Queen’s own demon-slaying team, called the Protektorate, all of which were heartily welcomed by this horror fan!

From the book’s back cover:

London 1838 – Queen Victoria is crowned; she receives the orb, the sceptre, and an arsenal of blood-stained weaponry. Because if Britain is about to become the greatest power of the age, there’s the small matter of the demons to take care of first.

But rather than dreaming of demon hunting, it is Prince Albert that occupies her thoughts. Can she dedicate her life to saving her country when her heart belongs elsewhere?

With lashings of glistening entrails, decapitations, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best Demon Hunter the world has ever seen…

From the first moment I picked up Queen Victoria: Demon Hunter I did not want to put it down! It is packed with vivid imagery, fierce battles, villainess characters, clever quips and the gripping story of how Queen Victoria ascended to the throne and her struggles of not only ruling a kingdom, but also slaying demons. I love the re-imagining of her as a demon hunter, and though the revamping of period pieces or historical figures into more horror-themed books seems to be all the rage (see Pride and Prejudice and Zombies, Sense and Sensibility and Sea Monsters, Abraham Lincoln: Vampire Hunter and so on) Queen Victoria: Demon Hunter is still an extremely engaging novel.

Author A.E. Moorat has done a seamless job weaving blood and guts with a royal biography. He also offers up plenty of twists and turns that kept me entertained and on my toes. Highlights include a Lord that employs a zombie manservant (with a fake zombie leg, no less!), a thrilling battle on horseback between the Queen’s Protektor and demon horsemen, a trip to the dreary mental hospital, Bedlam, an intriguing backstory on demon lineage, a bloody zombie battle at the House of Commons, and many, many more exciting tidbits.

As you can see, this is not just a book for history buffs, but one that horror fans will definitely fall head over heels for. It’s got everything you could possibly ask for – drama, political intrigue, romance, action and loads of gooey gore! All is seamlessly woven together by author Moorat, coinciding with a nail-biting climax where the Queen must rescue her Prince from evil’s clutches, but not before she learns an awful family secret.

I cannot recommend this book enough! It kept me up into the wee hours of the morning, as I devoured chapter after chapter to find out what was to become of Queen Victoria and the many other characters that bring the story to life. I just could not get enough of the novel, and as the end drew near I was both excited and sad – excited to see the conclusion of the story but also sad that it was coming to an end! I do hope that perhaps we get a sequel out of Queen Victoria: Demon Hunter, because it deserves one (and I would love to see the Queen battling demons as she grows older!).

Get your copy on Amazon!

Interview with Ravenous Romance Editor Lori Perkins

Lori Perkins is the Editorial Director of Ravenous Romance, a new publisher of erotic romance ebooks and audio books, and has been a literary agent for 20 years.  Perkins has edited 12 erotica anthologies. She is also a published author, as well as an adjunct professor at NYU’s Center for Publishing.

Perkins is President of L. Perkins Agency, which has foreign agents in 11 countries and working relationships with Hollywood agents. Perkins was the agent for How to Make Love Like a Porn Star: A Cautionary Tale by Jenna Jameson, which made the New York Times best-seller list for seven weeks. She was also the agent for J.K. Rowling: The Wizard Behind Harry Potter by Marc Shapiro, which was on the NY Times Children’s best-seller list.

In addition, Perkins is the author of four books –The Cheapskate’s Guide to Entertainment: How to Throw Fabulous Parties on a Budget, excerpted in Redbook and Family Circle magazines The Insider’s Guide to Getting a Literary Agent, chosen by Amazon.com as one of the top 100 books on writing; and The Everything Family Guide to Washington D.C. and The Everything Family Guide to New York. She has also written numerous articles on publishing for Writer’s Digest and Publisher’s Weekly.

Prior to becoming an agent, Perkins was a journalist who received her B.A. in journalism and art history from N.Y.U., where she later taught feature article writing. She was the founder and publisher of a local newspaper in Upper Manhattan.

Perkins is a native New Yorker with a 17 -year-old son who attends the Bronx High School of Science, just like his mom.

Fatally Yours: What does horror mean to you?

Lori Perkins: Wow. Good question. My first reaction was that I better strap myself in for this interview.  And that’s what good horror means to me too – a ride that will make me hold on for dear life.

Fatally Yours: How did you fall in love with the horror genre? 

Lori Perkins: Through Dark Shadows, a daily horror soap opera that riveted me as a kid. And then through books. I loved Poe as a pre-teen. Dracula was the first book I took out of the adult library at 12. Read ‘Salem’s Lot at 14 in Belfast, ME in one sitting with the lights on. I didn’t really see horror movies until I was in high school, although I do remember being scared by Frankenstein.

Fatally Yours: How did your career as a literary agent begin and how did it lead up to your online publishing company, Ravenous Romance? 


Lori Perkins:  I was a journalist when I got out of college and started my own newspaper in Upper Manhattan. One of my editors worked for a literary agent, and said I should be my writers’ agent, since I was always telling them where to sell their articles and what the pitch was. So I sold the newspaper and became an agent, and thought I would represent journalists and authors of the Great American Novel. Except what I was always reading was horror. One day the head of the literary agency asked if anyone in the office had read any books by this guy Stephen King. And when I told her I had read all of them, she said, “Poof. You’re now the horror agent.” And I was. I went into the slush pile, found a bunch of horror novels, and sold four horror first novels in a month.

I’ve been a literary agent for two decades, during which time I have sold more than 250 vampire novels. I love horror from the high brow to the slasher.

When we started Ravenousromance.com, we were going after the established erotic romance ereader. We knew she loved those vampire romances, so we gave her quite a few of them (I think we have seven vampire series at RR as I type). But we also have made a name for ourselves as the epubisher that does really good horror romance, with the launch of Hungry For Your Love, our zombie romance anthology, as well as Hal Bodner’s For the Love of the Dead, our M/M (that’s gay in mainstream fiction) zombie romance novel. We’ve got werewolves (gay and straight) and ghosts and shape-shifters galore. The “paranormal” romance category is a best-seller in women’s eficiton.

Fatally Yours: Why do you choose to pursue horror and romance/erotica as opposed to other literary genres? What interests you in these genres?

Lori Perkins: It’s what I read for pleasure, so I am well-read in it. I believe that to be a successful agent, author or editor in a genre, you have to read what’s been published in both the past and the present.
When I met Dean Koontz as a baby agent in 1987, he told me that I was pretty well-read in the genre for a horror agent, and that also gave me the seal of approval to go forward with it.

I also loved Anais Nin’s Delta of Venus and Little Birds when they were published when I was in high school, and was disappointed that no one else was writing anything like that. When I was a teen-ager, I wrote in my journal that I wanted to establish a women’s erotica magazine when I grew up. Ravenousromance.com is really not that far from that dream.

Fatally Yours: What criteria do you use for Ravenous Romance when going through book submissions? Have you ever turned something down because it was too explicit/violent/gory/etc.?

Lori Perkins: RR novels must be erotic romances, which means they must have happy ever after or happy for now endings. And they must develop the love relationship. We’ve had one novel that was too gory, so we asked the author to cut to white space for the gore. The book has received high praise from the readership, so it was the right move for our audience. But I’m a good editor, and a fixer by nature, so I can usually fix anything. It’s up to the author to go along with my suggestions.

Fatally Yours: What sub-genres in horror (vampires, zombies, werewolves, etc.) and romance are you sick of? What sub-genres do you want to see more of?

Lori Perkins: You can always re-invent the mythos, so I am never sick of anything. I know that just when you think you can never read another teen vampire novel, one will come along that will blow you away.

Fatally Yours: Has the Twilight trend helped supernatural adult books sell more?

Lori Perkins:  I think it’s more Laurel K. Hamilton and Sherlyn Kenyon, and the success of HBO’s version of Charlaine Harris’ series with True Blood. Twilight is really aimed at the teen market, although we know those mothers want to run off with Edward too.

Fatally Yours: How have the horror and/or romance literary genres changed from when you first started in the business?

Lori Perkins: ‘80’s horror was very Judeo/Christian with a smattering of American Indian/Hispanic/voodoo mythos and the main characters were all white males and the books were set in the suburbs. Today, you cannot sell a male dominated horror novel, and the more diversity you have, the better.

Fatally Yours: Has there been any subject or trend that has surprised you with its popularity? 

Lori Perkins: I wasn’t surprised by the zombie trend, as much as I was amazed by its scope. This is by far the most creative zombie epidemic we’ve seen, and there is just so much more to come.  I loved Pride and Prejudice and Zombies and was really happy to see the big budget Zombieland.

I am personally thrilled by all this vampire/zombie apocalypse fiction.  I thought I was the only one prepared for that particular end of the world.

Fatally Yours: Why do you think vampires are always so hot and sexy in erotic fiction? What other monsters would you like to see sexed up?

Lori Perkins: Vampires are the ultimate bad boys, which are a staple of romance fiction.  And so oral, please! In the words of Stephen King, “who wouldn’t want to stay up all night and live forever?”
I have never understood why Succubae and Incubi haven’t made it big in erotic fiction, as well as ghosts. I think shapeshifters will be big next year.

Fatally Yours: Do you think the characters in traditional “bodice rippers” have evolved from the stereotypical helpless female and macho male that saves her to stronger, more independent women and more sensitive men or are the characters pretty much the same? 

Lori Perkins: They’re the same, but with contemporary mores. The alpha male’s a werewolf instead of a pilot or cop, and the women is an educated every woman vet who happens be a perfect match for his DNA, and her biological clock has been ticking since 30.

Fatally Yours: Overall, do you think female characters in romance novels set feminism back or advance it forward? How and why?

Lori Perkins: Both. The paranormal female characters are exponentially more kick ass (like Buffy), but ultimately she’s still looking to be swept off her feet. In paranormal fiction, she can at least save his ass (and sometimes she’s more physically powerful in her supernatural state, she gets to sweep him off his feet – or at least knock him on his ass).

Romance novels are not issue oriented – they are relationship oriented, so that is where this fiction can advance feminism. Certainly the men in these pages do more dishes and baby-sitting and foreplay than the men of the general population. And they are much more emotionally available.

Sometimes the manipulation that the characters have to use in order to get to that happy ending seems retro.

Fatally Yours: It seems that horror films and novels have always featured sex and violence. Why do you think the two have successfully been paired? What is the attraction between sex and violence?

Lori Perkins: Sex and violence are both roller coaster rides. They both release the same endorphins.

Fatally Yours: Why do you think the romance novel genre is mainly dominated by females? Do women authors also dominate the horror-romance/supernatural romance genre?

Lori Perkins: Women buy 75% of all books published books, so they know what they want to read. As long as horror romance follows the paranormal romance format, it will be written by women. But a man could take the format and turn it inside out and have a break out novel, sort of like what Robert James Waller did with Bridges of Madison County.

Fatally Yours: The audience for horror-romance novels is obviously a bit different from the standard romance novel audience. Who would you say is the target audience for the horror-romance hybrid novels?

Lori Perkins:  It’s three audiences – women who love romances, both the men and women who love erotica, and horror readers, but horror readers were described to me in the ‘80’s as 17 year old boys and their 35 year old mothers. Today, these readers also encompass the 55 year-old boomers, so maybe this is the way to grab three generations of readers.

Fatally Yours: What different perspectives can women bring to the literary industry, as authors, agents, publishers or otherwise, that are lacking in men’s perspectives?

Lori Perkins: The sexuality is very different. Much less objectification; much more internal analysis. We’ve had 50 years of the male gaze in erotic writing. Now it’s time for the female perspective, which pays attention to different details. Women also pay much more attention to the nuance of relationships, not only between men and women, but parents and children and friends and co-workers.

Fatally Yours: What advice would you give women who want a career in the literary world?

Lori Perkins: Pay attention to what’s being published and then write what you love.  Follow your own fantasies and make them more universal. Work on your craft. Read. Write every day, but write for your own pleasure. Never give up.

Fatally Yours: Who are your favorite horror authors and what are your favorite horror novels? What are your favorite romance novels and who are your favorite authors?

Lori Perkins: Stephen King, by far. I have read everything he’s written. I also love Peter Struab, who has mastered telling a story like peeling an onion. Ghost Story is one of the best horror novels ever written. I have always loved Poe. I could re-read Dracula every year. Misery is my favorite King novel (and it was genius they way he wove the romance novel into the horror novel). I also loved ‘Salem’s Lot, which is Dracula set in a small American town and the death of a small town.

My taste in romance novels is a little lite.  I loved Cheryl Brook’s Cat Star Chronicles.  Our own RR titles, Ripping the Bodice and Knight Moves are two of my favorites in this genre.

Fatally Yours: What was the last good book in the horror genre that you read? What was the last good horror film you saw?

Lori Perkins: I’m just about finished Under the Dome and loving it. I really loved Zombieland (which was a zombie romance). I just saw American Zombie, which I thought was really well-done. And I finally just saw Cemetery Man, which is a ‘90s Italian zombie romance that is fantastic and one of a kind.

Fatally Yours: What are your goals for yourself within the literary world?

Lori Perkins: When I was a teenager, I wanted to start that women’s erotic magazine. As a young adult, I gave my neighborhood an award-winning local newspaper. As a young agent, I wanted to find the next Anne Rice or Stephen King. In mid-life, I wanted to make sure that some of the writers I loved continued to publish (John Skipp, Nancy Collins). And I guess I wanted to prove that the horror genre had room to expand – I sold Polly Frost’s collection of erotic horror stories to Tor, Deep Inside.

I think all genre fiction can thrive in the ebook market. I think books are too expensive to be mass-market impulse purchases at the price they currently command. I think that if books sell for about $5 a pop, more people will read more books. And that’s what I’d love to see happen with ebooks.

Fatally Yours: Where can people find more info on you?

Lori Perkins: I write two blogs, agentinthemiddle.blogspot.com and ravenousromance.com.  I’m also on twitter as @LoriPerkinsRR, and on Facebook. Since I work two jobs, and put in 16 hours a day, you can usually find me and what I’m reading, editing and even eating.

Book Review: Anoxic Zone by John G Rees

The term “anoxic zone” refers to “an oxygen-depleted region in a marine environment,” according to Answers.com. In this novel, the anoxic zone in question is in the Black Sea. According to author John R Rees, the anoxic zone “occurs naturally at depths greater than 200 meteres [and] has no oxygen to support life or accelerate decay. This creates a unique environment for the preservation of ancient shipwrecks, as well as modern day detritus.” 

When I first picked up Anoxic Zone I had no idea what the term meant or how it would be used within the context of the novel, but I have to admit I was definitely intrigued. I hadn’t heard about anything like it before so I was eager to dive right in (pardon the pun). Plus, the synopsis offered some supernatural hints as to who, or what, the main characters were. Take a looksie at the description from the back cover and see if you get an inkling as to what they are:

This is the tale of two men, who become service personnel for Megacorp, a multi-national corporation that operates under its own laws. The dark cadre is brought back to life to maintain the infrastructure of a narcissistic, self-involved culture at the end of the industrial age. Chosen for their skills, Jake, a commercial diver, and Johnny, a scientist, have been friends for over one hundred years. Human curiosity and human nature conspire to have our friends discover just what they are; the whys and hows of how they came to be.

In the course of this discovery they release evil that spawned their kind, which had been imprisoned and used by Megacorp in a most despicable manner.

Their adventure takes them from Hawaii to Romania and the Black Sea, as Jake and John struggle to accept what they have become while trying to keep the evil from the hands of Megacorp and return it to the darkness of its birth.

This novel definitely has a lot going on, from Jake and John’s initial discovery of what they are to their escape from Megacorp to encountering their “maker” to plotting how to destroy him. Don’t let the slim tome, coming in at just under 300 pages, fool you -  author Rees has packed a lot of action into this novel! That’s not to say it is convoluted, by any means. The pacing of the story is quick and just keeps drawing you in as you get further and further into the story. I ravenously drank it up!

I also love that author Rees has set the book in a not-too-distant future where people have become lazy and prefer that menial and/or dangerous labor be done by a part of the population called “reusables”…kinda sounds like the current state of things, no? Rees also borrows from several different genres to complete Anoxic Zone, too. There is futuristic sci-fi, a bit of noir, a lot of historical facts, a touch of romance, gore, action and horror…pretty much a little bit of everything!

The locations vary as much as the tone of novel. We start off in Hawaii, then move to the unearthly underwater world, then to the bustling ports of Romania and eventually to the Carpathian mountains…with many other stops in-between! Rees effortlessly captures the atmosphere of each location in the novel and brings them to life. I especially loved the descriptions of the crumbling, centuries-old castle in the most remote region of the Carpathian mountains.

I loved the characterizations of our two lead characters, Jake and John, and their transformations over the years as they embrace what they really are. If you haven’t guessed already by their old age, they are vampires, though I don’t think the word “vampire” is ever mentioned in the book! Megacorp has made them and many others like this, calling them “reusables” and using them for dangerous or life-threatening work. Jake can dive to depths far further than any human ever could and also go without air for longer. John can test out disease, viruses, etc. on himself to see their effects but won’t die from these experiments. Yet, when they both discover their true nature and the true extent of their abilities they attract the attention of a notorious (and historical) Count who spawned their race…and wants revenge on those that have used him. John and Jake go from lowly “reusables” to realizing their power and becoming the pupils of their “master,” until he takes things too far and John and Jake turn against him.

And the “master” himself is quite a force to be reckoned with. Rees draws from a well-known historical figure (the very ruler who inspired Bram Stoker’s Dracula) to create a menacing and scary villain that still elicits awe from the two main characters as well as the reader.

Anoxic Zone is a very unique, nontraditional vampire tale that I couldn’t put down! It is a thrilling, exciting read that tries something new with the tired vampire genre…and succeeds! If you get a chance, I highly recommend picking up John G Rees Anoxic Zone!

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Pop Skull (2009)

Everyone remembers their first heartbreak. To some, the memory might be hazy and distant, but to others the pain is all too fresh and real. I’ve had my own experiences with having my heart broken and dealing with rocky break-ups, some even leaving me feeling like I lost everything, even myself.

Director/co-writer Adam Wingard and co-writer/actor Lane Hughes are no strangers to heartbreak either, and were so upset by past breakups that they decided to make a film gleaned from their experiences. With writer E.L. Katz, they crafted an idea for a film and this idea eventually became Pop Skull, a trippy, hallucinatory movie about the unhinging of the lead character’s mind after his first break-up.

Daniel (Lane Hughes) is depressed and addicted to over-the-counter pills after his girlfriend breaks up with him for another guy. In his mind altered state he begins to see all sorts of things – until he can’t distinguish between reality and fantasy. Is something really haunting to him or is it just his mind on the verge of collapse?

The synopsis might not make Pop Skull seem like much, but as soon as you begin watching it envelopes you in its madness. The film shows Daniel’s unraveling in an artistic and inventive way…and you feel like you are right beside him. It makes you darkly dream, drifting further and further into yourself until you feel as hopeless and shut out of the world as Daniel does. A story that sweeps you up like that is a rarity, especially in a low-budget film, but that is precisely what Pop Skull does.

Pop Skull’s story wouldn’t be nearly as successful if the filmmakers hadn’t tapped into their own personal tales of woe and heartbreak, but thanks to those experiences we get a fantastic story as well as a truly mesmerizing performance by Lane Hughes as the quickly deteriorating Daniel. From Daniel’s heartfelt voiceovers with a tone that just oozes vulnerability and brokenness to his hypnotizing performance, Hughes completely owns the role. Don’t get me wrong, the other actors do a fine job as well, but Hughes completely steals the show and kept my eyes glued to the screen. He was just so darn believable and I could wholeheartedly relate to his feelings of desperation and hopelessness!

In regards to visuals, Pop Skull is beautifully filmed, though there are some scenes featuring flickering, pulsating or flashing images that just might induce seizures (a disclaimer in the beginning of the film urges epileptics to skip the film). The entire film was made for $3,000, and many shots were captured by director Adam Wingard and actor Lane Hughes just wandering around in the dead of night or at the crack of dawn. Sun-drenched exterior shots of Daniel and his ex-girlfriend kissing in an open field are juxtaposed with dark and gritty interior scenes in Daniel’s threadbare bedroom or his friend’s small house. I loved this contrast and thought it added a lot of depth to the film. The editing is also very creative, giving the film an artsy feel that elevates it above most low-budget horror films. Sure, some of the sequences of rapidly-flashing scenes were a bit hard to look at, but they effectively showed how disoriented Daniel’s mind was becoming.

Though Pop Skull is definitely not your typical horror film, there are quite a few effective scares peppered throughout the film. The jarring shots of the “things” Daniel sees in his home, imagined or not, are pretty freaky and caused me to jump more than once. The sound design also helped set the foreboding feeling. Though the music featured throughout was ambient most of the time, at key moments it distorted into awful noises to disturb the viewer with a double-whammy of jarring noise and frightening visuals.

Pop Skull is a disorienting, hallucinogenic and dream-like horror film unlike anything I’ve seen lately. It’s mesmerizing to watch the damaged lead character being pushed to the breaking point and experiencing just what he experiences, not knowing if its reality or fantasy. Plus, the ending is just riveting and probably the creepiest scene in the movie!

This low-budget film is not for everyone, but if you have an appreciation for slow-burning, artsy, independent films I highly urge you to take a dark journey with Pop Skull.

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Book Review: Dark Lullaby by Mayra Calvani

Dark Lullaby is a modern-day dark fairy tale, but not like your typical Disney happily-ever-after BS. Instead, this dark tale is like traditional folklore from Eastern Europe, dark, unsettling, mysterious and shocking. The supernatural villain in this book is unlike anything I’ve ever heard of or seen before in the horror genre, creating an aura of exotic mystery along with the distant setting of Turkey.

The tale starts with Gabriel fresh out of a three year relationship with Liz. The two remain close friends and have met up at a local bar for drinks and philosophical discussion of good vs. evil. The alluring and mysterious Kamilah soon joins them, and Gabriel is entranced by her beauty as well as her discussions on human nature. Liz gets a bad feeling about Kamilah, but Gabriel soon falls head over heels in love with her. Though he can’t deny there is something unsettling about her, he just can’t seem to get her out of his mind.

Though his twin sister, Elena, is having a stressful pregnancy across the pond in Europe and Gabriel is supposed to be at the birth in a week, he agrees to go with Kamilah to her home land of Turkey for a little R and R at her family’s cottage deep in the woods. When he arrives with Kamilah in Turkey, he feels cut off from both his sister and Liz and begins to feel more unsettled by Kamilah’s petulant child-like behavior and unnerved by several strange occurrences. Gabriel begins to believe that Kamilah wants harm to come to both Elena’s unborn child and Liz. Is Kamilah someone…or something…truly evil and what are her true intentions?

Though author Mayra Calvani has written many books over a wide span of genres, this was my first encounter with the woman’s writing. Though I felt that the opening pages of the book, where Liz and Gabriel are having a philosophical debate, were a bit weak, I was soon transported into a frightening story that had a tendency to crawl under my skin and squirm long after I put the book down.

The foreboding atmosphere of the novel was really helped by the location of exotic Turkey. It really felt like the family cottage of Kamilah, surrounded by primordial forest, was straight out of an enchanted fairy tale. Then there were the quaint, cobblestone streets of the local town and the dazzling blue of the Black Sea in the distance to add to the location’s mystique. All the supernatural events that occurred to Gabriel after their arrival in Turkey felt very apropos in such a mysterious locale.

I also thought the intriguing characters added a lot to the story. Gabriel, with all his talk of reason, is a very emotional man at heart and during his trip with Kamilah his emotions are used against him to draw him further into her tangled web. Kamilah, though a whiny brat, knows how to get her way and has a very dangerous presence. I also liked the subplots involving Elena, suffering anxiety and a sense of dread during her last few weeks of pregnancy, and Liz, suffering psychological torment at the hands of an unseen assailant. Other characters stood out as well, including a Turkish witch that tries to warn Gabriel what Kamilah really is and a young boy and his abusive father whom Gabriel feels a special connection to.

As for the scares, there are many scenes that will give you chills! One that hits you hard is close to the beginning of the story where Gabriel thinks he sees something horribly strange…Kamilah’s feet on backwards! Other favorites include creepy scenes in the Turkish woods when Gabriel follows the sounds of babies crying to some very disturbing trees, an unexpected attack from a swarm of bees and a stunning finale.

Dark Lullaby is a quick-paced, fun summer read for when you need a good chill! Its basis in Turkish mythology makes it unique and the splendid setting of Turkey doesn’t get much more exotic! The supernatural tale has plenty of nightmarish imagery to keep you up at night, but the “thriller” aspects of the story make it a good read for horror fans and non-horror fans alike! There is just enough romance and intrigue to interest those who aren’t necessarily horror fans, but also enough supernatural elements and scares to keep the spooky kids entertained.

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Book Review: Pride and Prejudice and Zombies by Seth Grahame-Smith

Did you ever had to read Jane Austen’s Pride and Prejudice for English class? Did you find yourself snoozing away while Elizabeth Bennet and Mr. Darcy slowly but surely fell in love? Did you wish that zombies, ninjas and bloody battles were a part of Austen’s novel? Well, wish no longer because author Seth Grahame-Smith has tweaked Austen’s classic book to include walking corpses, Shaolin-trained assassins and some sure-fire slaughter!

Grahame-Smith, who wrote the excellent How to Survive a Horror Movie, has injected a lot of action into Austen’s tome and this monster mash-up is perfect for romantics who like a little blood with their love. Grahame-Smith cleverly inserts zombie attacks, ninjas and the “unmentionables” into the polite English society of the Bennet’s and heroine Elizabeth Bennet isn’t just a smart, witty girl anymore…now she also kicks ass against hordes of zombies! She and her sisters have all been trained in the “deadly arts” of Shaolin and are relied upon to protect the countryside. An English regiment has also arrived in town to try and squelch the undead menace (as author Grahame-Smith says in an interview, “…we arrived at Pride and Prejudice and Zombies because, when you take a look at the original book, it’s almost as if, subconsciously, Jane Austen is laying out the perfect groundwork for an ultraviolent bone-crushing zombie massacre to take place. For instance, there’s a regiment of soldiers camped out near the Bennett household. In the book, they’re just there for characters to flirt with. But it’s not that big a leap to say, Okay, they’re there because the countryside has been overrun with what they call the ‘unmentionable menace.’”). Of course, lets not forget the societal mishaps the Bennet family experiences at the hands of the rakish Wickham, the amiable Mr. Bingley and the mysterious and misunderstood Mr. Darcy.  I loved how Grahame-Smith slightly changed Austen’s characters while still retaining their core personalities and actions. He made Elizabeth a highly trained zombie killer and gave other characters varying degrees of skill in fighting the undead. Even after all these changes the characters were still believable as “Jane Austen characters”.

I also loved the violence and gore that Grahame-Smith added! Talk about grabbing your attention! We’ve got half-decomposed corpses stumbling around that the Bennet sisters must dispose of…which usually results in a bloody, gory mess that stains their pretty gowns, not to mention the scandal it causes within the neighborhood! Not only are there zombies, but ninjas also stalk the pages of Pride and Prejudice and Zombies. Elizabeth has to battle several to prove her worth to Mr. Darcy’s aunt, the Lady de Bourgh. There are lots of wonderfully brutal and bloody scenes and Grahame-Smith really delivers on the gore! And yet, it seems to fit so seamlessly into the original context of the novel!

For Austen or classic literature fans that bemoan that this mash-up tramples all over their much cherished Pride and Prejudice, have no fear. Grahame-Smith masterfully combines his new vision with Austen’s classic. The result is subtle but startling and one thing is for sure…you’ll never look at a Jane Austen novel the same again!

I really can’t recommend Pride and Prejudice and Zombies highly enough. It still retains the biting wit of Austen’s classic work, but it also contains quite a few biting zombies. Seth Grahame-Smith has started an amazing new trend here, and I can’t wait to see where it takes us next! Pride and Prejudice and Zombies is an absolute delight to read…perhaps high school students will be able to get away with reading this instead of Austen’s original!

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Let the Right One In (2008)

I’ve never been a big fan of vampire movies. Their typical storylines about sexy, beautiful, rich vampires never really appealed to me…they just weren’t scary and most of them feel like you’re watching a trashy soap opera instead of a horror flick. I like my vampires grimy, I like ‘em to have some pathos, I like ‘em feral and violent…not trussed up in black leather, lounging about mansions drinking blood martinis. So, I was a bit hesitant about seeing Let the Right One In, a Swedish vampire film. Yet, right from the silent opening credits I knew I was in for something completely different…

In 1980′s Sweden, 12-year-old Oskar is a loner. He hardly sees his divorced parents, he is bullied at school and spends most of his free time alone, collecting newspaper clippings of violent crimes and murders. One snowy night Oskar sees a girl his age moving in next door. He meets her one night out in the snow-covered courtyard outside of their drab apartment building and she introduces herself as Eli. First the two are wary of each other, but both live such lonely lives that they gravitate towards one another and become friends. Eli seems to have odd habits, such as only coming out at night, needing to be invited into a room before entering and always being cold to the touch, but even though Oskar deduces just what she is, the bond of their friendship and love is too strong and nothing can separate them.

Let the Right One In is a very beautiful, quiet and subtle film that takes an interesting approach to the vampire myth. It is the antithesis to Hollywood’s sexy, rich and sophisticated vampires, instead focusing on the cold emptiness of a vampire’s life. There is a real humanity infused into all of the characters, and the situations they are trapped in are what make the movie horrifying.

The film is based on a book written by John Ajvide Lindqvist, who also wrote the screenplay. Lindqvist has said that the tale is partly autobiographical about his childhood, which really explains why the film feels so intimate and personal. Lindqvist also does a wonderful job tapping into childhood fears of alienation and being alone. His characters also carry with them tons of emotional depth, which can still be seen and felt on-screen. It’s not so much what the characters say as it is how they react in their environment that gives us a true sense of who they are. Both Oskar and Eli long for companionship, though neither of them would readily admit it. It’s to the credit of Lindqvist who gives these characters their depth that they feel so real to us.

Of course, praise must also be lavished on the two child actors that portrayed Oskar and Eli, Kare Hedebrant and Lina Leandersson. Both their performances were absolutely spectacular! You felt for and sympathized with their characters throughout the entire movie, even when Eli was ripping out people’s throats and Oskar continued to stand by her. With just a glance either actor could portray more heartfelt emotion than Miley Cyrus has been able to muster in her entire career! Both complex performances by Hedebrant and Leandersson are near flawless.

The pacing of Let the Right One In is slower than most films horror fans are used to, but the direction by Tomas Alfredson and the gorgeous cinematography by Hoyte Van Hoytema will keep you interested. I enjoyed the humor that Alfredson (I’m told he’s known for his comedy movies in Sweden) injected into the otherwise somber tone of the film. There are some genuinely funny moments that help to considerably lighten the mood of the film and help you enjoy it that much more. Of course, the austere cinematography by Van Hoytema definitely keeps your eyes glued to the screen as well. His shots of the snowy Swedish countryside will have you burrowing a little deeper into your winter coat.

Also keeping your attention are the genuinely unexpected moments throughout the film. There are some pretty shocking scenes that come out of nowhere and really surprise you, like Eli scaling the side of a building, her first attack, the awesome finale in the pool and so on. These shocks are few and far between, so when they actually do happen you’ll be pleased as punch because they are well worth the wait!

The one detraction in the film was an unnecessary CGI shot of a group of cats reacting violently to a vampire in their midst. The whole scene felt awkward and out of place in an otherwise restrained film. It also didn’t look too great with the obvious CGI’d cats. Still, this is but one complaint throughout the entirety of one very excellent film.

Let the Right One In definitely isn’t your typical horror movie, and some people have hotly contested that it shouldn’t even be grouped into the horror genre. True, the horror here is much more subtle than most films, but the horror is still there. Instead of having a villain running around slaughtering everyone, the real horrors in Let the Right One In are the desperate situations Oskar and Eli find themselves in. They are both outcasts and must try to survive. For Oskar, it’s surviving the bullies at school, whom he wants to kill to seek revenge. For Eli, it’s surviving the monster inside of her needs to kill to live. Both seek to survive the isolation and loneliness of their respective lives…and when they find each other, surviving becomes a little easier.

Let the Right One In is a bittersweet, tender, funny and almost heartbreaking story about finding that one person that accepts you for who you are, no matter what, and who would do anything for you.

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The Iron Rose (1973)

Though the French filmmaker Jean Rollin might be known to the casual cinephile more for his erotic vampire films, his little-known 1973 film The Iron Rose (La Rose de Fer) is instead a very surreal, macabre and poetic film that addresses Rollins’ penchant for darkly introspective films. The Iron Rose definitely appealed to my gothic sensibilities, but its slow pace and focus on visuals instead of plot it won’t appeal to everyone.

A young couple decides to explore an old cemetery after a long day of bicycling through the French countryside. The two just met at a wedding reception the night before but waste no time in descending into a crypt for some hanky-panky. When the come up for air, they realize that night has fallen. In the dark, the cemetery becomes a very foreboding place and the two quickly search out the gates to get out. The thing is, they just can’t find them! As the night continues, the two keep searching for a way out; all the while the woman becomes more and more comfortable with being with the dead in the cemetery.

With its setting in a ramshackle and romantic (ok, most would call it creepy) cemetery, The Iron Rose is requisite viewing for those that revel in the darker and more macabre side of life. Its gothic atmosphere (wildly overgrown cemetery, crumbling architecture) and striking visuals (the opening scene of a woman in red standing at the edge of a roaring sea, the eerie shots of the cemetery) are a tribute to Rollins’ talent as a filmmaker and are the reason why the film succeeds.

The film has little dialogue and not much of a story (“lovers get stuck in a cemetery at night, get spooked, go a little batty” just about covers it), instead relying upon atmosphere, ambiance and emotion to draw the audience in (of course, beautiful actress Francoise Pascal probably doesn’t hurt either). The film is bathed in gothic atmosphere and aches with angst. There are no spooks, no psychos and no monsters stalking the young couple…just the hundreds of dead surrounding them, reminding them of their own mortality.

On the down side, the film is slowly (but deliberately!) paced with not much happening. The couple runs around a lot, knocks over a few headstones, gets into a violent fight, makes love in an open grave filled with bones and the woman begins reciting some darkly themed poetry and philosophy. If you are looking for a straightforward, gory horror film, The Iron Rose isn’t for you. The thing is, though, the slightly repetitive nature of the film works in its favor. We, like the protagonists, feel like we are trapped in a surreal nightmare that we just can’t escape. For some of us, including the female protagonist, this dark atmosphere is beguiling, bewitching and we don’t want to leave it.

More of an art film than a horror movie, The Iron Rose is nonetheless a beautifully enchanting piece of work that deserves to be more widely seen. It also shows what a lyrically visual filmmaker Rollins’ was and continued to be throughout his career.

If you are in the mood for an artistically gothic film, no other rose would smell as sweet as The Iron Rose.

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The Dead One (2007)

Another day, another comic book adaptation to film, eh? Today it is Javier Hernandez’s El Muerto: The Aztec Zombie that has been remade into The Dead One (El Muerto).

As a young boy crossing illegally into the United States, Diego (Darien Dikeos) follows an old Indian (Billy Drago) who makes him give a blood sacrifice to the Aztec gods. Years later, Diego (Wilmer Valderrama) is all grown up and passionate about celebrating the Day of the Dead. He paints his face to look like a skull, puts on his best black mariachi-inspired suit, complete with bone tailoring, and begins driving to the festivities. Problem is, he never gets there. He crashes his car and dies. The Aztec gods have returned to claim their blood sacrifice.

Diego wakes on the Day of the Dead, in his now permanent costume, to find that he’s been dead a whole year. He sees his friends and girlfriend, Maria (Angie Cepeda), praying over his grave in the cemetery. After being lost and confused (for a little too long), he discovers that the Aztec gods have tapped him to help them reclaim power and kill those whose bloodline was responsible for wiping out the Aztec religion.

Through the love of his amor, Maria, and help from his best friend Zak (Joel David Moore), Diego is able to resist the evil and fight against it. Still, people close to Maria and the church where she works continue to die horrible deaths. Can Diego stop the old Aztec evil from bringing about the end of the world or will he succumb to it?

When I originally heard about this film and its mix of Aztec mythology and Mexican folklore, I was really intrigued. It sounded very original and one of the few horror movies that focused on the Latino community. Then I watched it…and while it has some pretty nifty ideas floating around there somewhere, it was all lost on the presentation.

The Dead One falls victim to a slooooowly-moving story line. I appreciate the fact that it dives headlong into the story at the beginning and doesn’t waste time explaining the Day of the Dead to the audience, but from the time Diego comes back, undead, it just halts and we see the same scenes played out a few too many times. Diego looking confused. A bad CGI storm signifying the arrival of the evil Aztec gods. A dewy-eyed Maria, remembering promises of undying love. Diego running and hiding from police, friends, etc. Over and over again, we get these same scenes. Not to mention the anticlimactic fight scene between Diego and an Aztec baddie (funny, Billy Drago doesn’t really look Aztec…).

For a slow moving, repetitive flick, it sure doesn’t explain much. Anyone not familiar with Latin culture, Aztec mythology, Catholicism or Mexican folklore may have a hard time following along. I wasn’t too sure what was going on most of the time. One minute, they are talking about the end of the world and the next the Aztec gods are just planning on reclaiming world dominance. I was a bit fuzzy on the whole Aztec mythology and Diego’s reason for coming back one year after his death. Was he called back because of the love between him and Maria or because the Aztec gods sent him back?

The movie wasn’t all bad, though. Despite its poorly paced and convoluted storyline, the acting was pretty decent. It was a kick to see Billy Drago both as an “old Indian” and in drag and Wilmer Valderrama did a fine job as someone other than “Fez” from That 70’s Show. It also has good performances from familiar faces Michael Parks (Kill Bill), Tony Plana (Ugly Betty), Maria Conchita Alonso and Tony Amendola. This film showcases a very talented Latino cast…if only they had had a better script to work with!

The direction by Brian Cox (no, not the actor) was pretty basic and pedestrian, but still above average for a low-budget film. Still, since this was a comic book adaptation, I expected more KAPOW! and WHAM! action and instead of just dreary interior scenes over and over again. The only real “showdown” scene is at the end and it really is a sad sight for a comic book movie. Cox also wrote the script and shows the same problem…no clue on pacing and he makes it more of a teenybopper love story than one it’s supposed to be, which is a action-packed horror film.

Besides lack of action, there is also a serious lack of horror in the movie. Instead of horror, it really should be classified as drama (or the previously mentioned love story). Besides all the supernatural happenings and the scenes of the laughable Aztec god, there really isn’t anything remotely scary about The Dead One. It’s mostly about the love between Diego and Maria, but, DAMMIT, I wanna be watching a horror movie, not an Oxygen Network flick!

No matter how much I wanted to enjoy The Dead One (El Muerto), it was pretty near impossible not to wish I was six feet under instead of watching this dreary excuse for a horror movie. Still, I did enjoy the acting and it is a great Latino cast. The real fault here is the direction and script, which is a real shame because of the rich foundation laid by Javier Hernandez in his comic book.

Available from Amazon!

Hellbride (2007)

British Jinx Media is back again after their highly enjoyable Killer Killer. This time they’ve unleashed Hellbride, which isn’t nearly as good as Killer Killer, but still manages to deliver great characters, good acting and some pretty spooky otherworldly forces.

Lee (James Fisher) and Nicole (Rebecca Herod) are very much in love and Lee finally finds the perfect ring with which to propose to Nicole. Trouble is, the ring’s original owner was Josephine Stewart (Eleanor James), a Victorian bride-to-be who was cheated on by her fiancé. Josephine decided not to let on that she knew about her betrothed’s fling, but began murdering anyone and everyone associated with her wedding. When the wedding day arrived, Josephine bit off her own ring finger that held her ring and killed her fiancé. Ever since then the ring has been cursed, and any bride-to-be that wears it is soon beset by death. Lucky Nicole! She soon begins having visions of Josephine and her creepy, pointy-beaked monster minion. To make matters worse, her dad (James Kavaz) owes money to the mob and Nicole becomes entangled with the death of the mob boss’ son. With all of these problems, not to mention cold feet, will Lee and Nicole ever be able to tie the knot?

Hellbride has a lot going for it, most notably its likable characters. I fell right into Nick and Nicole’s cute relationship, and also like the awkward relationship between their two best friends, Ricky (Oli Wilkinson) and Carly (Natalie Milner), who also happen to be exes. The characters are developed just enough to get to know them and care about them. I also enjoyed the beginning of the film where Josephine’s story is told through old-fashioned black and white drawings.

The story itself feels more like a romantic comedy than anything else. One-liners, gags and lovey-doviness run throughout. It also helps that Nick is a stand-up comic, adding to the laugh-track. One of my favorite gags, though, was the character of Sinclair (Cy Henty of Killer Killer), Carly’s nerdy and sleazy cousin whom Nicole consults for supernatural help.

The acting is what elevates this film from simply being another independent feature to one that stands out. The story might need improvement, but the actors all shine in their roles. James Fisher is adorable as the sweet and loving Lee, Rebecca Herod is as cute-as-a-button and Oli Wilkinson and Natalie Milner have so much chemistry between their characters it’s hard to look away!

The biggest let-downs of the film were the mob sub-plot and the ending. The mob sub-plot involving Carly and her dad felt completely out of place in the film and didn’t add anything to it. The ending dragged on for too long and really wasn’t exciting or suspenseful. Also, certain points of the plot didn’t make sense and weren’t explained. For example, how did Josephine take corporeal form? And what was her monster minion?? It sure looked creepy, but where did it come from and how did it come to be?? Also, Killer Killer had some great visual style too it, but it seemed lost in Hellbride.

If you are looking for something scary with lottsa gore, skip this one, but if you are looking for an independent horror film that’s heavy on romantic comedy, Hellbride just might be your ticket. It’s got laughs, great acting, well-drawn characters and one creepy monster minion!

Available from Amazon!