Black Death (2011)

According to Wikipedia, the Black Death was one of the most devastating pandemics in human history and is estimated to have killed 30% – 60% of Europe’s population, reducing the world’s population from an estimated 450 million to between 350 and 375 million in 1400. This has been seen as having created a series of religious, social and economic upheavals which had profound effects on the course of European history. It took 150 years for Europe’s population to recover.

The death and pestilence spread by this deadly plague was of Biblical proportions, and it seems that the dark mark it left upon history would be the perfect material for a horror film. Lucky for us, Magnolia Pictures’ Black Death has risen to the occasion.

The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. In this apocalyptic environment, the church is losing its grip on the people. There are rumors of a village, hidden in marshland that the plague cannot reach. There is even talk of a necromancer who leads the village and is able to bring the dead back to life.

Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. He enlists the guidance of a novice monk, Osmund  (Eddie Redmayne) to lead him and his band of mercenary soldiers to the marshland, but Osmund has other motives for leaving his monastery. Their journey to the village and events that unfold take them into the heart of darkness and to horrors that will put Osmund’s faith in himself and his love for God to the ultimate test.

Black Death is a gripping film dealing with issues of faith, temptation, redemption, salvation…all huge issues back in the Dark Ages and still relevant today. It has a bit of Wicker Man-feel, only because of the dark secret the blissful and untouched village hides. It also has a much more somber feel and isn’t a film to take lightly. I liked how the film subverted the usual Christian vs. Pagan dynamic and made the pagans vicious instead of their usual hippie-dippy selves.

Speaking of viciousness, the film also boasts some wicked medieval battle scenes, complete with swords, maces, axes and even an iron maiden, among other torture devices. Despite the bloodshed being far and in-between, I was surprised how bloody the film actually was, especially in contrast to the subdued tone of the film and stark beauty of the cinematography.

The film looks stunning, from the cobblestoned streets of medieval Europe to the dark woods the characters travel through to the sun-dabbled village they finally arrive at. The mostly cold and bleak visuals echo the overall ominous atmosphere of the film. The grand scope of the cinematography makes me wish I had seen Black Death in a theater, but even on the smaller screen its grandiose scope wasn’t lost.

I liked the storyline because it had an epic feel and because of the themes it explored. As mentioned previously, I liked how the Christian vs. Pagan dynamic was flipped, with the pagans persecuting the Christians instead of the other way around. I also liked how the film showed unwavering faith in the characters as they were faced with temptations and challenges. The film ends on a brutal, downbeat note that was definitely disturbing and shows how evil can corrupt even the most faithful.

The actors gave performances equally intense to the storyline and visuals. Sean Bean is especially good as the God-fearing Ulric, but I also liked Eddie Redmayne’s performance as the conflicted Osmund. In my opinion, though, Carice van Houten stole the show as the village’s necromancer Langiva.

Director Christopher Smith has crafted another unique film with Black Death and is definitively one of the most versatile directors of the horror genre. He gave us the spooky Creep, the darkly humorous Severance, the intense Triangle and now the bleak Black Death. His films are always engaging, entertaining and original, and Black Death is no exception.

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Absentia (2011)

According to Wikipedia, “Death in absentia (or presumption of death) is a legal declaration that a person is deceased in the absence of remains (e.g., a corpse or skeleton) attributable to that person. Such a declaration is typically made when a person has been missing for an extended period of time without any evidence that the person is still alive.”

Furthermore, in the United States, “The law calls people who disappear ‘missing’ or ‘absent’. There are several criteria for declaring someone dead by assumption. One, if he/she has been missing from his/her home or usual residence for a period of seven years (amount of years will vary state to state); or such absence has been continuous without explanation, or when those persons most likely to hear from him/her have heard nothing; and the missing person cannot be located by inquiry and by diligent search.”

The film Absentia bases its plot on this and tells the story of Tricia, whose husband has been missing for seven years. Tricia is now pregnant and trying to move on from her missing husband and is going through the process to legally declare him “dead in absentia”. Her younger sister Callie comes to stay with her to help her move on, but is drawn to an ominous tunnel near Tricia’s home. While Tricia is haunted by terrifying visions of her presumed dead husband, Callie begins to research the tunnel and comes to believe it might be linked to Tricia’s husband’s disappearance, as well as other missing persons cases in the area. Could the tunnel, or whatever inhabits it, have something to do with all the disappearances? If so, who or what is making people disappear? Can Callie and Tricia solve the mystery before they too go missing?

Absentia had an intriguing premise, but with most independent productions I was apprehensive that its low budget would hinder it in some way, whether it was bad acting, poor quality, bad direction and so on. However, I first noticed that the film was of an exceptional quality, with high production values. Not only that, but I could immediately tell that the direction and cinematography were top notch. Definitely a good sign for a horror movie, independent or not.

I was hopeful that the acting would be equally impressive, and again I was surprised. The acting was excellent and it was refreshing to see such strong female leads in a horror film. Actors Courtney Bell (“Tricia”) and Katie Parker (“Callie”) did a fantastic job with their characters. They were very believable as sisters and really pulled off the complicated emotions stemming from the stressful situations their characters were put through. Even the secondary characters, including some detectives (one who has a close relationship with Tricia), the brief (but powerful) appearances by Tricia’s husband and some others, including a victim played by none other than Doug Jones (Abe Sapien from the Hellboy flicks and tons of other genre films), gave very effective performances.

The film Absentia bases its plot on this to craft an unsettling, intelligent and unique horror film. It isn’t your usual horror film, but is far more subtle and character-driven. The “evil” within the tunnel is never explicitly shown, which actually works in favor of the film’s limited budget. One of the most effective scenes involves Callie in the bathroom brushing her teeth when she realizes something might be behind the shower curtain. Though we never really see anything, this scene was INTENSE! The horror is more implied than explicit, with the shower curtain slightly fluttering and the odd noise or so. The fear stems from the unknown, and not knowing what might be lurking behind the shower curtain sent shivers up my spine!

The story is a very slow-burn, and while I appreciated the character-development I do wish the film had gotten to the “good stuff” a little sooner. In the first hour the creepy moments are too far and in-between and I really wish more time had been spent on the history of the tunnel and the disappearances surrounding it. The tone also felt more melancholy and more like a drama rather than a horror film. The droning score could have had something to do with this, and I felt the score was used far too much and actually took away from the tension and scares of the film.

However, Absentia was an engrossing film that immediately drew me in and kept me engaged through to the downbeat ending. While it has room for improvement, it is definitely an example of a well-crafted, intelligent horror film and really shows that if independent filmmakers work within their budgetary constraints they can create an excellent horror film.

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Visit the film’s official site and Facebook!

The Possession of David O'Reilly (2010)

After I heard someone call this the film that Paranormal Activity should have been, I knew I had to check it out. I wasn’t too thrilled by Paranormal Activity (I didn’t hate it, I just thought it didn’t live up to its potential), so I was eager for a film that may have done it right.

The Possession of David O’Reilly is a British film about a happy couple that agrees to temporary take in their friend David after he splits from his girlfriend. They soon discover that all isn’t right with David – he is increasingly paranoid, sleepwalks, wakes up screaming and claims to see supernatural entities. As the couple begins to experience unexplainable events themselves, they realize David’s wild claims may have some validity and soon find themselves in a fight for their lives.

Alright, so I may not have liked Paranormal Activity, but I liked this film even less. Whoever said this film is what Paranormal Activity should have been was on crack. This just feels like a cheap knock-off that was poorly made. It starts off promisingly enough, with David showing up ominously on his friends’ doorstep in the middle of the night. His deterioration occurs quickly as he starts hearing strange growlings and prowlings from outside. This was all fine and dandy, but we never seen him pre-crazy, so right off the bat I assumed he was certifiable and everything he saw was fake. Now, I’m not saying if that is how it turns out in the end or not, but just that seed of doubt pretty much made me dismiss the entirety of the film.

Though this film has been compared to Paranormal Activity, it is not all captured on hand-held video cameras from the characters. There is still plenty of shaky cam and shots from the characters’ perspectives, but they are not carrying around camcorders capturing everything. There is a motion-detection security system that the married couple has installed in their home, but though it is highlighted at the beginning of the film it plays a disappointingly small part in the film overall. This is a squandered opportunity in my opinion.

Also, the characters make so many stupid decisions you can’t really cheer them on, but instead cheer for them to die. They could choose to leave the house at any time, but instead remain cooped up inside waiting for the entities to arrive with the darkness. And was the weird sub-plot with the pregnant woman really necessary? It didn’t add anything to the story and when it was revealed who she really was this plot point just kind of disappeared from the rest of the film. It also didn’t seem believable that the married couple just believed David without much proof. If my friend started acting crazy you better believe I’d call the nut house to take them away instead of believing they saw scary monsters in the dark.

I did like that the monstrous entities could only be seen in the dark, but even this plot point was undeveloped. If it wasn’t dark, were they still able to kill in the light? If so, then why not just leave the lights on? I also didn’t like how much we saw of the entities. Less would have been more in this case, no matter how cool they looked.

There was also some very weird editing going on in the film. There are multiple scenes where the music swells dramatically, indicating that we should be seeing something…but the scene is empty of any creepy stuff. I even rewound the film to see if I had missed something in several scenes, but nothing was there. These scenes were so frustrating because instead of delivering scares they deliver absolutely nothing.

The Possession of David O’Reilly had some good ideas, but really failed to use them to make an engaging story. Instead, we get a confusing, messy story that doesn’t live up to any of its potential. Even Paranormal Activity is better than this frustrating film.

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Mirror Mirror (1990)

Mirror Mirror is pretty unknown to most horror fans, but it’s a pretty decent flick nonetheless and boasts stars like Karen Black and Yvonne De Carlo among its cast! I had heard that it was along the lines of Carrie and The Fury, so I decided to give it a try, especially since the lead character is considered a “goth” (I did a piece on goths in horror films over at my personal blog if you feel like taking a look).

Mirror Mirror tells the tale of gothy Megan (Rainbow Harvest), who moves from L.A. to a small town with her mom (Karen Black) after her father’s death. Megan finds an old mirror in her room and insists on keeping it, even though it’s a creepy old thing. She then starts school but runs into the usual gaggle of cheerleaders and jocks who don’t appreciate her funerary attire. She makes friends with good girl Nikki, but the popular kids still make Megan’s life a living hell. Soon, Megan discovers that the mirror gives her powers and she can make things happen to those that ridicule her. Pretty soon her enemies are dying left and right and the mirror’s powers become too powerful for Megan to control. Can Nikki save Megan from the dark side and whatever lives on the other side of the mirror?

Mirror Mirror might share some similarities with Carrie (shy outsider, weird mom, psychic powers, a friend who tries to save the lead, etc.), but it stands on its own quite well. I really enjoyed all the characters and the story; they still felt unique even though they were obviously influenced by other films. Megan was a fun character, though I initially thought she would have more backbone and actually stand up to the annoying popular kids rather than running away and hiding from them. Gotta love her goth look, which looks heavily influenced by Beetlejuice’s Lydia (it doesn’t help that Rainbow Harvest looks a lot like Winona Ryder). I also loved the over-the-top performance by Karen Black as Megan’s unstable mother (good god, that pastel pink lipstick has GOT to go!) and seeing Yvonne De Carlo as an estate dealer who tries to help Megan once she learns the truth of the evil mirror.

Plus, there is quite a high body count, and while the deaths aren’t necessarily gory or bloody, most of them are still pretty neat. Standouts include the shower scalding scene and a garbage disposal death! There are several bloody scenes, including a gushing nose bleed scene and the mirror itself, which regularly oozes blood.

Director Marina Sargenti uses an interesting blue palette for most of the film and sets up varying POV shots that keep the viewer engaged. I especially liked the POV shots of the demon behind the mirror looking out at all those that approached it. The screenplay, written by Annette Cascone and Gina Cascone, also deserves props, especially for its twist ending!

Mirror Mirror is an interesting flick that deserves to be seen by more people. It certainly wears its influences on its sleeve, but it still manages to be intriguing in its own special way. If you are looking for an early ’90s gem, check out Mirror Mirror!

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Uncle Sam (1997)

When it comes to 4^th of July, horror fiends pretty much only have one genre film to watch – Uncle Sam. I admit I am a little obsessed with horror films set during holidays, but for some reason I had never seen Uncle Sam. Once July rolls around the movie I usually watch is Jaws (which is only incidentally related to Independence Day), but this year I was determined to watch Uncle Sam…even if I got to it AFTER the 4^th had already passed!

Uncle Sam tells the tale of uber-patriot Sam Harper who is killed while serving his country in the Middle East. His body is shipped back to his hometown, where his nephew Jody lives with his mom and aunt. Jody worships his uncle and aspires to be just like him. Somehow Uncle Sam is brought back to life, dons an “Uncle Sam” costume and goes around killing any un-patriotic townsfolk.

While Uncle Sam is certainly a “holiday horror” movie and evokes the spirit of summertime and 4^th of July, it is a pretty awful movie. Now I understand why I avoided it for so long! From its inconsistent, silly and plot-hole filled storyline to its slow pace, the movie just isn’t that enjoyable. First off, when Sam is shipped back to his hometown his coffin just sits nonchalantly in the house for days! Who in the world just leaves a coffin in the middle of their front room anyway? Secondly, it never really explains HOW he comes back to life. One minute some kids are burning an American flag and the next he is at attention offing the juvenile delinquents. Also, characters, like a crippled kid, show up the last half of the movie as major players when they should have been included since the first half of the film! The film also moves slowly, there aren’t that many kills, and Uncle Sam isn’t scary.

I expected much more from director William Lustig (Maniac, Maniac Cop series) and writer Larry Cohen (Maniac Cop, It’s Alive, God Told Me To), but instead got a watered down, sub-par slasher flick. The one thing that Uncle Sam has going for it is its scathing political commentary, which was way ahead of its time. The Patriot Act didn’t go into effect ‘til years after Uncle Sam was released, but the film really feels like an indictment of that law and how it punishes people that are deemed “un-patriotic” for the silliest of reasons. There’s also a nice social commentary on the United States military and government.

Other than that, though, there isn’t much to recommend for Uncle Sam. It’s too much of a jumbled mess to truly enjoy, though there are a few entertaining kills. For example, the ridiculous potato sack race scene where a cheater ends up losing his head to Uncle Sam’s hatchet is pretty entertaining. Another well-done scene is a fireworks display where the mayor (or senator? I don’t remember) has his body covered in fireworks and mouth stuffed with explosives before being blown up by Uncle Sam.

However, two mildly entertaining scenes do not make up for the fact that Uncle Sam is pretty mediocre…not even the late, great Isaac Hayes (I cannot help but imagine Chef from South Park whenever I hear his voice!) can save this messy mish-mash of a film.

Next year I’ll just stick to re-watching the Jaws films instead of ever watching this weak supernatural slasher again!

Available from Amazon!

Red Mist (2008)

After loving Paddy Breathnach’s hallucinogenic and freaky Shrooms, I was excited to check out Red Mist, another film from the Irish director. In Shrooms, Breathnach combined many different horror tropes to create a very inventive and visually stylish film, something I hoped would be replicated in Red Mist. Breathnach does use familiar horror scenarios in Mist, but they are so cliché that the film is just a bore to sit through.

The story is about some stereotypical med students (the good girl, the goth, the bookworm, the asshole, the rich girl, the sensitive guy, etc.) who apparently think they are all still in high school because they pick on socially awkward stutterer Kenneth (Andrew Lee Potts). As in most horror films of this ilk, a prank goes horribly wrong and dear old Kenny ends up on a coma. No one wants to implicate themselves, so they decide to keep the secret within the group and not tell the police or hospital staff. The only one who seems upset over this decision and the overall situation is good girl Catherine (Arielle Kebbel), who feels somewhat responsible since Kenneth had a crush on her. She secretly pumps Kenneth full of experimental drugs that she hopes will pull him out of his coma…unfortunately all that awakens is Ken’s spirit and it’s out for revenge! Kenneth’s spirit begins taking over bodies and killing off the group one by one as payback for leaving him in a coma. Can Catherine stop Kenneth before she’s next?

I really wanted to like this movie since it was directed by Paddy Breathnach, but the more I think about it the more I dislike it. It just felt so generic and predictable, not to mention how silly the premise was. I mean, a coma patient’s spirit possessing others’ bodies and killing people for revenge? Really??? The story just kinda plodded along, and while the direction was competent the film just couldn’t keep my interest, especially with some gaping plot holes (since when can med students pick up any drugs they fancy in the hospital pharmacy?). The film tries to combine elements of a slasher movie, medical drama and possession tale but here the combo just doesn’t work. While the clever combination of sub-genres worked in Breathnach’s Shrooms, here it just feels trite and lazy.

Besides the snooze-worthy story, the characters are pretty unlikable. They try to give Kenneth a tragic backstory, but it never really goes anywhere and the opening scenes (which are quite horrifying and effective) are never really referenced again in the film. Plus, all of the other characters are stereotypes and even the final girl Catherine is bland, so there is really no one to truly root for. The acting varies from grating to annoying to tolerable, so it’s not like the actors make their characters any more likable.

To top it off, none of the deaths are memorable. One girl gets her head slammed multiple times in a car door, another gets her wrists slit open, one slams her head repeatedly against a mirror and stabs herself, a dude gets seduced and then gets Drain-O poured down his gullet, yada, yada, yada. Nothing to write home about.

The only positive thing about the film was the direction, which creates a surprisingly claustrophobic feel in such sprawling hospital. The lighting, believe it or not, is also very well done and while it’s not something I talk about in every film review I believe it bears mention here. However, technical details will not save a doomed film, and the fact still remains that there are better, more entertaining films out there besides Red Mist. Shrooms, for example!

Red Mist was a disappointing effort from director Paddy Breathnach. It’s just plain boring, too cliché and its premise is silly (but not in a good way). Furthermore it has shoddy character development and the acting isn’t what you would call Oscar worthy. It may have nice direction and technical details, but those alone don’t make a memorable film and already Red Mist is dissipating from my memory. Skip it.

Available from Amazon!

Fugue (2010)

After viewing director Barbara Stepansky’s film tense psychological film Hurt last winter, I was excited to check out her newest effort, Fugue, which promised another psychological storyline, only this one included the possibility of the supernatural.

Fugue’s premise is based upon a rare disorder called a fugue state or dissociative fugue, which according to Wikipedia is “characterized by reversible amnesia for personal identity, including the memories, personality and other identifying characteristics of individuality. The state is usually short-lived (hours to days), but can last months or longer.”

Fugue begins with Charlotte (Abigail Mittel) moving into a new house with her older, college professor boyfriend Howard (Richard Gunn). Charlotte has just suffered an accident that is barely hinted at, but that’s okay because she and Howard are trying for a baby and seem happy for their new start. However, it’s not long before Charlotte begins to sense a malevolent presence in the house and begins seeing visions of a threatening black-haired woman. She comes to suspect that something horrible happened in the house, and is determined to find out what…but at what cost?

I wasn’t as impressed with Fugue as I was with Hurt, but that doesn’t mean it was necessarily a bad movie. On the contrary, it boasted a story with plenty of twists and turns, excellent acting and even a few disconcerting scares.

The story’s details felt unique, even if the whole “is she crazy or isn’t she” angle seems overplayed. Luckily, writer Matt Harry balances out these clichés with plenty of surprises. In fact, I enjoyed how Fugue messed with your head, and just when you thought you had it all figured out it threw you for a loop and took the story in an entirely different direction. However, the story also tended to drag in places and didn’t quite grab my attention from the start. The film’s saving graces were its unexpected twists and turns as well as a bloody finale, which turned it from typical psychological thriller to something much more engrossing.

Also superb were the performances by all involved, but especially Abigail Mittel as Charlotte. Mittel made her character believable and likable (perhaps even when she shouldn’t have been), and I found myself rooting for her the whole time. I also thought Richard Gunn did a fine job as her boyfriend, who patiently endured or tried to explain away Charlotte’s ghostly visions.

The direction by Stepansky really captured the claustrophobic feel of the house and surrounding garden terraces. It made you feel boxed in and trapped, adding even more tension to the film. While the film was more a thriller than anything else, Stepansky included several nice scares and disturbing scenes. The ghost haunting Charlotte looked marvelous with a few simple effects of blurring out her eyes and mouth. Plus, the action scenes near the end really wake the film up and were filmed in such a way that they really put you in the moment.

My biggest complaint of the film probably won’t affect its official release at all, but I think it’s worth mentioning that the audio levels were absolutely awful and I couldn’t understand about half of the dialogue. Why you ask? Throughout the ENTIRE film there is an annoying music track that drowns out the dialogue. The constant music ruins the mood of the film instead of enhancing it. The film would have greatly benefited from less music and more silence, or at least have balanced audio levels. One minute I was cranking up the audio to hear dialogue, the next turning it wayyyy down so I wouldn’t have to hear the repetitive music. I think the fugue that Charlotte plays on the piano and keeps humming would have sufficed for music as opposed to the tiresome score used throughout the film. I hope this is an issue they resolve before released Fugue to the public, because this grating annoyance made it difficult to sit through.

Despite that and a few pacing problems, Fugue was a low-key indie thriller that kept me on my toes with its twists and turns. If you happen to see it at a film festival and enjoy slow-burning thrillers don’t pass it up!

For more info, visit Fugue’s Official Site!

Shock (1977)

Shock was legendary director Mario Bava’s final film before his death. That right there should be enough reason to get anyone to check this film out, but luckily it’s also a fine film that lives up to its title!

Shock is about a family – Dora (Daria Nicolodi), her son Marco (David Colin Jr.) and new husband Bruno (John Steiner) – who move into the old house Dora shared with her first husband/baby-daddy Carlo (Nicola Salerno). It seems that dear old Carlo was an unstable piano player and died under mysterious circumstances, leaving Dora very traumatized. When Dora and her new family settles into the house, strange things start to occur – furniture moves of its own free will, Dora suffers intense nightmares and little Marco starts to behave rather oddly. Is the move back to the house causing Dora to go a little mad or has Carlo come back from the grave to torment his ex-wife?

Surprisingly, I had never seen Shock before (I don’t know how it slipped by me since I’m a huge Bava fan!), but I’m so very glad I finally got around to watching it because Shock was everything I was hoping it to be! It is full of creepiness, scares, and yes, even shocks!

I loved how it blended the is-she-crazy-or-isn’t-she storyline along with the supernatural/haunted house theme AND the creepy kid bit. Not only that, but it blended these different sub-genres successfully. The film flowed smoothly and all these different storylines fit together very well.

There were also some truly memorable scenes, including one where a rotting hand strokes Dora’s cheek as she sleeps, some disturbing sexual advances young Marco makes towards his mommy, a nice scare involving a rotting hand bursting through the grass, razors hidden between piano keys, a basement that leaks blood and so on. The evocative score also helped build a sense of dread, as did the forebodingly dark lighting throughout the film. Even when the action is set outside a dreary pallor hangs over the film, echoing Dora’s fragile state.

The action was primarily focused on Dora and Marco (hubby Bruno is a pilot, so he was usually away for days at a time), which in the hands of lesser director might get boring In Shock this is certainly not the case and my eyes were glued to the screen watching as Dora spiraled into a hysterical state and things became progressively worse in the household. It also really kept me guessing and the conclusion, which is carefully hinted at, was extremely satisfying, ending on a decidedly downbeat tone. Acknowledgement should also be given to actors Daria Nicolodi (a fan favorite in Italian/Euro horror), David Colin Jr. and John Steiner. Had there performances not been up to par they really would have dragged the film down, but luckily they were all at the top of their game. Nicolodi and Colin Jr. must especially be recognized since, as mentioned above, they were the main focus of the film. Nicolodi was excellent as the caring but unstable mother and Colin Jr. was downright creepy (and a little bit sleazy) as the young son. Really impressive acting from Colin Jr., especially considering his young age!

Shock kind of lacks Bava’s visual flair from earlier films, but that doesn’t make it any less effective. As a modern haunted house/ghost story the austere visuals work quite well and I think any kind of flashy visuals would have taken away from the story. Plus, there are plenty of memorable scenes (those mentioned above, as well as many more) without the need for Bava’s typical gothic and/or over the top stylings.

Shock may not be Mario Bava’s most sophisticated work, but it definitely is a film that creates a sense of creeping uneasiness that is extremely effective. And you just can’t go wrong with flying razors and a kid possessed by his own dad putting the moves on his mom!

Available from Amazon!

The Legacy (1979)

Always a sucker for ‘70s thrillers set in old mansions with an occult/satanic twist, I decided to check out The Legacy, a 1979 flick starring Sam Elliott and Katharine Ross. While it focused less on the occult than I expected and was set up more of like a murder mystery whodunit, I found myself enjoying The Legacy, creepy cats and all (more on this later).

The film is about Los Angeles architect Margaret Walsh (Katharine Ross) who receives a mysterious job offer from England. Before her job starts, she and her boyfriend Pete (Sam Elliott) embark on a bike ride through Europe, but trouble starts when an accident puts their fate in the hands of the wealthy Jason Mountolive (John Standing), who insists they recuperate at his sprawling estate. Soon, other guests begin arriving and Margaret realizes she may have been handpicked and brought to the estate to inherit a sinister legacy. As various guests begin dying off, can Margaret and Pete escape before it is too late?

As far as 70s satanic films go, The Legacy pretty middle-of-the-road. It’s not one of the best but it’s certainly not one of the worst. However, I appreciate that it’s not your typical satanic cult film and not a lot of emphasis is placed on the “black magick” aspect of the film. Instead, it focuses on the mystery of why Margaret is part of the proceedings and who is going to die next.

The story takes a while to get going, as the first 30 or so minutes are spent on Margaret and Pete exploring the estate and puzzling over the other guests and the rather unhelpful help. The “mystery” as to why they are there and why guests are dying is pretty obvious, but it’s still fun to watch them slowly piece it all together.

Of course, it has its WTF moments – like the horrible opening credits that feature the worst song EVER to assault my ears in a horror movie, or the copious shots of cats throughout the estate (which are never really explained, though I guess they are Mountolive’s or the Devil’s minions keeping an eye on things), or repetitive shots of Margaret and Pete driving round and round on country roads trying to escape but somehow always ending up at the estate – but it also hosts some neat-o moments. The first death, featuring a drowning in a pool, comes pretty unexpectedly and jars you awake after the somewhat slow first 30 minutes of the film. There is also a scene that occurs a bit later featuring a rock star (played by Roger Daltrey) choking on a chicken bone and an emergency tracheotomy being performed on him that’s quite well-done! And who can forget the reveal of Mountolive on his deathbed?

Sure, the gore is non-existent and some of the deaths are a little cheesy (especially the one where Charles Gray’s character burns to death), but director Richard Marquand (who would go on to direct 1983’s Return of the Jedi) does a pretty good job of delivering an atmospheric, not-quite-satanic occult/supernatural story. The use of the mansion, with its labyrinth of seemingly never-ending rooms and grounds, creates a creepy atmosphere as the estate takes on a character all its own. Marquand even creates a claustrophobic feeling, even with all that space, that makes the audience feel as trapped as the guests. And the ending just feels pitch-perfect in a dark, twisted way!

The Legacy is an entertaining, though at times cheesy, occult flick from the ‘70s. From the awful opening music number to the silly “sinister” shots of cats (yeah, WTF?!) this movie had me giggling most of the time, but it also had its moments of tension and shocks and was entertaining throughout it’s hour and a half running time. It may not be entirely memorable, but The Legacy decides a look at least once!

Available from Amazon!

Book Review: Lucas Manson by Thomas Hauck

“When Special Agent Mark Dylan investigates a gruesome homicide, he uncovers the terrifying world of the Kingdom Seven Family Temple and its leader, the charismatic and ruthless Minister Lucas Manson. As Dylan and his partner Jill Kelly penetrate the secret inner sanctum of the temple, they learn that friends cannot be distinguished from enemies. The vast and powerful temple holds dark secrets that will change their lives forever.”

Lucas Manson first starts as a typical crazy cult/serial killer/police procedural novel – still interesting and well-written, but nonetheless a little bland. However, as the book progressed it thankfully added some unexpected twists and turns that took the story in an entirely surprising direction. I don’t want to give anything away, but let’s just say that the book reinvents a classic monster archetype in an entirely new way!

Besides the unexpected surprises the book holds, Lucas Manson is thrilling and action-packed. It encompasses many locations, from Boston to Egypt to Arizona to New York, keeping the action moving at a quick clip. From unraveling an ancient mystery in Egypt to tracking the rock star-like U.S. tour of the Kingdom Seven Family Temple to breaking into the cult’s heavily guarded compound in Arizon, Special Agent Mark Dylan careens through an action-packed landscape of grisly murders and centuries-old mysticism.

The murders aren’t especially gory, but fit quite well into the overall tone of the book. Despite not being gory, they pack quite a punch, as victims are drugged in a very unique way and then bled through several incisions in their arteries until their bodies are drained of blood. And it just gets creepier after you learn why the victims are being drained of blood!

However, the book does have its flaws. It gets off to a rocky start, including an awkward introduction of lead character Mark Dylan when he’s working undercover that has no bearing on the rest of the book. It then jumps directly into Dylan and his wife’s problems with getting pregnant, a character development ploy that doesn’t really go anywhere and drags on far too long. It doesn’t really have any impact on the rest story, and it didn’t help me feel more for the lead character either.

Despite these bumps in the road, once the novel takes off it really takes you for a ride! It may start off as a typical killer cult book, but it has plenty of twists and turns that elevate it far beyond any “standard” horror fare.

Check it out on Amazon!

After Dark Horrorfest 4 - All 8 Films to Die For Reviewed (2010)

I finally got around to checking out all of After Dark Horrorfest’s “8 Films to Die For” since they were only in theaters for two seconds!

I don’t feel like writing a lengthy review for each film, so I’m going to do a quickie review of each and list them from best to worst.

Note: All synopsis are courtesy of Netflix. Yeah, I’m lazy like that sometimes.

1.) Hidden (aka Skjult)- Kai Koss (Kristoffer Joner) returns to his family’s eerie woodland estate and makes plans to sell the house, hoping to put the memories of his tragic childhood behind him. But a presence even more wicked than his abusive mother has taken up residence in the place. Pål Øie (Dark Woods) writes and directs this atmospheric horror flick from Norway. Karin Park, Arthur Berning and Bjarte Hjelmeland co-star.

Definitely the best of the bunch, Hidden’s atmospheric story was intriguing, mysterious, and, best of all, scary! The psychological thriller is methodically paced and offers plenty of twists and turns. It is also gorgeous to look at (the creepy house, the weird, woodland-themed hotel, the eerie woods)! I also enjoyed how it is a mixture of haunted house/ghost/serial killer/slasher themes and makes you think. If you like subtle horror that slowly gets under your skin, Hidden is for you!

2.) Lake Mungo – When a series of inexplicable supernatural events strikes their home, Russell (David Pledger) and June (Rosie Traynor) Palmer try to figure out exactly what is behind the tragic drowning death of Alice (Talia Zucker), their 16-year-old daughter. A psychic (Steve Jodrell) might be able to help them. Joel Anderson writes and directs this psychological thriller; Martin Sharpe, Scott Terrill and Tamara Donnellan co-star.

Another methodically paced spookfest, Lake Mungo plays like a faux docu-drama where family members, police, doctors, neighbors, etc. are interviewed about the drowning death of Alice and subsequent home video is shown that appears to capture Alice’s ghost. The spook-factor comes from the fact that this film feels so real and offers some definitively creepy grainy video evidence of a haunting. The film loses some steam after a twist towards the middle, but the creepy images will haunt you for days!

3.) The Graves – When sisters Megan (Clare Grant) and Abby (Jillian Murray) Graves go on a road trip before recent college graduate Megan starts a job in New York, their fun search for a silly roadside attraction turns into a nightmare after they stumble into evil Skull City. The supernatural residents of this abandoned mine town like to rip out visitors’ souls, and after Megan is badly wounded, Abby must fight to save them both in this bloody spine-chiller.

While the two previous films are subtle and psychological horror, The Graves is straight up survival horror as Megan and Abby try to survive the nasty residents of a former mining town. This is a fast-paced and entertaining film, especially since the two lead female characters are so strong and a joy to root for. However, it does become a bit repetitive after a while (they keep running and hiding) and it would have been nice if the townsfolk were a bit more developed. However, it’s a fun flick that doesn’t disappoint!

4.) Kill Theory – A celebratory vacation turns into a nightmare for a group of recent college graduates when a sadistic sociopath forces them into a horrific game: They must kill each other off until only one survivor remains. As tensions grow and the murders begin, relationships falter and new alliances are formed. Chris Moore directs this gory slasher flick that stars Agnes Bruckner, Taryn Manning and Patrick Flueger.

Though this sounds like a stereotypical slasher, it actually has some tricks up its sleeves and turned out to be pretty entertaining. It has an interesting premise that it follows through with until the end and even throws us for a loop with a nice twist! It does have its “meh” moments, but overall Kill Theory turned out a lot better than I expected it to.

5.) Dread – Assisted by two naïve classmates, duplicitous Quaid (Shaun Evans) conducts a devious research project examining students’ innermost fears. Once armed with data, Quaid methodically torments his hapless subjects, taking full advantage of their weaknesses. Adapted from a short story by Clive Barker, writer-director Anthony DiBlasi’s horror movie offers a potent mixture of heart-pounding thrills and extreme violence. Jackson Rathbone co-stars.

I was really looking forward to this film, especially since it was adapted from a Clive Barker story. However, I found it kind of boring and meandering. I lost interest in the film pretty quickly and was disappointed in its predictable story and ending. However, I will say that it has one of the best (worst?) scenes of torturing a vegetarian ever! The vegetarian is locked in a room and will starve unless she eats a hunk of groddy meat left in her cell. As a vegan, this scene definitely skeeved me out! However, that was the only scene that really “got” me…the rest of the film was pretty blah.

6.) The Final – Dane (Marc Donato), an unpopular high school student, leads a group of outcasts seeking revenge on the popular kids who harassed and humiliated them for years — and their plan includes gruesome forms of torture learned in history class and horror films. Confining the bullies at the remote house Dane inherited, the outcasts turn the tables and subject their victims to a night of grisly treatment in this gory horror flick.

Ya know, this film didn’t start out so bad, but after a while it just felt like a high school version of Saw. It definitely needed more character development of both the popular (victims) and unpopular (killers) kids. It really went downhill when the characters we are supposed to identify with, the unpopular kids, turn into the bad guys and start killing indiscriminately. When that happened I didn’t have anyone to root for or identify with so I was pretty ambivalent for the rest of the film. The set-up of the costume party to get revenge on the popular kids was pretty clever, though, and made for some great scenes! Too bad it went downhill after about 30 – 45 minutes. FAIL!

7.) Zombies of Mass Destruction (ZMD) – When flesh-eating zombies assault their idyllic town, a ragtag group of locals — including gay couple Tom (Doug Fahl) and Lance (Cooper Hopkins), Iranian American college student Frida (Janette Armand) and conservative Rev. Haggis (Bill Johns) — join forces to repel the brutal onslaught. Set in a paranoid post-9/11 America, this nerve-racking horror movie offers witty social satire as well as an abundance of blood and guts.

I just could not get into this movie and was bored all the way through. I don’t know what it was but it didn’t engage me at all. It just felt like any other zombie movie except with two gay dudes in it. I guess I was expecting it to be funnier or something, but I can hardly remember this film at all. Pass.

8.) The Reeds – When a group of London friends boating through Norfolk Broads takes a wrong turn in the dense, reedy waters, they find themselves haunted by a terrifying and ancient evil in this eerie spine chiller directed by Nick Cohen. It soon becomes apparent that they’re no match for the malevolent forces that lurk in the vast waterway. Eli Marienthal, Scarlett Alice Johnson, Geoff Bell and Emma Catherwood star.

The bottom of the barrel is The Reeds, which just feels unoriginal and that you’ve  seen the same movie 100 times before. It boasts a few gross-out/spooky scenes (the scenes of the burned dog were sick), but overall the story is just weak and didn’t keep my interest. Even the “twist” at the end was predictable. I think I even started doing chores while this was on because I was so bored. Definitely pass!

Order the box set on Amazon!

Book Review: And Falling, Fly by Skyler White

And Falling, Fly is a beautifully poetic work by author Skyler White. I first became acquainted with Skyler through Women in Horror Month and her intriguing interview made me want to check out her novel.

And let me say, as much as I was impressed by her interview I was doubly impressed by And Falling, Fly!

The description from the back cover:

In a dark and seedy underground of burned-out rock stars and angels-turned-vampires, a revolutionary neuroscientist and a fallen angel must pit medicine against mythology in an attempt to erase their tortured pasts…but at what price?

Olivia, vampire and fallen angel of desire, is hopeless…and damned. Since the fall from Eden, she has hungered for love, but fed only on desire. Dominic O’Shaughnessy is a neuroscientist plagued by impossible visions. When his research and her despair collide at L’Otel Matillide – a subterranean hell of beauty, demons and dreams – rationalist and angel unite in a clash of desire and damnation that threatens to destroy them both.

In this fractured Hotel of the Damned, Olivia and Dominic discover the only force consistent in their opposing realities is the deep, erotic gravity between them. Bound to each other finally in a knot of interwoven freedoms, Dominic and Olivia – the vision-touched scientist and the earthbound angel, reborn and undead – encounter the mystery of love and find it is both fall…and flight.

And Falling, Fly is captivating and masterfully written by author Skyler White. In fact, writing is so fluid, graceful and imaginative that I just couldn’t put the novel down! I am usually one that loathes too much romance in books I read, but I actually enjoyed the love story between the two leads and it fit quite well into the over-arching story. With elegant prose, amazingly complex characters, intriguing forays into neuroscience, magical surroundings and even some nice philosophical and religious ponderings, and Falling, Fly is a wondrous book to have the pleasure to read!

Of course, this is a dark fantasy novel so besides the love story it features its fair share of bloody action – usually revolving around a clan of vampire sisters (whom Olivia belongs to). Their beauty is sharply contrasted against their ferocity as they feed on others’ desire and fear. In actuality, these vamps are actually fallen angels, but plenty of other demons haunt the pages (and other characters) of the book. The novel also takes place in a hotel otherwise known as Hell run by a kindly old man named Gaehod. Here he tries to help those that have fallen, but most don’t want the assistance and are content to do nothing but to waste away their eternity there.

I loved White’s description of the otherworldly L’Otel Matillide – it’s unlike any other Hell I’ve ever read about. Instead of a gigantic pit of fire, the Hell in and Falling, Fly is quite well-appointed and set up like a hotel. Though deep underground, it has a garden (complete with an apple tree and a serpent) with a river running through it, a night club where “guests” can indulge their every desire and endless rooms to explore. Sure, it might sound more like heaven, but it is a self-imposed prison for the lost and forsaken. There are also achingly beautiful descriptions of the Irish countryside, and White’s writing style and voice brings anything she describes to vivid life!

Like the setting, the story is just as complex. The backstory of Dominic being a “Reborn” (or one that is reincarnated but is cursed to remember his past lives) and trying to block his memories with neuroscience was extremely interesting. I also like how this tied into the ending of the book and how his desire to lose his memories threatened to defeat him in the end. The backstory of Olivia is just as thought-provoking – she desired to be loved and accepted just as she is so that she might re-gain her angel wings.

From its sophisticated, intelligent writing style to its compelling characters to its reinvention of vampire lore, And Falling, Fly had me hooked from page one. It’s a book that’s hard to put down once you start reading and extremely rewarding once you reach its end.

And Falling, Fly is a gorgeously penned dark fantasy novel that has piqued my thirst for more novels in this vein from Skyler White. It’s the perfect novel for hopeless romantics, sinners, saints and those in the mood for a completely different vampire novel.

Highly recommended!

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Book Review: Incarnadine - The True Memoirs of Count Dracula Vol. 1 by R.H. Greene

In the richly descriptive Incarnadine: The True Memoirs of Count Dracula: Volume One, we are given a detailed account of the man that will come to be known as Count Dracula in his early years. We see what life was like for “Konstantin Kuzmanov” when he was a man and experience his life as a soldier during the Ottoman Empire, then his conversion to pious priest and witness his falling in love, only to see him lose his one true love and his subsequent defiance of the heavens that transforms him into one of the undead. During this transformation he takes several companions with him, three which survive and become his infamous “brides”. Incarnadine tells of Dracula’s early origins in Medieval Eastern Europe and author R.H. Greene fills the imaginative tome with historical fact, including religion, rule and superstitions, all of which make for a wondrous backdrop to the philosophical, religious, emotional and physical challenges the future Count Dracula encounters.

The novel is beautifully written by Greene, and has a rather bittersweet, melancholy tone that runs throughout. You really get a sense of Kuzmanov/Dracula’s point of view in Incarnadine, a perspective that runs much deeper and more philosophical than most books based on Bram Stoker’s character of Dracula. Since the book covers a large span of time, there are lots of profound and major events that occur, all of which add to the grand legend of Count Dracula. For example, at one point the newly undead vampire, distraught over what he has become, turns into a grand oak tree for a period of years. Yes, yes, I know how that sounds but instead of being outlandish and silly, author Greene makes the event a very poignant one.

Greene also weaves Slavic myth and legends throughout the novel, making it seem that much more realistic. Some of it (like the tree passage, mentioned above) seems straight out of a Brothers Grimm tale, but it is also nice to see some of the familiar vampire lore and superstition (crosses, the ability to shapeshift, the ability to control animals, sun sensitivity, etc.) peppered throughout the book. So while this particular book shows a wholly new perspective on Dracula, it still keeps some of the familiar vampire tropes and goes a step further by explaining their origins.

Indeed, there is so much both old and new going on in Incarnadine that I’m glad that these memoirs have been broken in two volumes. I haven’t had the pleasure of reading the second volume (though I hear it has already been written), but I eagerly look forward to it, as it picks up with Jonathan Harker paying Dracula a visit at his castle home in the Carpathian Mountains.

Incarnadine is a thoughtful, exciting and wholly engrossing novel that sheds new light on vampire lore and lets us experience the grand legend of Count Dracula through his own eyes. It has its share of gross-out gore (in particular, the description of some of the “brides” is cringe-worthy), but overall the novel delves into more profound, philosophical territory. If you like your vampire stories with a little more bite, I highly encourage you to check out Incarnadine: The True Memoirs of Count Dracula: Volume One.

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Book Review: Queen Victoria - Demon Hunter by A.E. Moorat

I started reading Queen Victoria: Demon Hunter right after seeing Young Victoria (what can I say, I’m a sucker for period dramas!) and was delighted to find that this book parallel the film in many ways. Well, at least in historical accuracy regarding the Queen’s ascension to the throne, members of Parliament as well as those of Royal Family and other historical figures, her falling in love with Prince Albert and their subsequent marriage! Of course, the book also featured many fictitious twists and turns involving the undead, demons, werewolves, succubi and the Queen’s own demon-slaying team, called the Protektorate, all of which were heartily welcomed by this horror fan!

From the book’s back cover:

London 1838 – Queen Victoria is crowned; she receives the orb, the sceptre, and an arsenal of blood-stained weaponry. Because if Britain is about to become the greatest power of the age, there’s the small matter of the demons to take care of first.

But rather than dreaming of demon hunting, it is Prince Albert that occupies her thoughts. Can she dedicate her life to saving her country when her heart belongs elsewhere?

With lashings of glistening entrails, decapitations, and foul demons, this masterly new portrait will give a fresh understanding of a remarkable woman, a legendary monarch, and quite possibly the best Demon Hunter the world has ever seen…

From the first moment I picked up Queen Victoria: Demon Hunter I did not want to put it down! It is packed with vivid imagery, fierce battles, villainess characters, clever quips and the gripping story of how Queen Victoria ascended to the throne and her struggles of not only ruling a kingdom, but also slaying demons. I love the re-imagining of her as a demon hunter, and though the revamping of period pieces or historical figures into more horror-themed books seems to be all the rage (see Pride and Prejudice and Zombies, Sense and Sensibility and Sea Monsters, Abraham Lincoln: Vampire Hunter and so on) Queen Victoria: Demon Hunter is still an extremely engaging novel.

Author A.E. Moorat has done a seamless job weaving blood and guts with a royal biography. He also offers up plenty of twists and turns that kept me entertained and on my toes. Highlights include a Lord that employs a zombie manservant (with a fake zombie leg, no less!), a thrilling battle on horseback between the Queen’s Protektor and demon horsemen, a trip to the dreary mental hospital, Bedlam, an intriguing backstory on demon lineage, a bloody zombie battle at the House of Commons, and many, many more exciting tidbits.

As you can see, this is not just a book for history buffs, but one that horror fans will definitely fall head over heels for. It’s got everything you could possibly ask for – drama, political intrigue, romance, action and loads of gooey gore! All is seamlessly woven together by author Moorat, coinciding with a nail-biting climax where the Queen must rescue her Prince from evil’s clutches, but not before she learns an awful family secret.

I cannot recommend this book enough! It kept me up into the wee hours of the morning, as I devoured chapter after chapter to find out what was to become of Queen Victoria and the many other characters that bring the story to life. I just could not get enough of the novel, and as the end drew near I was both excited and sad – excited to see the conclusion of the story but also sad that it was coming to an end! I do hope that perhaps we get a sequel out of Queen Victoria: Demon Hunter, because it deserves one (and I would love to see the Queen battling demons as she grows older!).

Get your copy on Amazon!

Sauna (2008)

I’ve always loved period horror films, especially those that features rich history and superstitious folklore come to life. Period horror films are few and far between so, when I first heard about the Finnish film Sauna, set at the end of the 1500’s, I was excited to check it out. I will say the name threw me off a bit, which to me sounded more like a been-there, done-that J-horror than anything else. Yet, when I popped the DVD I was immediately taken in by the eerie atmosphere of Sauna as I let the film chill me to the bone.

Sauna is set in 1595 at the end of a war between Russian and Sweden. A new border between the nations is being mapped out in the far reaches of northern border by a group of Russian soldiers and two Swedish brothers, the hot-headed soldier Eerik (Ville Virtanen) and the more cerebral and sensitive Knut (Tommi Eronen).

One night, Eerik and Knut seek refuge in a local peasant’s home belonging to a father and daughter, but after discovering some religious iconography pointing to the father’s Russian loyalties, Eerik kills the father. Knut tries to protect the daughter from Eerik’s violence by locking her in a shed. As they rejoin the group of Russian soldiers and continue their trek across the dismally gray landscape, Knut begins to see the peasant girl following them. Eerik tells him to snap out of it and confesses he never let the girl out of the shed and left her to die.

As the eerie images of the peasant girl continue to haunt Knut, the group presses on until they come across a village in the middle of a misty swamp. The village is uncharted on the map, so the group decides to stay there to decide whether the village goes to the Russians or the Swedes. Yet, there is something very unsettling about the village and its inhabitants. The weirdness seems to stem from the half-submerged sauna that sits apart from the village. In folklore, saunas are supposed to cleanse you of your sins, but this particular sauna seems to force people to face their sins.

Sauna is a very deliberately paced and cerebral film that asks more questions than it answers. If you are looking for a ghost story filled with jump scares, look elsewhere, because Sauna is a much more of a thinking person’s horror film with many layers and subtexts. It raises many questions about guilt and redemption, salvation and repentance and at what cost can sins be cleansed. While these philosophical questions (and many more) are raised, the film never really seeks to answer them and instead leaves them up to the viewer to decide. The film is very ambiguous and it’s left open for interpretation by the viewer. Personally, I enjoyed the open-endedness of coming to your own conclusions that director Antti-Jussi Annila and writer Iiro Küttner offered the audience and how the consequences that the characters suffered really got you thinking.

I also loved the heavy, ominous atmosphere that Sauna offered. Throughout the entire film there is a palatable uneasiness that creeps up on you. Through the bleak cinematography (lots of gray skies, leafless trees, muddied water, dead grasses, etc.) and several eerie events like the appearance of the peasant girl to Knut as well as several dead villagers that scratched out their own eyes (reminding me of the Bible passage in Matthew 18:9 – “And if your eye causes you to sin, gouge it out and throw it away. It is better for you to enter life with one eye than to have two eyes and be thrown into the fire of hell.”) and the stark and sinister sauna itself, the film builds tension and unsettles the viewer.

It is this eerie atmosphere where Sauna succeeds the most. Some horror fans might not appreciate its deliberate pacing, but I thought the slowly building suspense was well worth it! And the film’s final frightening images sent shockwaves through my system! Director Antti-Jussi Annila and writer Iiro Küttner, along with the amazing cast, have truly delivered an artistic, emotional and grim horror film, and while it is not for everyone, those who appreciate more cerebral horror films will no doubt enjoy Sauna.

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Book Review: The Black Act by Louise Bohmer

The Black Act by Louise Bohmer is a novel that opens a brand new whimsical world for fantasy and dark literature lovers. This novel establishes a whole new exciting mythology full of new creatures in a unique world.

The book explores the themes of forgiveness vs. condemnation, the strength of family vs. the strength of fate and doing what is right vs. the pull of the forbidden. The black acts discussed in the book span many generations of a particular witch family and show how one particular “black act” has cursed them.

The present day story opens with young witch, or Wise Women-in-training, twins Anna and Claire. They are being raised in the sacred valley of the mythical Wood People to learn how to use their inherited magical gifts for good. Yet a shocking ancestral secret threatens to unravel their peaceful existence. Anna starts having violent visions of her past kin while Claire starts acting out more and more and even starts secretly seeing a satyr in the woods.

As Claire threatens to bring the era of the Wise Women to a violent end through her actions, we get the backstory of the twins’ ancestors and see what black act marred their lineage and what exactly must be done to stop the curse.

Bohmer has created an enchanting and intriguing new world with the novel The Black Act. I love how she revisited many mythological creatures, like satyrs, and magically inclined humans, like witches, but added her own unique spin on them. The satyrs became these mysterious creatures literally made out of the elements of the earth, like bark, vines, dirt, moss and mushrooms. The witches had their own complex history of how and why they came to be and their own set of sacred oaths. I particularly loved the history of the whole land and how the Wood People (the mythological creatures) and the Dalthwein Clans (the humans, including the Wise Women) had fought many battles because of the hatred from a long ago human king before forming the fragile peace they have now. The rich history really wraps the story together and pulls you further into the complex mythology.

The novel is written deftly by Bohmer and she enthralls you with not only her unique mythology but also her engaging writing style. Her highly detailed descriptions of the Wood People make them both fascinating and frightening and her human characters are so developed that you feel like you know them. The book pulled me in from the opening pages and I finished it in merely two sittings!

The only thing I wasn’t too fond of was the last part of the book, where the two main characters of Anna and Claire, whom I cared about and emotionally invested in, are suddenly dropped and the rest of the tale is told by their descendant. Plus, the villains of the book, the ghosts of the two evil men who committed the first black act and started the curse, just don’t suffer enough for all the turmoil and death they’ve caused. I wanted their ends to be sweetly satisfying, but they get off far too easily and didn’t satiate my hunger for their blood!

Despite this issues, I still thoroughly enjoyed The Black Act and think that fantasy and dark literature fans will be enthralled with Louise Bohmer’s debut novel. I cannot wait to see what Bohmer does next with the memorable mythology she has created!

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Book Review: Creeping Shadows - Three Dark Tales

Creeping Shadows is a novella anthology that contains three different stories from authors Alan Draven, Brandon Ford and Jessica Lynne Gardner. The novellas differ from historical supernatural horror, to a story based on recent true events to a tale about an ancient Aztec curse. I loved the variety of the stories and how they each offered something completely different to readers!

The first story, Vengeance is Mine by Alan Draven, re-envisions the the tale of Jack the Ripper. The infamous Whitechapel butcher, whose actual name is Vincent Fowler in this story, starts off attending the prestigious Royal Academy of Surgeons of England but gets kicked out for a distasteful prank as well as his low social rank (his mother was a prostitute and he feels the Academy has always looked down upon him for that shameful fact). After traveling to America, Fowler returns many years later to seek his vengeance on London and begins killing prostitutes. Yet, as much as he relishes spilling their blood and bodily organs, he begins to be haunted by a specter of one of his victims…and this ghost just won’t quit until she gets revenge!

I really enjoyed how masterfully Draven wove true facts throughout his fictional story, even paying attention to the little details! The whole class war aspect of the Jack the Ripper case, in which he was supposedly trying to draw the attention of the aristocrats the the poorer areas of London, was even explored! And his hatred of prostitutes is very well established as his own mother was one. As someone who is very much interested in the macabre Jack the Ripper case, I definitely appreciated Draven’s careful following of the facts in the case and how his own interjections fit squarely into the facts as well.

Furthermore, the novella was very quickly paced and a very exciting read. It was interesting to get to take a peek inside Jack the Ripper’s head and see exactly what he might have been thinking. Plus, the gory killing scenes were quite shocking, even if you already knew all about the case and its victims. The inclusion of the supernatural was an added treat!

The next novella, Merciless by Brandon Ford, was probably my least favorite and didn’t seem to quite fit within the other two novella’s supernatural themes. It is based on a true story about two young high school girls abducted by a madman. They are brutally raped and beaten within an inch of their lives, but they work together to try and escape the madman’s clutches, even as he drives them further and further away from anything familiar.

There is no doubt that Merciless is a horrifying story, but its unfortunately something we read about in the news every day (the original story it is based on is here) and I don’t necessarily want to read about it in my leisure time. While the story is well-written, it just doesn’t offer anything new or original like the other two stories contained in this anthology. Still, this is more personal preference and there is no denying the talent of Ford’s writing…I just wish the subject matter had been a bit more engaging.

The last story, Sugar Skull by Jessica Lynne Gardner, is probably my favorite of the anthology. Someone or something is killing Latinos with a rare poison that the police can’t track down. The victims all had a sugar skull shoved down their throats coated with what appears to be a Central American poison. When Annabel’s father is also found dead, she, with the help of her mother and a forensic specialist, must track down the killer, who appears to be tied to an ancient Aztec curse.

Sugar Skull was a fantastic story that I just couldn’t put down! More so than the other novellas in the anthology, I found myself glued to the pages of Sugar Skull, rooting for the characters to solve the supernatural case! I really loved the uniqueness of the story and appreciated that the author used Dia De Los Muertos and Aztec legends as the backdrop for the tale. I also thought that the villain turned out to be very frightening! I still get the heebie jeebies when I think about it! I also enjoyed the tragic backstory of the villain and the sacrifice it took to finally stop the killings.

Creeping Shadows is an extremely engaging, creative and worthwhile anthology. It definitely lives up to its title and you will definitely be checking over your shoulder after reading the stories contained in Creeping Shadows! I highly recommend this book to pretty much all horror fans, because it definitely has something for everyone!

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Book Review: The Picture of Contented New Wealth by Tariq Goddard

The Picture of Contented New Wealth is an intellectual horror story set in a creepy old house in the English countryside. Something evil has been lurking in its dark paneled walls for as long as the house has stood, but ever since the Conti family has moved in the presence seems more…malign.

The evil presence soon reveals itself as demonic in nature, no matter how unbelieving the secular family is. Mrs. Conti soon becomes possessed and her young son falls under her power. It is up to the incredulous Mr. Conti to find a way to save his family.

Here is the official book description:

“In the brilliant red doom of a Hampshire Sunset, Brigit Conti can hear a voice behind her ears that is not her own. Bed-bound, and complaining of a rare bone disease that no Doctor can diagnose, her husband fears that the house they have purchased is a portal through which an older, more malign energy has passed, possessing his wife and son. Through their successive deterioration, his secular and agnostic world-view undergoes a metamorphosis, drawing him to a strange man from the hills: the Rector, their unlikely saviour. Or are he and his family merely victims of their own self-serving yuppie way of life?

The Picture of Contented New Wealth is a gothic tragedy set in the nineteen eighties, bringing proper characterization and a literary sensibility to the traditional horror story. Its mix of generic elements and mystical realism deal with the irreducibility of evil and its successful normalization in to our daily and dominant reality.” 

This eloquent novel is not your typical haunted house or possession story. Author Tariq Goddard weaves some heavy philosophical and religious themes throughout the novel, yet “heavy” shouldn’t be taken to mean that they weigh the book down. These themes help bolster the book’s story and make perfect sense in the grand scheme of things.

Goddard makes wonderful use of the large house the Conti’s move into, called Tyger Tyger, which, of course, brings to mind William Blake’s poem The Tyger (“Tyger! Tyger! burning bright/ In the forests of the night,/What immortal hand or eye/Could frame thy fearful symmetry?”). And Tyger Tyger House certainly does burn bright…with all the fires of Hell! Its long, shadowy corridors, whispering voices, shadowy figures and things that just don’t seem right certainly sent shivers up my spine! The experiences the family members face in the house are downright unsettling, including their son claiming to play with the family’s long-dead cat or their au pere’s horrifyingly real nightmares.

Equally horrifying is the possession of Mrs. Conti. Her husband is so disbelieving of the supernatural that he thinks she is just mentally ill, but after his continued experiences with both the house, strange occurrences and his sick wife, comes to believe in the supernatural. Mrs. Conti’s attacks keep getting worse, her appearance changing along with her demeanor. Her transformation is chilling to read and yet you can’t help but wanting to read more.

I haven’t personally read any of author Goddard’s previous works, but I sincerely hope that in his literary future he decides to write another horror novel. The Picture of Contented New Wealth crawled deep under my skin and remained there long after I had finished reading it. Its metaphysical horror story will certainly get you thinking all the while you cower under the covers!

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The Brotherhood of Satan (1971)

In this little-seen and underrated Satanic flick, elderly residents of a isolated town have taken to snatching children and turning them into followers of Satan. Once they’ve collected enough children, a ritual will be held to transpose the senior citizens souls into the bodies of the kids, giving them renewed life!

Meanwhile, Ben (Charles Bateman), his girlfriend Nicky (Ahna Capri) and his daughter K.T. (Geri Reischl) are on their way to grandmother’s house when they happen upon a horrible accident and drive to the nearest town for help. Unfortunately, it’s the same Satanic town mentioned above and there they are met with hysterical townsfolk. They drive away, but car trouble forces them back into town. Once back in, a supernatural force keeps them and the rest of the townsfolk trapped. Seems that the senior citizen Satanists need one more child to perform their Black Mass, and that child is K.T. Will Ben save his daughter and the town before it’s too late and the small fry of Satan are unleashed?

The Brotherhood of Satan certainly has a convoluted and confusing way of unfolding its narrative, but as the pieces come together you are drawn further and further into the story. Besides its weird narrative structure, the film also boasts some odd scenes including a toy tank turning into a real tank and crushing a car and a dancing doll that causes the death of some parents, among others. The real highlight of the film for me was the Satan-worshipping party the seniors had. It was just like a potluck, except upon entry each person pledged their allegiance to Satan and one of their own was tried for allowing her grandson to be baptized. When she was deemed guilty, the ferocity and rage her brethren had towards her was truly frightening. There are also clever ideas used throughout the movie, including children’s toys as the instruments of murder (I don’t want to speak too much on this lest I give anything away, but toys come to (larger than) life to exact murder on parents).

Though the film is very PG-ish and lacks much blood and/or gore, the use of weird camera angles, an evocative score, creepy kids, the colorful visuals and the disorienting narrative really help give it a nightmarish, disturbing quality. Director Bernard McEveety and writers L.Q. Jones (who also stars as the town’s sheriff), Sean MacGregor and William Welch did an excellent job with the film, and I can’t understand why it hasn’t gotten more recognition over the years. It certainly isn’t perfect (especially with the confusing narrative structure), but it certainly deserves another look from horror fans.

If you are looking for a quirky ‘70s Satanic movie, The Brotherhood of Satan is one that should not be overlooked. With shades of Rosemary’s Baby and Race with the Devil, it really deserves a bigger audience!

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Book Review: Dark Delicacies III - Haunted edited by Del Howison and Jeff Gelb

In the third collection of short stories from Dark Delicacies, a Burbank bookstore that has all a horror fan could ask for, we are treated to new short stories from illustrious authors like Chuck Palahniuk, Mick Garris, Heather Graham, Simon Clark, Axelle Carolyn and even a new poem from Clive Barker! All the stories are unique, set in different locations with diverse characters facing their own horrors. Yet, after reading each and every one of the tales in Haunted that is the exact feeling you’ll be left with. You’ll be disturbed, anxious and a little spooked after finishing these stories, and those feelings won’t quickly dissipate. Instead, just like a ghostly apparition they will linger long after you’ve finished all the stories and closed the book. Are you ready to be haunted? Then keep reading…

With any Dark Delicacies book you know you are getting the cream of the crop in regards to authors, and Haunted is no different. All of the stories contained within the 300+ pages will knock your socks off! Kudos must be given to editors Del Howison (proprietor of the Dark Delicacies store) and Jeff Gelb (who gives us a fantastic intro) for compiling such talented contributors, whether they are well-known or not.

While all of the stories are absolutely stellar, I do have my personal favorites of the anthology. My absolute favorite is The Architecture of Snow by David Morrell, about an editor tracking down a reclusive author. While this is not an outright horror story and more of a personal journey of the lead character (though it does have its tension-filled and horrific moments), it is a very touching story that shows there are many different ways to be “haunted”. Morrell writes with a fluidity that sweeps you away and carries you into his imagination and  into the very story so you feel like you are standing alongside the characters.

Another two of my favorites deal with self-mutilation, with the first being Mick Garris’ Tyler’s Third Act about a down and out director who decides to make some money by giving the YouTube generation what they want…blood. Weaved throughout the story is also a cute love story…though it doesn’t end up so cute in the end. I loved the social commentary Garris offered with this tale, both about desperate people in the entertainment industry who are getting slammed hard by the recession as well as the public’s extreme view on what qualifies as “entertainment”. In a morbidly funny tale, Richard Christian Matheson tells us How to Edit. The author in the story keeps “editing” his life, continually cutting things out…including appendages he doesn’t think he needs. Matheson writes with a bitingly satirical tone that I just love!

Another favorite is Heather Graham’s Mist on the Bayou, about a touristy “haunted house” on the Louisiana bayou whose grisly tableaus of murder turn out to be a little more real than expected. And yet, wrapped up in that is also a very satisfying “haunted” story – of the haunted plantation house itself as well as a character in particular that doesn’t even realize they are being haunted. I loved Graham’s descriptions of the mansion, of each scarily themed room within the house and of the surrounding setting. Just the descriptions themselves give the story a spooky feel!

Starlets & Spaceboys by Joseph V. Hartlaub is one of the most bizarre and inventive pieces in the anthology. During a hot-air balloon festival in New Mexico, a teenager meets what she thinks is the man of her dreams. He tells her he is a manager for a band and they are testing out new type of music delivery technology – in pill form. If she takes the pills over the span of a week, she will begin to hear music in her head. Turns out, “swallowing music” is pretty bad and she soon finds the music drowning everything else out…not to mention her “dream man” turns out to be more like a nightmare. This story is truly one of the most original in the book and is so peculiar that it borders on bizarro.

I wish I had the space to go on to mention many of the other great stories, including Axelle Carolyn’s ghoulish Resurrection Man, John R. Little’s shocking The Slow Haunting, Maria Alexander’s elegantly stunning “Though Thy Lips are Pale”, Victor Salva’s satisfying The Wandering Unholy, Chuck Palahniuk’s inventive Fetch and many others. All of the stories within Dark Delicacies III: Haunted are phenomenal and not one of them is disappointing. Editors Del Howison and Jeff Gelb deliver yet another high-caliber and talent-packed anthology of terrifying tales. If you are looking for a guaranteed ghoulish time, this Haunted tome is sure to send shivers of pleasure (and fear) up your spine!

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