Cabin in the Woods (2012)

Despite being sick on The Cabin in the Woods’ opening night, I still bundled up and trooped out to the theater because there was no way I was missing catching this flick on Friday the 13th! It has been one of my most anticipated movies of 2012 as 1.) I’m a big fan of Joss Whedon and 2.) it actually looked like it would do something fresh and different with the horror genre.

There has been a lot of hype and build-up surrounding this film, and just today I saw tons of Twitter and Facebook updates proclaiming how "______" Cabin in the Woods was. I hate when flicks get spoiled by too much hype, so I tried to put myself on a social media lockdown for the day to avoid any spoilage.

I avoided any spoilers, made it to the theater and decided for myself just how "______" Cabin in the Woods was...

In the film, five college kids head to a remote cabin for some weekend relaxation, but soon find that things aren’t exactly what they appear. Together, they must discover the truth behind the cabin in the woods.

The best way to see this movie is with little or zero knowledge of it, so I'll keep this review short and to the point (and spoiler-free). The film is pretty much a horror fan's wet dream, as it cleverly plays with expectations, toys with horror clichés, tips its hat to many horror films AND adds something quite different and unexpected to the horror movie formula.

I laughed, I jumped, I rooted for both sides and completely reveled in the sharp writing by Joss Whedon and Drew Goddard (who directed as well). The Cabin in the Woods is one heck of an entertaining time from start to finish and left me with a big goofy grin on my face hours after I watched it. That's pretty much all you need to know, besides the fact that it has many different facets to its seemingly simple story.

If you’re a horror fan that enjoys smart, original and witty horror films, then I highly encourage you to check it out ASAP! It was totally worth avoiding the hoopla on Facebook and Twitter all day and sucking up a fever/sore throat to watch it opening weekend. Believe me, this is one film that actually lives up to the buzz surrounding it and is definitely one you don't want to miss!

Team Mer-Man! (You'll understand when you see the flick...now go see it!!)

Tucker and Dale vs. Evil (2010)

Taking its inspiration from backwoods horror films where kids go into the woods, kids get killed by insane/cannibalistic/territorial and/or just plain vengeful hicks, Tucker and Dale vs. Evil is a horror comedy that’s a rip-roaring good time! To tell you the truth, I wasn’t expecting much with this spoof, but was pleasantly surprised by just how laugh-out-loud funny it was! And it wasn’t just me…the whole room kept erupting into laughter right along with me!

The film is about West Virginian hillbillies Tucker (Alan Tudyk) and Dale (Tyler Labine) who head to their vacation home, a dilapidated cabin deep in the woods. Heading to the same area is a group of college co-eds for a weekend of partying. However, things go askew for both groups after a series of accidents and miscommunications lead the kids to mistake Tucker and Dale for a pair of backwoods killers.

This was such a raucous comedy, I really can’t believe it hasn’t been picked up for distribution yet! I’m not usually one for dumbed-down spoofs, but this one had a certain charm, originality and tons of hilarious moments. Plus, it wasn’t dumbed-down at all, but actually funny and smart.

Writers Morgan Jurgenson and Eli Craig (who also directed) certainly did a fine job of writing a hilarious script that keeps its tongue firmly in cheek without pandering to the audience. One of my favorite scenes involved Tucker taking a chainsaw to an old log, only to hit an angry hornet’s nest inside. As he flails around with his chainsaw (looking very much like Leatherface from Texas Chainsaw Massacre), he spooks the college kids.

I don’t think the film could have been as great without the wonderful performances from Alan Tudyk (of Firefly fame) and Tyler Labine (from the awesome but short-lived Reaper series). They were absolutely hysterical as the clueless but well-meaning rednecks. The rest of the cast did a fine job as well, but Tudyk and Labine really stood out! Their timing and how they played off one another was just comedic perfection!

Besides the great story and acting, I was surprised at how bloody the overall film is – we get gruesome impalements, a body put through the wood-chipper, brains splattered over a windshield and more! The kills are so over-the-top they can become a little ridiculous, but again, the tone of the film saves this from ever becoming an issue.

Tucker and Dale vs. Evil is a delightful gem of a movie which unfortunately hasn’t been released yet. This is really a pity, because this is one of the most fun films I’ve seen all year! If you get a chance to see Tucker and Dale vs. Evil, definitely do it as any self-respecting horror fan will no doubt have a grand ol’ time with this movie!

Damn Your Eyes (2009)

 

Damn Your Eyes is a short film that emulates the gritty stylishness of spaghetti Westerns by faithfully recreating the feel of the classic Italian-lensed Westerns, complete with a mysterious desperado out for revenge, a distinct score, old-school shootouts and plenty of bloodshed.
Sam (Jakob Von Eichel), a mysterious stranger, arrives in town to exact revenge on the men who wronged him when he was only a child. He encounters Louisa (Marisa Costa), a prostitute who dreams of a better life. Meanwhile, Dennis (Ray Reynolds), the town’s lawman, is familiar with Sam’s past and makes it his personal duty to stop him before the violence escalates.

Writer/director David Guglielmo has created a stunning short film with Damn Your Eyes. While not strictly horror, Damn Your Eyes has that outlaw aesthetic and plenty of violence that will no doubt attract horror fans. The visuals are impressive, creating a faithful-looking Wild West even on the film’s tight budget (the short was supposedly filmed for just $5,000), and the direction is sharp and focused, really engaging the viewer. While the film has limited locations (mainly a saloon and two different houses), it never feels like this negatively impacts the film. Instead, it shows how the film overcame its budgetary limitations while still delivering a visually arresting story.

While the visuals used really capture the feel of a spaghetti Western, I also must mention the excellent use of music throughout that gave the film a haunting, lonesome quality so associated with Westerns. The score really gave the film that extra polish and feel of completion.

As for the acting, it was top-notch. I really loved Jakob Von Eichel as the mysterious sharp-shooter Sam. Equally impressive was Marisa Costa as saloon prostitute Louisa, exuding equal parts vulnerability and tough-as-nails attitude.

I loved the authentic feel of the film and the vivid world it created. With dashes of grindhouse grit, Western bravado, gallows humor and even a few gruesome bits sprinkled throughout, not to mention the engaging story that unfolds on-screen, Damn Your Eyes was an absolute joy to watch. My only complaint is that it wasn’t long enough. However, the short has been receiving rave reviews, and hopefully this will allow filmmaker Guglielmo to push forward with a sequel or perhaps even a full-length feature.

I certainly hope to see more of writer/director David Guglielmo, because this is one of the best (and one of my favorite) short films I've seen!!

For more info (and to watch this amazing short yourself), please visit the short film's official site!

Alucarda (1978)

Alucarda is an unheralded gem and even within the horror community I don’t think too many people are familiar with this Mexican film by Juan López Moctezuma. This is a pity, because the film boasts beautiful visuals, controversial themes and violent deaths.

Alucarda is about two teenage girls living in a Catholic convent that also serves as an orphanage. Justine arrives at the convent after her parents die, leaving no one to care for her. Taken in by the nuns (who wear weird, mummy-like wrappings) Justine is placed in a room with Alucarda and the two girls quickly become inseparable. On a walk in the forest one day, they happen on a band of gypsies selling charms and trinkets. After a gypsy tells Alucarda and Justine they have only darkness in their future, the girls run away and stumble upon an enormous old crypt in the middle of the woods. While they are exploring, they open an old coffin and unleash a demonic force that possesses them. Back at the convent, the demonic force is unleashed upon the kind nuns and other inhabitants.

The visuals of the film border on gothic, with misty forests, decrepit crypts and Catholic imagery. The convent itself is lit by flickering candles and its sparse, utilitarian rooms are only decorated with crosses. Its church has rows upon rows of crosses, each fitted with an agonizing Christ. The stone crypt that the girls explore is festooned with faded red banners, creepy statues and lots of vines growing over everything. The gothic feel is reminiscent of many old Hammer films, with the subject matter just being a bit more dark and controversial.

For its time, the film was controversial, as it dealt with lesbianism, Satanism, sacrilege, the occult and more. While these themes are considered “tame” today, don’t be mistaken – the film still packs a punch. From a kiss that turns into Alucarda licking the blood off a naked Justine, to a gypsy Satanist that can invoke the Devil, to bloody psychic nuns to midnight orgies, to reanimated corpses to a fiery, Carrie-esque conclusion, this film will definitely keep your attention.

However, I feel like the above paragraph also does a disservice to Alucarda, as it is as not as exploitative as it may seen. The arresting visuals, engaging storyline and multi-layered themes heighten the film and make it into something much more substantial than your standard exploitative occult flick. The themes of evil corrupting even the most innocent, but also of redemption and ultimate faith, will resonate with viewers, regardless on their view of religion.

Alucarda is an underrated gem, and one that more fans of classic horror should definitely seek out.

Buy it on Amazon!

Book Review: Crucified Dreams edited by Joe R. Lansdale

Like any self-respecting horror fan, I’m a huge fan of Joe R. Lansdale’s work. So, I was very excited to check out this collection of short stories Lansdale had hand-picked to appear in Crucified Dreams. In the introduction, Lansdale explains how he set out to capture stories that were similar to his maverick writing style, and I think he has done a fine job with the selections featured in Crucified Dreams. He has plucked unsettling, off-kilter stories from the very best horror authors out there (among them Stephen King, Harlan Ellison and Lansdale himself) that span nearly four decades.

From the back cover:

A naïve young woman witnesses a brutal murder and discovers the soul-deadening price of being a New Yorker. The family man quits smoking with the sinister assistance of a family-friendly corporation. A truck driver takes a simple shortcut, and lands in a living hell and a battle to the death. An aging Hollywood screenwriter’s career is on the wane until he reinvents himself as a less principled man.

Crucified Dreams reaches down through the gutters into the shadowy depths of the imagination. These are the savage tales that unite noir with horror and the ordinary with the unfathomable. Combing the urban, the paranormal, and the downright terrifying, these award-winning stories go where your deepest fears—and inner demons—are already realized.

Classic tales from horror masters reside within the near 400 page collection, and while I enjoyed all of the stories, I did have a few favorites. Harlan Ellison’s “The Whimper of Whipped Dogs” left me breathless and paints quite a gloomy picture for apathetic city-dwellers. “The Mojave Two-Step” by Norman Partridge and “Front Man” by David Morrell show the danger of following fortune and glory, one from the view of a stolen ice cream truck barreling through the desert toward Vegas and the other through the eyes of an award-winning but aging screenwriter looking for work in shallow Hollywood. I wholeheartedly enjoyed the characterization of the two leads in Jeffrey Ford’s “Coffins on the River”, about two old artists who take quite a trip that results in a terrifying ghostly encounter. “Copping Squid” by Michael Shea is an excellent Cthulhu-inspired tale set in the ‘hood, and Ellen Klages gives us an eerie look into an alternate universe through the perspective of a little girl in “Singing on a Star”. “Nightbeat” by Neal Barrett, Jr. offers up another alternate (or future) world filled with made-up words that conjure up a beautiful yet sinister landscape.

These are but a few of the 19 tales featured in Crucified Dreams, and while those mentioned were my favorites I must say that all the short stories in the collection were well worth reading and left an indelible imprint upon my psyche. The collection is a mix of the gritty and graphic with the subtle and psychological and will be a welcome addition to any horror fan’s book collection.

Buy yours today on Amazon!

Night of the Punks (2010)

Small town punk rockers The Brain Deads have their first out of town gig. But there are a few problems: The venue is totally deserted, the promoter is a creep, their bass player has gone missing, and the only kids in the audience are bloodthirsty monsters from hell. It’s gonna take a lot more than a few power chords and teenage angst to survive this night.

Night of the Punks is a sweet little slice of short film heaven packed full of gore, goo and groovy tunes! This is one of the most fun short films I’ve seen recently and it is a really fun throwback to films like Return of the Living Dead and Night of the Demons. It has such a manic, gleeful tone and perfectly balances horror and comedy. With a run-time under 20 minutes, the only flaw of this film is that it is not feature-length, because I would have loved to see the cast of lovable losers face off against more demons while trading witty lines.

Everything about this film was enjoyable, from the energetic punk soundtrack to the colorful characters to the direction to the gory effects to the overall high production value!! Director Dan Riesser (who also produced, edited and co-wrote the film) has created an instant cult classic with Night of the Punks. His direction really brought the story, written by himself and Mike L. Kinshella (who plays the lead singer “Spike” in the short and in real life is the singer for the horror punk band Murderland), to raucous life.

The cast also does a wonderful job with their characters and there wasn’t a bad performance in the bunch! I especially enjoyed Nick Mundy, who plays “Hooch”, the drummer, Luke Edwards as “Kenny” the guitarist and our underdog hero, and Aubrey Wood, who plays the band’s merch girl “Sarah”. Everyone else was wonderful as well, from the sleazy promoter played by Dominic Deleo to the band’s lead singer (Mike L. Kinshella) and bassist (John Bobek) to the actors that portrayed the gooey demons.

The gore displayed was also impressive, with the special effects and makeup design being done by Dizzworks Designs. You get your usual blood and guts, but there is also a gruesome face peel that was extremely well done! I also liked the demons’ makeup design, which makes them look like they’ve got a gangrenous skin condition. And their gooey green bodily fluids were pretty icky as well (I mean that as a complement, ya hear?).

Plus, the script is peppered with hilarious lines riffing on everything from the music industry to horror. Quips come fast and furious, and it’s worth a re-watch just to chuckle over the hilarious one-liners, such as:

Hooch: How do you stop a f*cking demon?

Sarah: I dunno Hooch, you’re the one who listens to Misfits!

Night of the Punks is an ode to ‘80s horror films filled with musical mayhem, demonic punks, gooey gore, colorful dialogue – all happening at a fast and furious pace. If there is one short film you see this year, make it Night of the Punks!

P.S. Word on the street is that the filmmakers are attempting to make a feature-length version of this film. My fingers are crossed that this happens!

Check out the film’s official site!

The Best Horror Films of 2010 You Didn't See (But Should!)

Theatrical horror releases in 2010 pretty much sucked, with a few exceptions (like the mesmerizing Black Swan), but there were many amazing independent productions. These are the kinds of films that fly below the radar and may not be familiar to most. Well, dear fiends, I am here to acquaint you with the best horror films of 2010 that you didn’t see…but definitely should!

Check out my list below!

The Bunny Game – This shocking independent film is probably the closest you’ll ever get to a snuff film! It is both beautiful and grotesque with-in-your face realism coupled with a voyeuristic feel. The striking black and white imagery and artistic editing give the film an avant-garde feel, but The Bunny Game never comes off as pretentious. This extreme film certainly isn’t for everyone, not even most horror viewers, but fans of brutal, well-made cinema will truly appreciate this challenging test of endurance.

Make Out with Violence – This stunning coming-of-age zombie film plumbs emotional depths rarely seen in horror. It has a melancholy tone with dreamy visuals that perfectly capture the bittersweet feeling of growing up and losing your innocence. This is certainly not your run-of-the-mill zombie flick, but is a much more subtle and introspective film. It is for those that like their horror intelligent, heartfelt and haunting.

Meadowoods – This was another indie film that really struck a chord with me. Set up like a faux documentary, this is a chilling portrayal of a trio of college kids who decide to kill someone and document it on film. The cold, calculating characters and their seeming indifference to life makes the film an unsettling experience.

Every Other Day is Halloween – EODiH is a fun documentary on the phenomena of horror hosts and their resurgence in recent years. The main focal point is Count Gore de Vol, a popular and pioneering horror host played by Dick Dyszel. We are given a peek into his life and the many characters, horror or otherwise, he has played. Dyszel was, and continues to be, a big influence on modern horror hosts, and many of these colorful characters are featured in the documentary as well. Even if you didn’t grow up during the golden age of horror hosts, this charming documentary will still entertain and delight horror fans!

President’s Day – Finally! A horror film for President’s Day! This low-budget film, directed by Chris LaMartina, is a fun throwback to ‘80s slasher flicks. It’s goofy and gory (with a huge body count!), but the film doesn’t sacrifice technical skill or story either! The direction is professional, the acting is top-notch and the story keeps you guessing.

7 Days – This was one of the hardest films for me to watch this year because of its intensity and subject matter. It is an extremely effective piece of cinema that left me stunned and shaken up. It deals with a horrific crime and vengeance against the perpetrator…but while you feel that revenge is warranted, it is still hard to watch the brutality that unfolds on screen. 7 Days is a challenging piece of cinema that not everyone will be able to handle, but one of the most horrifying films I saw all year and one that left me with mental scars.

Cabin Fever 2 – A year ago I NEVER would have thought this film would make any “best of” lists since director Ti West basically disowned the project and it didn’t look anything like Eli Roth’s original (which I love, BTW). However, a year later I find myself looking fondly back on CF2, which, like I first thought, is NOTHING like the original. In this case, this turned into a positive rather than a negative. Cabin Fever 2 has a crazy, manic energy that draws you in…plus, it’s got truckloads of gore! The outrageous gore and hilarious gross-out gags are so over-the-top that you just can’t help loving this movie!

 Walking Distance – This ambitious film by indie filmmaker Mel House really showcases the director’s potential! Besides being packed full of awesome effects and gooey gore, the film also boasts a complex story that is pulled together by a very talented cast.

Babysitter Wanted – While this film was made in 2008, it was never released until 2010, so I’m including it on this list. While at first this looks like your typical slasher (especially judging from the generic cover art), BW turns out to be a rather surprising little film with more than a few surprises up its sleeve. Unfortunately, this film hasn’t been given proper credit and is sadly unappreciated.

Candy (2010)

Candy is a short film that is just a perfect bite-sized treat for Halloween! Directed by Sage Hall and written by Jesse Kozel and Jenny Beres (all of which who star in the film), this short six minute film is visually stunning, mixing themes from noir, horror and even avant garde.

Set on Halloween night, it seems that Candy (Sage Hall) has created quite a spread of Halloween sweets for her son, Marcus (Jesse Kozel). Marcus is kind of a mama’s boy, though he seems fed up with Candy’s overbearing nature. Marcus has invited a “date” over, which irks Candy. However, to get back at her son she befriends the girl (Jenny Beres)…only, she doesn’t like the girl’s mouthy attitude and things soon get out of hand…

This is a beautiful and artistically made film! The black and white visuals really pop, especially with the use of Halloween decorations. It visuals really give it a retro feel, much like the vintage-inspired poster above. I also think the June Cleaver-like Candy character adds to its ‘50s style charm. However, it’s not all sweet…this short definitely has some bite to it!

I adored the conniving and evil character of Candy. Sage Hall played her perfectly, without going over the top. Plus the nice little open-ended twist at the end was great! Jesse Kozel also did a commendable job playing the loser Marcus and Jenny Beres was good as Marcus’ foul-mouthed date.

I also must mention the music, done by Abnorml Injustice, which was extremely atmospheric and added to the wonderful feel of the film. The music and visuals complemented each other superbly!

Considering this is a low-budget short film, I am amazed at the care that went into the details of the score, the set design, even the costumes! The filmmakers must truly be commended for making such a fun and breathtaking short!

Director Sage Hall has created a truly memorable Halloween-themed short film that’s visually striking, has a wonderful cast (herself included) and appears extremely polished and professional. No tricks here, this sweet treat is exactly what you want dropped into your Halloween bag!

Make-Out with Violence (2010)

Zombie movies are usually brainless (ahem, pardon the pun) but fun romps in the horror world. However, lately many have become disenchanted by the subgenre, usually forgoing seeing a zombie film with the assumption that it’ll be like all the rest, with nothing new or interesting to contribute. For most films, these assumptions would be correct. However, the zombie film Make-Out with Violence is an entirely different animal and takes the zombie film to amazing emotional depths.

Make-Out with Violence tells the story of twin brothers Patrick (Eric Lehning) and Carol Darling (Cody DeVos), newly graduated from high school and struggling to come to terms with the mysterious disappearance of their friend, the bright and beautiful Wendy Hearst. When a drive through the countryside surrounding their posh suburban community leads to the discovery of Wendy’s mysteriously animated corpse, the boys secretly transport the zombie Wendy to an empty house in hopes of somehow bringing her back to life. As the sweltering summer pushes on, they must maintain the appearance of normalcy for their friends and family as they search for ways to revive the Wendy they once knew, or, failing that, to satisfy their own quests for love amongst the living and the dead.

Make-Out with Violence feels more of like a drama rather than a horror film, and in fact focuses more on the trauma of growing up instead of inundating us with blood, guts and hordes of zombies. In fact, there is only one zombie in the movie, the lovely in life and death Wendy, and there are only a few instances where she is really scary. In fact, most of the time she just lays there, staring at nothing with her glazed-over eyes (until she tries to move, and then her jerky movements will send shivers up your spine).

You might be thinking that the plot line of teens keeping a pretty girl zombie as a “pet” sounds an awful lot like Deadgirl, which is what I thought before viewing the film. However, Make-Out with Violence takes an entirely different route than Deadgirl. The boys don’t ever sexually exploit the living corpse, but instead take careful care of her and try to get her to do normal things, like sit at a dinner table and eat some birthday cake. Instead of being shocking, vulgar and offensive like Deadgirl, Make-Out with Violence is a much more subtle film on the loss of innocence and growing up, with no less traumatizing results.

I also thought that all the actors did an amazing job. You really believed what they were going through and came to relate to them, especially through their unrequited loves. Eric Lehning and Cody DeVos were the standouts as the Darling twins. They expressed so many different emotions as their characters went through so much. Special mention must also be made of Brett Miller, who played the twins younger brother Beetle. For his young age, he was very impressive! Leah High was commendable as Addy, the twins long-time friend and Carol’s love interest. I would be remiss if I didn’t mention the lovely Shellie Marie Shartzer, who played Wendy. Though she is silent and still most of the movie, she does an excellent job conveying the hopelessness of her situation and just how truly changed she is from when she was alive.

This is the first feature film from the Deagol Brothers, which I never would have guessed from watching Make-Out with Violence because it looks so stunning and polished. The visuals perfectly captured the bittersweet feeling of summertime, from singing cicadas to melty milkshakes. The melancholy feel and dreamy-like visuals reminded me of the film The Virgin Suicides, which also explored death and the malaise of summertime.

Make-Out with Violence isn’t for everyone, and if you go into it expecting a regular, run-of-the-mill zombie flick you’ll probably be disappointed. However, if you don’t mind introspective and intelligent films that are beautifully haunting and heartfelt, you just might want to cozy up with Make-Out with Violence.

Available from Amazon!

Dark Night of the Scarecrow (1981)

Dark Night of the Scarecrow, a 1981 made-for-TV movie, has finally been released on DVD! This film has been called one of the best made-for-TV movies, so I set out to see how it has held up over the years. I was also excited to check it out since it takes place around Halloween!

The film is about harmless simpleton Bubba (played by the recognizable Larry Drake), whose closest friend is a young girl named Marylee (Tonya Crowe). Though Bubba is in his 30′s, he still has the mind of a child. Though he is perfectly harmless, a few local yokels, including mailman Otis Hazelrigg (Charles Durning), perceive him as a threat. When Marylee is attacked by a dog, the men assume Bubba harmed her and form a lynch mob to hunt him down. Bubba hides in a field dressed and trussed up like a scarecrow. The ignorant men find him anyway and shoot him. Soon after, they find out Bubba didn’t hurt Marylee but actually saved her life from the dog. They go to trial, but are acquitted of all murder charges when they plead self-defense.

Soon after, all four of the men see a scarecrow that looks eerily similar to the one Bubba was dressed up as when they killed him. At first, they believe that Bubba’s mother or the District Attorney or even Marylee is out to avenge Bubba’s death. But as they each begin suffering unfortunate “accidents”, they start to believe Bubba is back from the grave.

Dark Night of the Scarecrow is a very well-done film, especially considering since it was made for television! This release has been cleaned up and looks stunning – thanks VCI Entertainment! I really wasn’t expecting much going into this film, but I was really pleasantly surprised at how much I enjoyed it. I especially enjoyed the “revenge” aspect of the film. No matter who was doing the avenging, whether it be the District Attorney, Bubba’s mama, Marylee or Bubba himself, it was just satisfying to see the four hateful men get what they deserved!

I suppose I was expecting a slasher-esque storyline with a killer scarecrow slicing its way through a small rural town, but thankfully Dark Night of the Scarecrow avoided this. Instead, it really focused on the unlikable, greedy and ignorant murderers. As mentioned above, it sure was nice to see them become paranoid, then scared, then eventually meet their end!

Since the film was made-for-TV (and aired on the CBS channel, no less!) there really isn’t any blood or gore to speak of. Those looking for a bloody slasher had better look elsewhere! However, it doesn’t need gore to be a good movie and therefore succeeds in other areas. For one, I loved the Southern Gothic feel of the film. The scarecrow costume was definitely creepy and the scenes where it is stalking the local yokels were appropriately tense. I also loved that it was set during Halloween. A few scenes are set at a Halloween party with revelers in costumes and the climax is set in a pumpkin patch, making this movie perfect to watch this time of year!

The story, written by J.D. Feigelson, was engaging and I was enthralled the whole way through. There wasn’t a minute where I was bored, despite the slightly slower pace of the film. In addition, the characters were well fleshed out (every single one of the actors did a fantastic job with their characters) and I liked the variety of characters Feigelson gave us. The direction was also well done by Frank De Felitta (best well-known for being the author of Audrey Rose) and never once did it feel like I was watching just a made-for-TV movie. Instead, the film had a very cinematic feel and no doubt could have been released in theaters and made a pretty penny!

Dark Night of the Scarecrow is a Southern-fried creep-fest that’s a fun treat this autumn! It is one of the few “killer scarecrow” movies I’ve seen that is actually GOOD and worth seeing more than once. This film will definitely become a Halloween staple in my house and I look forward to the tradition of watching it every fall.

Available on Amazon!

The Hound of the Baskervilles (1959)

This 1959 film is Hammer Studios’ treatment of Sir Arthur Conan Doyle’s Sherlock Holmes story. With a wonderful cast, including Peter Cushing and Christopher Lee, and an atmospheric setting of a castle on the foggy English moors, this is a classic that pairs well with a dimmed room and plenty of popcorn.

The story begins with a cruel aristocrat, Sir Hugo Baskerville, tormenting and exploiting his servants. After offering up a maid to his slovenly guests during a party, Sir Hugo discovers she has escaped and he gives chase. He catches up to the girl near some crumbling ruins on the moor and stabs her to death. However, immediately after he is killed by a “hound of hell”. Many years later the curse of the “hound of the Baskervilles” persists. Sherlock Holmes (Peter Cushing) and Watson (Andre Morell) are hired to investigate the most recent death of a Baskerville and to make sure the last remaining heir, Sir Henry (Christopher Lee) doesn’t succumb to the “curse”. Can Holmes solve the case before it’s too late?

I love old mystery movies like this! However, The Hound of the Baskervilles is really the cream of the crop! Its well-constructed plot, creepy setting and enjoyable characters all kept my attention for its entire running time. I was even trying to figure out “whodunit” half-way through, but I must admit Sherlock Holmes had me beat on this mystery!

First off, the setting is just gothically gorgeous…crumbling ruins in the moonlight, misty moors, old creaky castles, howling hounds, flickering candlelight…I could gush on and on, but you probably get the idea! I absolutely love the gothic aesthetic, especially when it’s pulled off in film correctly. I really wasn’t expecting a Sherlock Holmes tale to have such a creepy and romantic atmosphere, but Hound certainly did and pulled it off as well! Director Terence Fisher, no stranger to gothic horror, certainly shows off his skill in this film!

Secondly, the story was just fantastic. It is based on Sir Arthur Conan Doyle’s tale, so I really shouldn’t be surprised! The film sticks pretty close to the original story as well, though a few liberties and changes were made. I’ve heard people b*tch and moan that they changed too much, but I don’t think that’s the case. The film’s ending feels a bit more realistic instead of the romantic ending Doyle imagined in his book and the other liberties are small enough to not really affect the whole of the story. Kudos to screenwriter Peter Bryan for sticking close to the original story while making it his own as well!

Lastly, the characters and the acting were excellent! I especially liked the cocksure and arrogant Sherlock Holmes that Peter Cushing played! Andre Morell was equally good as the competent Watson, whom we spend most of the first part of the film with. And who can forget Christopher Lee? Ladies and gentlemen, he is absolutely scrumptious here!! I mean, can I please just swoon in his arms? Anywho, Lee is great as the befuddled Sir Henry, who is not sure whether to believe his family’s curse or not. All of the other players in the film did a fine job, too.

The film didn’t need that many special effects, so there’s not much to talk about in that respect. A bloody knife and a mine that caves in on Holmes offer the most shocks in the film, besides the exciting ending, but that doesn’t mean the rest of the film is boring! Far from it, it’s amazing what director Fisher does with atmosphere and great actors! The cave-in and a nighttime chase through the moors were the most exciting scenes for me to watch, but the ending is also quite good and comes as a bit of a shock!

If you haven’t had the pleasure of watching Hammer’s Hound of the Baskervilles, do yourself a favor and get it now! It’s simply elementary, my dear readers!

Available on Amazon!

Babysitter Wanted (2008)

I’ve been waiting (and waiting) to check out Babysitter Wanted for quite some time. Its official release happened in 2008, but it hadn’t hit DVD until this past July. By that point this flick had kinda fallen off my radar and it wasn’t until a friend asked what I thought of it that I remembered this film and eagerly checked it out.

From the cover art you’d assume this is a typical slasher, but remember what your mom told you about judging a book from its cover? I made the same mistake, but was pleasantly surprised by the turn of events in Babysitter Wanted.

Starting off much like the awesome House of the Devil (review), Babysitter Wanted finds the sweet Angie (Sarah Thompson) arriving to her new community college campus to study art history. Her brand new roomie doesn’t have a bed for her, so our dear Angie is in need of some cash…and fast. While poking around the sparse campus, Angie befriends a cute boy, notices some “missing person” posters, and appears to find the perfect babysitting gig. That Friday night she sets out for the isolated farm of the Stanton’s (Bruce Thomas and Kristen Dalton), where she’ll be babysitting their young son Sam (Kai Caster). All seems well until Sam wakes up and eats some unusual food for a little kid…and then the weird phone calls commence and strange noises outside convince Angie that someone is trying to get in. Police Chief Dinneli (Bill Moseley) isn’t much help, but promises to come around to check on Angie. Meanwhile, Angie discovers something unsettling about Sam, the intruder outside and the Stanton’s…will she survive the night?

Ok, I will try not to give anything away in this review because this film is best seen cold, without knowing much about it. I believe the surprise factor of its twists and turns really heightened my enjoyment of it! Be warned, though, spoilers may be present, so proceed with caution!

The film may start off like a slasher, complete with Angie feeling like someone is stalking her. Then when she is babysitting the weird phone calls start…heavy breathing on the other end, but no speaking. Of course, I thought the film was heading into familiar territory, especially when someone started rattling the door and eventually forced themselves into the house and Angie was forced to hide. However, it then took a completely sinister turn that really knocked me off my rocker! The rest of the film was peppered with the occult, torture and black humor. And I don’t wanna say any more because it would give too much away…

For an independent film, Babysitter Wanted looks great…it’s spookily lit, competently shot and features great direction from co-directors Jonas Barnes (who also wrote the film) and Michael Manasseri.

Also excellent is the acting. Sarah Thompson really shines as the innocent Angie who later gets tough as she battles the bad guy(s). Despite her “pure” nature, she’s not annoying and you come to care for her through her sweet and vulnerable nature. As things progress, she forces herself to toughen up and her transformation from innocent to kick-ass comes naturally! I also enjoyed Kai Caster’s performance as the creepy Sam, as well as Kristen Dalton and Bruce Thomas as the parents. Even genre-fave Bill Moseley turned out a good performance, this time as a good guy!

My complaints with the film are few, but I felt the pacing towards the beginning was a bit slow. Also several plot holes bothered me…the roommate angle was dropped pretty quick, so why show it at all? It’s like she was just used for convenience in explaining the disappearances around campus and disappeared herself after that. Also, what ever happened to Angie’s boy toy? He pretty much disappeared until the end and it was never really explained why (unless I missed something?).

Despite these annoyances, I thoroughly enjoyed Babysitter Wanted. It certainly threw me for a loop and uses many different tropes from the horror genre to create surprise and suspense. Despite the many different aspects it uses, it still manages to remain grounded and is a hell of an entertaining good time!

Available on Amazon!

Meadowoods (2010)

You all know that faux documentaries are nothing new in the horror genre. “Found footage” flicks have been popular from Cannibal Holocaust to Paranormal Activity and are now more common than ever thanks to the heightened scare factor, immediacy and realism of faux docs. Plus, they can be relatively cheap to make for filmmakers on a budget! However, they are so “dime-a-dozen” nowadays that sometimes they are more a chore to sit through than a pleasure.

So, I didn’t really have high hopes for Meadowoods, where three college students decide to film themselves planning and executing a murder.

The three disenfranchised college kids are Stephanie (Michelle Roe), a bitter young woman who has lost all faith in humanity, Travis (Connor Thorp), the seemingly happy-go-lucky leader of the group but who hides a sinister, sociopathic nature and the brooding cameraman Ryan (Michael Downey). The three are fed up with being neglected by their parents and living in a small podunk town, so to go down in history they decide to kidnap and kill a random person, filming everything. However, once their plan starts to become a reality, Ryan starts having second thoughts, especially after he gets close to their intended victim.

I wasn’t expecting too much out of Meadowoods and figured it would just be another throw-away serial killer flick with lots of violence and brutality. Lucky me, I actually got a rather chilling story about the ambivalence and indifference of seemingly ordinary people. The scare factor in Meadowlands isn’t in the final scenes where the kids’ quarry is trapped and tortured, but rather in the scenes where each of the kids are interviewed, stating their reasons for wanting to kill someone, their views on death and the afterlife and so on. Their coldness and flippancy towards killing another is absolutely chilling and portraying this is where this film succeeds!

Of course, none of this would have worked without competent and convincing actors and surprisingly for an indie film the acting here is top-notch across the board. Connor Thorp, Michelle Roe and Michael Downey all do a stunning job playing the trio of friends. They were all entirely convincing as bored college kids looking for a sick thrill. Very spooky performances! And Ila Schactler gave another believable performance as their intended victim. She was likable and perfect as the girl next door!

I also want to give kudos to writers Stuart Ball, Scott Phillips (who also directed) and Anna Siri for creating such realistic characters and such a chilling story. I appreciated that the characters weren’t your stereotypical stupid teens and that the script offered more than just violence.

My only problem with Meadowlands was the ending, which dragged a bit too much in my opinion. It was almost like they used most of it as padding since it got so repetitive. The taunting and torturing of the victim was fine, but did we really need to see her sit there and scream for what seemed like 20 minutes straight? I think the ending killed the unsettling feel of the rest of the film, which is unfortunate since I enjoyed the first part of the film so much.

However, I would still recommend you check out Meadowlands. It isn’t your typical “found footage” horror film and really takes the time to frighten us psychologically through its portrait of today’s bored youth.

Available from Amazon!

Every Other Day is Halloween (2010)

In C.W. Prather’s documentary Every Other Day is Halloween, viewers are taken on a nostalgic and whimsical trip back in time to the golden age of television horror hosts, a time when local TV’s witching hour was ruled by ghouls and boils introducing old black and white movies for a generation of delighted fans. Prather focuses on one of the most well-known and longest running horror hosts, Count Gore De Vol, played by Dick Dyszel, as we are given a glimpse into his wacky world.

Though Count Gore De Vol is a very recognizable horror host and still makes regular appearances at conventions and hosts his own online horror show, I wasn’t that familiar with the character’s creator, Dick Dyszel. This documentary does a wonderful job at connecting the audience to the kind man behind the well-known cape! From his beginnings as playing Bozo the Clown and Captain 20 for local kid’s shows on Channel 20 in Washington D.C., we see Dyszel’s growth and desire to do something for the adults – hence Count Gore De Vol’s first show in 1973!

We are shown lots of vintage footage of Dyszel as his different characters, with the focus of course on the Count. We also see interviews with people Dyszel’s show, Creature Feature, influenced, including writers like Steve Niles (30 Days of Night), filmmakers such as Jeff Krulik (Heavy Metal Parking Lot), Scream Queens Leanna Chamish (Stakes) and Eleanor Herman (Night Beast) as well as a new generation of horror hosts including John Dimes (“Dr. Sarcofiguy”) and Jerry Moore II (“Karlos Borloff”). There are also lots of nostalgic recollections from regular old horror fans who watched his show when they were kids as well as from the man himself, Dick Dyszel. In one touching segment Dyszel recalls having Forrest J. Ackerman on the show and we are treated to rare footage of the interview.

Much of the footage shown in this documentary is rare or has never been seen before, adding to the deeply nostalgic feel of the documentary. Though I was too young to recall Count Gore De Vol’s long-running TV show Creature Feature, I still deeply appreciate the era of horror hosts and especially pioneers such as Dick Dyszel. When horror hosts seemed a thing of the past in the early ‘90s, Dyszel resurrected Count Gore De Vol and decided to host his show on the Internet (and this was back when people were still on dial-up). He is considered the first ever Internet horror host!

Nowadays, we are seeing a resurgence of horror hosts, many who claim Dyszel and his Count Gore De Vol character were huge influences on them. Many of these modern horror hosts are interviewed, including Penny Dreadful, The Bone Jangler, Karlos Borloff and more! It’s amazing to see what a gigantic impact horror hosts like Dyszel made on today’s performers and it’s pretty heartwarming to see such a great guy like Dyszel still getting adoration from fans!

Hard-working horror hosts like Dyszel basically reared a generation of horror fans and influenced a whole new breed of horror hosts to go on and inspire another generation of horror fans. Since many horror fans have horror hosts to thank for introducing them to the genre, it’s quite a treat to watch this documentary and get a behind-the-scenes peek at Dick Dyszel’s long (and still going strong) career as Count Gore De Vol!

If you are looking for a superb documentary that takes you down memory lane, check out Every Other Day is Halloween. It’s a fascinating and fun look at horror host Dick Dyszel’s life and will make you nostalgic for the golden years of horror hosts as well as make you excited for the horror hosts in years to come!

Available from Amazon!

Triangle (2009)

Triangle is a surprising straight-to-DVD flick…when I first watched it I hadn’t heard anything about it, so I wasn’t expecting too much out of it. However, it’s a great little flick that offers plenty of twists and turns that will keep your mind reeling!

I’m not even sure how to describe it so I’ll let the Netflix description do the synopsizing:

“Murder strikes the Bermuda Triangle in this gripping high-seas horror starring Melissa George, Liam Hemsworth and Rachael Carpani. Jess encounters the first of many bad omens when her car kills a seagull near the local harbor. Later that night, her yacht hits a storm, forcing her and her friends to board a mysterious deserted ship. The clock on the ship has stopped — and so has any sense of safety. Christopher Smith writes and directs.”

Though the synopsis mentions the Bermuda Triangle, it’s never explicitly mentioned within the film and the above synopsis doesn’t quite do the movie justice. When Jess (a perfectly manic Melissa George) and friends board the ship, a strange time loop occurs and Jess must essentially battle future and past selves to get off the ship. Ok, so it sounds a little hokey, but rest assured it isn’t! The film is played as straight as can be with plenty of shocks, suspense and scares! This is certainly one film that gets inside your head…even when you think you can relax Triangle surprises you with more twists and turns.

Christopher Smith, who writes and directs, did a fantastic job creating an ominous atmosphere, both within the story as well as with the visuals of the film. I really didn’t know what was going to happen and the script kept me on the edge of my seat the entire time! Also, the decrepit old ship was definitely foreboding, especially with its dark mazes of hallways and the washed-out color palate Smith used when shooting above-deck or on land. The visuals helped create a sense of disorientation that mimicked the emotions of Jess as she tried to figure out what was happening and how to stop it.

Along with messing with your head, the film also features some pretty impressive violence. People are shot, stabbed, choked, drowned and so on. This isn’t a “gore” film by any means, but I thought the amount of blood was quite appropriate for the tone of the film. It also boasts plenty of creepy scenes, like when a masked killer is going after Jess and her friends. My favorite scene? When Jess stumbles upon the duplicate bodies and bodies of her friend who, in this strange time loop, has died again and again and again and again…

Just awesomeness…

I think it’s better to go into Triangle with little or no expectations, so I don’t wanna blab and give too much away. This horror flick comes highly recommended from yours truly…and just wait for a jaw-dropper of an ending!

Available on Amazon!

Book Review: The Best of Joe R. Lansdale

Even if you don’t think you’ve ever heard of Joe R. Lansdale, I bet you have. Have you seen Bubba Ho-Tep? Or perhaps watched the Masters of Horror episode Incident On and Off a Mountain Road? Well, both of those were adapted (pretty faithfully, I might add) from Lansdale stories. The witty, outrageous and unforgettable dialogue from Bubba Ho-Tep is pure Lansdale while the heart-stopping action in Incident shows he can build a terrifying story.

I was fortunate enough to receive an early review copy of The Best of Joe R. Lansdale, due out March 2010, which collects many of Lansdale’s most acclaimed, weird and wondrous stories! The collection features sixteen of Lansdale’s short stories, including the previously mentioned Bubba Ho-Tep, Incident On and Off a Mountain Road, as well as Mad Dog Summer (my personal favorite from this particular collection), Godzilla’s Twelve Step Program, the non-fiction Hell Through a Windshield and many more odd and outrageous stories!

Lansdale’s writing style ranges from shocking to sentimental, but always surprises with its down-home style and wicked wit. All of the stories contained in this collection are well worth reading. Lansdale’s outlaw-style writing, complete with colorful characters and provocative settings, pops from the pages and makes you eagerly beg for more remarkable tales. This is Texan storytelling at its best – rude, crude and offensive! His stories have a tall tale feel to them, and though they contain many unpleasant circumstances and characters there is also an underlying sentimentality to them. They are both sweet and sour, but leave the reader satisfied in the end.

My favorite story in the collection is Mad Dog Summer, about a young boy in backwoods 1930’s East Texas who finds himself caught up in a sinister and grisly murder mystery. The story is built around the legend of the Goat Man, who legend says roams the woods and preys upon wayward folk. This story sent chills up my spine, especially as told from the point of view of a young boy. The frightening images of the Goat Man standing on the edge of the woods pretty much made me want to dive under the covers. It also deals with issues of racism, harsh (in)justice, intolerance, growing up and learning to do the right thing no matter what. These themes and the well-drawn characters as well as the details that Lansdale incorporates into the story really pulled me in. I truly did not want to put this story down and had to read it from beginning to end!

The strength of Lansdale’s stories rest squarely on the shoulders of his colorful characters, who are usually piss-full of vinegar and colorful language. They mainly hail from the hearty backwoods of Texas or other rural places, living hard lives and encountering many strange creatures, including zombies, mummies and even albino mules. Lansdale breathes spectacular life into these characters as he has them encounter some truly extraordinary experiences. And then there is just the pure and unbridled imagination of Lansdale – where else can you find a crotchety old Elvis stuck in a convalescent home with a black JFK or Godzilla on the road to recovery from his propensity to destroy things? There is nothing in horror literature like the characters in a Joe Lansdale story, that’s for sure!

The Best of Joe R. Lansdale is a must-have book for the lover of the weird, the champion of the bizarre and the fan of the outrageous. If you are looking for a unique experience that will leave you equal parts stunned and nostalgic, frightened and amused, look no further than the “high priest of Texan weirdness” himself, Joe Lansdale.

In Lansdale’s own infamous words, “Come on in – the weirdness is fine.”

Order it on Amazon!

Mad Monster Party (1967)

Looking for something ooky and spooky to watch this Halloween? Look no further than the kooky Mad Monster Party! Created by the same folks that brought you stop-motion animation Christmas specials like Rudolph, the Red-Nosed Reindeer, Mad Monster Party is a howling good time for the whole freaky family!

After finding the secret of life, Baron Von Frankenstein (voiced by Boris Karloff) has finally discovered the secret of destruction (“I, Baron von Frankenstein, master of the secret of creation, have now mastered the secret of destruction”)and is inviting all his favorite monsters to his castle for a celebration! He also plans to announce that he is retiring and bequeathing all his secrets to his (gasp!) human heir, the clueless Felix Flanken (voiced by Allen Swift, who also voiced most of the monsters). The Baron’s assistant, lovely redheaded Francesca (voiced by Gale Garnett), doesn’t take too kindly to the news. She and the other monsters, including Dracula, Frankenstein’s Monster and his Mate (voiced by Phyllis Diller), The Wolf Man, The Mummy, The Invisible Man, Dr. Jekyll/Mr. Hyde, The Hunchback, The Creature from the Black Lagoon and so on, plan on taking Felix out before he inherits the Baron’s secrets!

Mad Monster Party is a mad, mad, mad little movie that is a joy to watch around Halloween! With newly restored editions, I really think they should play this on television around Halloween just like they play all of the other stop-animation movies around Christmas! It’s got some spiffy musical numbers, lots of adult humor and overall just looks amazing!

The character design is amazing, especially considering how many monsters are running around. Besides those mentioned above, there is also the hilarious Chef Mafia Machiavelli (“Here we have the antipasto – black widows pickled in their own poison, smoked lizards and snakes, and marinated mice.”), Yetch, the creepy, Peter Lorre-inspired servant (Yetch: “It’s me, your Don Juan.” Francesca: “I Don Juan to look at you”.), a groovy skeleton band called Little Tibia and the Fibulas (“It’s the mummy!”) and, of course, the uninvited It that crashes the party later in the film!

The scope of the film is very ambitious, and seems much bigger than other Rankin/Bass productions like The Year Without Santa Claus or Rudolph, The Red-Nosed Reindeer. The setting of Baron Von Frankenstein’s towering castle, with its crocodile-filled lagoon and man-eating flora and fauna, is absolutely stunning and really invokes nostalgic feelings from childhood, especially when accompanied by the stop-motion animation! This is definitely one for the spooky kid in all of us!

If you are looking for some light-hearted fare this October, Mad Monster Party is one classic film to check out! Even though they slip some decidedly adult humor in there, it is still suitable for young tots, too! Anyone looking to regain some Halloween spirit should definitely watch Mad Monster Party – it never fails to put me in a kooky mood!

Order it on Amazon!

Interview with Indie Filmmaker Andrew Schrader

Recently I had the stellar opportunity to view one of the most inventive and original indie horror flicks I’ve had the pleasure of seeing this year. Fever Night aka Band of Satanic Outsiders blew me away with its hallucinogenic story of Satanists lost in the woods. It was a real throw back to ’70s acid trip movies, and I mean that in the best way possible!

Made over two years on a minuscule budget, Fever Night is a triumph in indie filmmaking! Recently, I had a chance to talk with co-creator Andrew Schrader about he and fellow creator Jordon Harris’ mini masterpiece. Both Schrader and Harris wrote, directed and basically acted as the entire crew when making Fever Night. Since Fever Night was one of my favorite indie films of 2009, I had a bunch of burning questions to ask Andrew!

Fatally Yours: Hi Andrew! I was seriously blown away by your first film, Fever Night aka Band of Satanic Outsiders. What is the backstory on the film and why did you and co-creator Jordan Harris decide to make it?

Andrew Schrader: Thank you. I don’t know where to start, really…college was coming to an end and we figured it was either make a movie or just find a shitty industry job and jerk off our bosses like everyone else. Originally, the plan was to move to the middle of nowhere to start an artist commune where we were going to experiment with method acting.

But one night, [I] was having a breakdown in the shanty out back where [we] lived, and Jordan came in to talk. We basically decided right then and there that we were going to make a horror movie, and that was the end of it. So, on graduation day, we met up at eight in the morning, got really drunk, graduated, and left for San Diego to start pre-production. All we knew when we started (on Jordan’s mom’s living room floor) was that we were going to make a 1970s acid movie about Satanists. It would be shot in the woods, lit with flashlights. And we knew what the last shot was going to be. That’s it.

Fatally Yours: You mentioned that it took two years to complete the film. How did you manage to have the willpower and passion to see it through to the end and keep inspiring the cast and crew to work on it?

Andrew Schrader: Even at the lowest points, we always said the movie was going to get done. We just resigned ourselves to the project and to the lifestyle, because as long as it took to make it what it needed to be, we knew that it would get done. Sometimes it was really hard to work on the movie, and some times it was all we wanted to do (usually not both of us at the same time). We got really lucky and were able to find actors who had a lot of faith in the project and in us, and genuinely loved the whole process. It definitely helped that we all lived on a bare cement floor in the woods for a month to kick it off – it created a sense of solidarity. Over time, we became close friends; they often inspired us to work harder.

We were two-thirds of the crew, the other was Steven Isaac Getz. At times, he really held the production together – it really helped having a third voice in the mix. He is an awesome guy; he also shot (and is currently making) the feature-length behind-the-scenes doc. He shot something like 60 hours of footage.

Still from Fever Night

Fatally Yours: What were your influences and inspirations when making Fever Night?

Andrew Schrader: Other movies, most of them shitty ones. We wanted to make a really indie film that wasn’t gonna fuck around, and that wasn’t going to have any of the aesthetics of the contemporary horror flicks that were and are still popular.

Shitty movies are the best inspiration because they make filmmaking appear more accessible. You watch a great film like The Shining and think I could never make something like that. Watch Surf Nazis Must Die! and you think, I could make a better movie than that one.

We love watching propaganda and bizarre television, like Fox News. We also saw Crispin Glover’s latest movie, It Is Fine, Everything is Fine which was real cool. That was one of the best movies we’d seen in years. Super messed up, but really awesome. A movie like that could only be made once – I mean, at one specific point in history. Soon after, the main character (a palsy victim) died. Check it out!

Fatally Yours: The look of the film is very hallucinogenic and distinctive. How and why did you decide upon such a stylized palette for your film?

Andrew Schrader: We honestly don’t remember. We had originally written the acid trips as series of images of snakes and fire – just cutting from one to another, like in 70s acid movies. But then we edited a cut or two of the movie and realized we had to do more with it. It didn’t really flow right…

The rape scene was originally edited much differently, but after the hallucinogenic style had been established, we changed it to fit with the rest. We have many different cuts of that scene.

Really, we just wanted to make a cool Satanic acid movie, a new wave horror film. As we reached the next stage in production – whether it was the writing, or the filming, or initial editing, etc. – the movie was constantly changing. It turned out to be a great process for this movie. Very organic.

Fatally Yours: Not only is the film stylish, but it also has a very professional feel to it, despite its low budget and the fact that it is your first directing gig. Did you or Jordan have any formal schooling or training before filming or did you just go for it?

Andrew Schrader: Thank you. We went to UCSB. I was a film and media studies major; Jordan did honors art studio work. There is not really a film program there in terms of production, so in school I focused on film history, theory, and analysis. Essays and such.

We wrote scripts and made shorts on the side. We had written several features. Jordan’s short film work was awesome. I saw a 16mm film he made and told him we should live together the next year.

So came the Bad People commune house in Isla Vista. Six lived there – but the backyard or living room was always buzzing – we would basically just make stuff and play music and write and drink. I think the most training actually came from each other, because everyone pushed each other to be better.

Fatally Yours: The actors in the film are phenomenal. How did you find them and how was it working with them?

Andrew Schrader: All the actors are fucking great, for sure. Trying to remember…we held several auditions. Phil [Marlatt, who played Warren] showed up late, I remember – at the very end of the day.
Peter [Tullio, who played Elliot] showed up as his girlfriend’s chaperone (who was auditioning for Terry). We liked his look and asked him to read. He had this cool greaser vibe going, like a fifties character. And the character was supposed to be a “greaser punk”, so yeah…

We had been drinking for about six hours when Melanie [Rose Wilson] showed up to audition for Terry. I think she was weirded out a bit, but she turned out to be really cool. Michael Q. Schmidt threatened us a bit and then talked to us about Hamm’s beer. Figured he’d be the one for the job. He’s cool, too.

Everyone was really awesome; that’s the thing. I was amazed when Melanie actually flew up to Shasta County, because she came about a week after Peter and Phil. I figured she’d back out – she was basically flying up to a nowhere town in the middle of the forest to sleep on a one-room concrete floor.

And everyone was totally down for whatever needed to be done. They are all the most awesome people to work with, and several of us have become real close.

Fever Night DVD with my quote on the back! :D

Fatally Yours: What were your favorite/least favorite experiences when filming Fever Night?

Andrew Schrader: We have no idea. I think we’re still in post-traumatic shock or something. The most interesting experience, though, might have been watching Michael Schmidt jerk off before his scene for, like, and hour and a half. In plain view. Staring at Vanity Meers. We were so busy setting up stuff, we didn’t think about how creepy it was until we checked out Steve’s behind the scenes footage!

Fatally Yours: What obstacles did you face making Fever Night?

Andrew Schrader: Everything. Money. Time. People. Girls. Money. Girls. Cops. Technology…

Fatally Yours: What advice would you give aspiring filmmakers?

Andrew Schrader: Produce ten times more material than you can actually use. 90% of what you make is going to be shit, so make sure you over compensate. Make sure you know what film you want to make and don’t let anything stop you until it becomes what it needs to be.

Fatally Yours: Are you working on anything else at the moment? What is next for you and your production company, Bad People Motion Pictures?

Andrew Schrader: We have lotsa scripts in many genres we want to do, but right now we’re in pre-production on a teenage melodrama called The Age of Reason. We started working on it in college before Fever Night. It was written for us to play the main characters originally because we thought that no one would want to work with us anyway, but now we figure it’ll be the only time we have the chance, so why the hell not? It’s gonna have a cool style, kinda like Clockwork Orange and a ‘80s PG “coming of age” movie.

Fatally Yours: I know people are clamoring for a DVD release of Fever Night; do you have a DVD release date yet or is there another way people can see the film?

Andrew Schrader: Unfortunately, not right now. There are distributor kits being sent out this week, but until it’s distributed, it’ll be tough to see. We have a lot of music in there, so things are tricky legally. There is, however, a way to see it online…

Fatally Yours: Thanks so much for chatting with us Andrew! 

Andrew Schrader: Thank you! Yer the best!

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Transylvania Television: Season One (2009)

Saturday morning cartoons were always my favorite. I’d get up super-duper early, get myself a big bowl of sugary cereal, plop myself in front of the TV to wait until the early morning agricultural reports were over to watch some toons…until my parents harassed me to get outside and play in the sunshine.

I grew up on puppet shows like Sesame Street, The Muppet Show and Fraggle Rock and always marveled at the colorful and wondrous characters that were on the shows. Heck, I even thought they were real until my parents explained that they were puppets made to come alive by people. Despite the fact that I learned the puppets weren’t real, they still contained a certain magic for me. I still remember my giddiness and joy I had as a child watching these puppet cartoon shows.

So, when I received my copy of Transylvania Television: Season One the kid inside me was desperately clawing to get out. To satiate my inner demon child, I got myself a big bowl of cereal and plopped down in front of the TV to enjoy Transylvania Television.

Transylvania Television is a puppet comedy show that is populated by a bevy of colorful characters that run a television show out of a gothic castle in Transylvania. The characters include a vampire, a bat, a yeti and a Frankestein monster, among others! Here is the official synopsis:

A dysfunctional family of misfit monsters tries desperately to run an obscure television station deep in Transylvania, with worldwide broadcast power and the ability to reanimate dead TV shows.

The Vampire Le Shoc is king of his castle, but struggles vainly to maintain order while taking delight in the suffering of his motley crew of minions. And he ain’t your run of the mill Count, either, he’s a LeStat-dressin’, nosferatu-lookin’, Richard-O’Brien-from-Rocky-Horror-talkin’ creep with some serious issues.

Furry J. Ackermonster, the station’s new intern, is a bright orange yeti, who having recently graduated from an American college, is struggling with student loans, laziness, and a burgeoning pottery collection. Enjoys beer, snowboarding, and hairy chicks.

The station’s majordomo is Batfink, a surf-lovin’, kustom kar creatin’ bat. Think beach blanket beatnik with wings. He manages to keep the station running via the power of the Frankenstein Device, the same contraption that gave life to the Frankenstein Monster. When used to boost the signal of the station, it gives old shows NEW LIFE – and turns them into far-out parodies in the process.

They are joined by Dwayne Frankenstein, a fella who’s wired just a little bit differently than the rest of us. The Frankenstein Monster has been done to death, but you’ve never seen him like this: a brain-damaged, working-class Brit soccer hooligan made from 13 different people. He may sound dense but he’s not naïve, and has been known for moments of brilliance in the midst of an otherwise stupefying existence.

Tune in to Transylvania Television: the Retro Monster Comedy Series that’s really not for kids, not necessarily safe for work, and known to promote skull decay.

Watching Transylvania Television I got that same giddy, unbridled feeling from watching cartoons as a kid…only this time the jokes were dirtier and the language fouler. That’s not to say Transylvania Television has its mind in the gutter…I was expecting something along the lines of Avenue Q, but thankfully for my inner child the “adult content” isn’t that bad. And I still laughed my ass off. Creators Gordon Smuder, Michael Heagle and Clarke Stone have truly created something very special with Transylvania Television!

The look of the series is also great…anyone who loves The Munsters, The Addams Family, Groovy Ghoulies and old late-night horror shows will appreciate the gothic atmosphere of the meticulously decorated sets. Plus, the monster characters fit right in and are a riot! We have the old school Vampire Le Shoc who refuses to use computers…until he gets addicted to the Internet, the dull-witted Dwayne Frankenstein who uses a vacuum for landscaping, the Vampire Le Shoc’s right-hand man, Batfink, Furry J. Ackermonster (love the tribute!), a college graduate just trying to keep his neck and not have Fast Eddie’s House of Ax called on him if he screws up, and Esmeralda, the 90-year-old gypsy with her own variety show called Babushka Buzz. The look of the puppets and the performances of the actors behind them were all amazing. I really think this series deserves a spot on Adult Swim or one of the big horror/sci-fi networks! I would much rather watch the brilliance of Transylvania Television than the crap that is usually on TV!

I loved all of the short episodes included in the disc, but I also wholeheartedly enjoyed the extras! In the “Vintage” section we have older puppet sketches from the creators, including “Chasing Army” where two couch potatoes philosophize on who would win in a fight, the Tasmanian Devil or Animal, a hilarious Star Trek sketch called “Puppet Trek” where Spock keeps prank calling Captain Kirk and more! There is also a section called “Oddities” that features promos for upcoming episodes, contests and so on, plus a hilarious sketch called “Hey Hitler” where little demons are tormenting Hitler in Hell…with bad jokes. These extras are almost as delightful as the episodes!

Transylvania Television is a retro puppet show that is a whole lotta fun and will really connect with both horror and comedy lovers. It’s the perfect gift for yourself or that special someone right now, especially since it is so close to Halloween! You can buy a copy on Transylvania Television’s site!

So what are you waiting for? Put on your pajamas, grab that big bowl of Sugar O’s, sit down right in front of your television set and pop in Transylvania Television! It may not be kid-friendly, but it is Fatally-Yours-approved!

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Magazine Review: Shock Totem Issue 1

Shock Totem is a new print publication that is packed full of “curious tales of the macabre and twisted”. This richly bound magazine, with glossy, full color front and back covers beautifully illustrated by Robert Hoyem, looks like a novel, but is a periodical that not only boasts terrifying tales but also contains dark poetry, reviews and interviews. I had the exquisite opportunity to check out the first issue of the periodical and the expansive contents inside stunned me with their high quality.

The publication opens with an editorial by publisher and editor K. Allen Wood explaining the genesis of the magazine and how the title “Shock Totem” was conceived. The editorial is a perfect introduction to the publication and perfectly captures the excitement and challenges of an independent dark horror magazine. It really gives the reader insight on the complexities of undergoing such an endeavor, especially in these turbulent economic times.

From there, we move into the first short story, the imaginative and whimsical, but no less violent, The Music Box by T.L. Morganfield. The Music Box is about a child’s cherished toys that have a life of their own…and are fighting each other for the love of their owner. This tale brings back warm and fuzzy memories of childhood, when you believed that your stuffed animals came to life every time you left the room or turned your back. Of course, this story has a bit more violence and bloodshed than most childhood memories, but its fanciful tone remains!

Next, we have Murder for Beginners by Mercedes M. Yardley, about two first-time murderesses taking their first kill in stride. I love the wickedly dark humor of this piece as the two killers joke back and forth about their unfortunate victim! First Light by Les Berkley is a story steeped in the pagan and Celtic beliefs of All Hallow’s Eve and is a beautifully written ghost story. I will definitely be pulling this stunning story down from the bookshelf as the cherished month of October creeps closer!

All of the stories contained within Shock Totem are amazing, but Complexity by Don D’Ammassa is probably my favorite, and is a bit more complicated spin on the “ghost in the machine” story. The main character has noticed a certain intelligent design to technology and inorganic products, almost as if technology had a mind of its own and is evolving. Now that he has noticed this underlying force it has noticed HIM and he feels his life is in danger. I absolutely loved this story, and felt that it is especially relevant nowadays when technology basically rules our lives.

I loved the palatial oasis of an Arabic queen where Below the Surface, by Pam L. Wallace, is set. Jealousy, treachery, betrayal and a mother’s undying love for her son all play large roles in this sumptuous tale. Slider by David Niall Wilson is about an infamous baseball that killed a pitcher back in the day and is about to be auctioned off…but carries a deadly curse. The characterization of the two lead characters, the auctioneer and a mysterious old man, is what makes this tale so intriguing to read. Plus, it has one killer ending…

The second-to-last tale is Brian Rappatta’s The Dead March, about a lonely kid who has a special ability to raise the dead. It goes much deeper than a standard zombie tale, though, and has the ability to really make your skin crawl. This is my second favorite story in this issue and really makes me eager to see what Rappatta does next.

Thirty-Two Scenes from a Dead Hooker’s Mouth by Kurt Newton wins hands down for the best title in the magazine! It starts with a prostitute’s death and moves backward through select scenes in her life to show just how her life deteriorated. I really loved the concept of this story and especially loved its unique narrative structure.

Besides the high quality short stories, the first issue of Shock Totem offers readers interviews with legendary splatterpunk author John Skipp, musician and horror comic creator Alan Robert, and horror author William Ollie. In their review section, Shock Totem covers books, films and music. There are also a few dark poems scattered throughout the publication. The end of the magazine offers a very informative section in which the authors of the short stories talk about their inspirations for their respective stories. I loved reading about the back stories behind all the stories I had just read!

Overall, Shock Totem is an impressive small press publication that is impeccably edited and compiled. There is not one section of the magazine that I didn’t like and all of the stories contained within its pages truly impressed and entertained me. You can tell that it is made by horror fans for horror fans! Shock Totem definitely lives up to its tagline of “curious tales of the macabre and twisted” and I cannot wait to see what future issues bring us!

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