Every Other Day is Halloween (2010)

In C.W. Prather’s documentary Every Other Day is Halloween, viewers are taken on a nostalgic and whimsical trip back in time to the golden age of television horror hosts, a time when local TV’s witching hour was ruled by ghouls and boils introducing old black and white movies for a generation of delighted fans. Prather focuses on one of the most well-known and longest running horror hosts, Count Gore De Vol, played by Dick Dyszel, as we are given a glimpse into his wacky world.

Though Count Gore De Vol is a very recognizable horror host and still makes regular appearances at conventions and hosts his own online horror show, I wasn’t that familiar with the character’s creator, Dick Dyszel. This documentary does a wonderful job at connecting the audience to the kind man behind the well-known cape! From his beginnings as playing Bozo the Clown and Captain 20 for local kid’s shows on Channel 20 in Washington D.C., we see Dyszel’s growth and desire to do something for the adults – hence Count Gore De Vol’s first show in 1973!

We are shown lots of vintage footage of Dyszel as his different characters, with the focus of course on the Count. We also see interviews with people Dyszel’s show, Creature Feature, influenced, including writers like Steve Niles (30 Days of Night), filmmakers such as Jeff Krulik (Heavy Metal Parking Lot), Scream Queens Leanna Chamish (Stakes) and Eleanor Herman (Night Beast) as well as a new generation of horror hosts including John Dimes (“Dr. Sarcofiguy”) and Jerry Moore II (“Karlos Borloff”). There are also lots of nostalgic recollections from regular old horror fans who watched his show when they were kids as well as from the man himself, Dick Dyszel. In one touching segment Dyszel recalls having Forrest J. Ackerman on the show and we are treated to rare footage of the interview.

Much of the footage shown in this documentary is rare or has never been seen before, adding to the deeply nostalgic feel of the documentary. Though I was too young to recall Count Gore De Vol’s long-running TV show Creature Feature, I still deeply appreciate the era of horror hosts and especially pioneers such as Dick Dyszel. When horror hosts seemed a thing of the past in the early ‘90s, Dyszel resurrected Count Gore De Vol and decided to host his show on the Internet (and this was back when people were still on dial-up). He is considered the first ever Internet horror host!

Nowadays, we are seeing a resurgence of horror hosts, many who claim Dyszel and his Count Gore De Vol character were huge influences on them. Many of these modern horror hosts are interviewed, including Penny Dreadful, The Bone Jangler, Karlos Borloff and more! It’s amazing to see what a gigantic impact horror hosts like Dyszel made on today’s performers and it’s pretty heartwarming to see such a great guy like Dyszel still getting adoration from fans!

Hard-working horror hosts like Dyszel basically reared a generation of horror fans and influenced a whole new breed of horror hosts to go on and inspire another generation of horror fans. Since many horror fans have horror hosts to thank for introducing them to the genre, it’s quite a treat to watch this documentary and get a behind-the-scenes peek at Dick Dyszel’s long (and still going strong) career as Count Gore De Vol!

If you are looking for a superb documentary that takes you down memory lane, check out Every Other Day is Halloween. It’s a fascinating and fun look at horror host Dick Dyszel’s life and will make you nostalgic for the golden years of horror hosts as well as make you excited for the horror hosts in years to come!

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Book Review: Hammer Glamour by Marcus Hearn

Titan Books is releasing the gorgeous hardbound coffee table book Hammer Glamour on September 29^th, 2009 and I was lucky enough to get a sneak peek at the lasciviously luscious book! Here is the description from the book’s dust jacket:

Over 50 years ago, with the release of The Curse of Frankenstein and Dracula, Hammer Film Productions ushered in a whole new era of blood and barely retrained cleavage in glorious colour, mixing sex and horror with a style and panache that made the small British company world famous.

As well as making international stars of Peter Cushing and Christopher Lee, Hammer quickly became renowned for the stunning actresses who graced its films. Whether it was an exciting new discovery making her screen debut, an exotic foreign beauty, or a Hollywood star, glamour was an essential part of the Hammer formula. From Barbara Shelley baring her fangs, to Ingrid Pitt baring all – not forgetting Raquel Welch in a fur bikini – Hammer knew that “sex sells”.

Bursting at the seams with an astounding collection of rare and previously unpublished photographs from Hammer’s archive and private collections worldwide, and featuring many exclusive new interviews, Hammer Glamour is both a lavish celebration of Hammer’s female stars and a fascinating insight into a bygone era of movie publicity.

Filled with sensual, full-color photographs, Hammer Glamour is like stepping back into Hammer’s heydays of the 1950s,  ‘60s and ‘70’s where horror was filled with voluptuous sex kittens and cheesecake pinups. These sirens of sinema oozed sexuality yet also a certain innocence and playfulness. Hammer certainly didn’t show much restraint when it came to nudity, especially when censorship was relaxed in the 60’s and 70’s, but despite this their leading ladies all exude a sense of style, classiness and timeless beauty.

Where most Hammer books usually just focus on famous leading men like Christopher Lee or Peter Cushing, it’s refreshing to see the ladies of Hammer horror get their recognition in Hammer Glamour. The book evokes a bygone era of glamour and sensuality. I also appreciated the many different looks of the actresses featured within the pages; whether girl-next-door or exotic, blonde or brunette, short or long locks, every actress featured within the pages of Hammer Glamour celebrates the diversity of glamour!

Hammer favorites featured in the book include “glamourpuss” Stephanie Beacham (Dracula A.D. 1972), exotic Martine Beswicke (One Million Years B.C., Slave Girls, Dr. Jekyll and Sister Hyde), classical blonde beauty Veronica Carlson (Dracula Has Risen From the Grave, Frankenstein Must Be Destroyed, The Horror of Frankenstein), vampy twins Mary and Madeleine Collins (Twins of Evil), “buxom redhead” Hazel Court (The Curse of Frankenstein, The Man Who Could Cheat Death), “smoldering sexpot” Vera Day (Quatermass 2), beautiful brunette Caroline Munro (Dracula A.D. 1972, Captain Kronos Vampire Hunter), coquettish Kate O’Mara (The Vampire Lovers, The Horror of Frankenstein), iconic Ingrid Pitt (The Vampire Lovers, Countess Dracula), bombshell Barbara Shelley (The Camp on Blood Island, The Secret of Blood Island, Dracula Prince of Darkness, Rasputin the Mad Monk, Quatermass and the Pit), nymph Madeline Smith (Taste the Blood of Dracula, The Vampire Lovers, Frankenstein and the Monster From Hell) and, perhaps the most well-known of them all, the stunning Raquel Welch (One Million Years B.C.).

I especially liked reading about these ladies’ early films, careers and later lives in the informative biographies that author Marcus Hearn has masterfully written. Reading through the actresses’ biographies you also get a sense of the Hammer studios’ timeline and rise to success as well as its eventual decline. I really love how Hearn gave the reader both an idea of the actresses’ lives while also giving the reader a history of Hammer and how the filmmaking business was run back then.

Besides the insightful antidotes, the real stars of the book are the stunning photographs. Voluptuous vamps, sexy starlets, pouty pinups…the glamorous photographs have it all! Whether promotional pictures for films where the actresses are decked out in corsets and flowing dresses or glamour shots where they are modeling bikinis, all of the photographs are richly decadent!

Overall, Hammer Glamour is a rich book overflowing with the phenomenal female stars of Hammer horror films. It’s full-color pages filled with photos are stunningly gorgeous and its biographies on the stars, with exclusive interviews, give the perfect overview on their lives and careers as well as giving us a peek into the bygone golden era of Hammer films.

Hammer Glamour is a must-buy book for all fans of Hammer cinema, the history of horror and horror’s infamous leading ladies of years past.

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Book Review: George A. Romero Pocket Essential Guide

 

People usually associate George A. Romeo with zombie movies due to his reinvention of the zombie subgenre with his groundbreaking film, Night of the Living Dead and his masterful follow-ups, Dawn of the Dead and Day of the Dead. His zombie films are memorable not only because they are so spectacularly scary and gory productions, but also because they are socially conscious, delivering commentary on consumerism, racism, war, etc. that is still relevant today.

Romeo went on to make two more zombie films in his Dead series – Land of the Dead and Diary of the Dead – and has plans to make more, but people don’t realize just how varied his filmography really is. People tend to overlook his other horror films like Martin, The Crazies, Bruiser in favor of his zombie yarns, but these underrated flicks deserve to be seen too.

In Tom Fallows and Curtis Owen’s new book, the George A. Romero Pocket Essential Guide, the two authors explore many of George A. Romero’s films, horror or otherwise, with an in-depth analysis on each of his works. They chronologically cover Romero’s films, giving us a kind of timeline to chart Romero’s maverick career. Each film is broken down over several categories, including a synopsis, any trouble the production ran into, trivia, social commentary within the film, history, etc. Each entry offers an insightful look at the filmmaking process and Romero’s career.

Authors Fallows and Owen do a marvelous job of covering Romero’s filmography from his well-known Dead series to lesser-known works. The direct and strong writing style ensures that the authors cover a ton of information in a small amount of space. The amount of trivia, facts and other information they have compiled is pretty expansive and covers Romero’s films in-depth. Their enthusiasm is engaging and really makes you want to check out lesser-known Romero titles or re-watch ones you already have. The only complaint I had was what I saw as unfair treatment of Land of the Dead. They barely covered the film and gave it a pretty scathing review, though most of the other films were treated with reverence or at least respect (even the awful Diary of the Dead!).

Beside that, though, the book made me fall in love with Romero’s cinema all over again and actively seek out and re-watch many of his films. George A. Romero Pocket Essential Guide is a must-own for any George A. Romero fan, whether you own all his films or have just seen a few. Either way, you’ll learn a lot about the “Don of the Dead” and come to appreciate his films, both well-known and obscure, much more.

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